"Four Hundred Strikes" filming process
Wu Yusen , known as the originator of "violent aesthetics" , is also a loyal fan of new wave leader Truffau. Wu Yusen’s classic work "Across the World" is adapted from Truffau’s "Jules and Jim" , almostIt is a remake of the story line and characters. Wu Yusen pays tribute to the late realist master Truffau through this film.
"Jul and Jim"
, the leading figure of domestic films, Jia Zhangke , from his first work "Xiaowu" , he has deeply printed the new wave style . "Xiao Wu" and "Exhausted" are very similar, both tell the story of a thief and the hazy love of this thief. The handheld photography of Jia Zhangke is also imitating Godard, and the realism and roughness of the street scenes carry forward the spiritual core of the new wave. especially at the end of "Xiao Wu", when Xiao Wu was watched by the crowd, the curiosity of the crowd facing the camera is similar to the group acting in "Exhausted".
"Xiaowu"
The demise of the New Wave movement is generally accepted in 1964, but the demise is another form of rebirth. Although the new wave movement disappeared, the film form and style it left behind was used flexibly by filmmakers later. Although is no longer a separate group, it has become an important part of world cinema. Compared with the unique style, the more precious legacy left by the New Wave movement is the pursuit of film freedom.