Gezi opera actor Chen Yalan likes to mention the Best Actor Award. As the first female artist in the history of Admiralty to win the Best Actor Award for playing a male role, she created a precedent, allowing actors to have more possibilities.
While everyone praised Chen Yalan's excellent performance, they also started to nominate actresses who have performed well in previous episodes. Many netizens regretted that " The Legend of the New White Lady " was not born in a good era, otherwise Ye Tong would also be able to win a Best Actor trophy .
In fact, when it comes to the "Last Beads" of female movie stars, there is also a god-level existence: "Invincible Xiaosheng" Sun Cuifeng .
Like Chen Yalan, she is a professional singer-songwriter. She is famous for her backstory. Chen Yalan's award-winning play " Jiaqing Jun's Tour of Taiwan " also has a Sun Cuifeng version. In the play, she plays Jiaqing is quite classic. The
actress, Ye Tong, is more like a weak scholar, while Sun Cuifeng's Xiaosheng is tough, with a heroic appearance, generous and natural manners and movements, and has the charm of a handsome man in ancient costumes.
The sassy feeling of the characters from the inside out is quite sultry. Many netizens regard her and Tianhai Youxi as the king of the anti-string world. Everyone knows she is a woman, but they can't help being attracted by the handsome image on the stage. The image of
is deeply rooted in the hearts of the people. Sun Cuifeng has a great influence in the opera industry. It can be said that she is the top superstar in the opera industry. "Kangxi Comes" invites Sun Cuifeng as a guest, and she will specially prepare a superstar sofa for her.
But most audiences know Sun Cuifeng more through film and television works.
There are not many TV dramas she has participated in, but the excellent rate is very high. The performances of " Women's Tour Press " and " Move the Mountains and Falls to the Sea Fan Lihua " were very impressive when they were broadcast, and they are still many childhood memories of the post-8090s. In
"Women's Tour Press", Sun Cuifeng plays the heroine Bao Xiuxiu, who was born in the arena. She has a bold and straightforward personality, and her behavior is eclectic. There is no sense of disobedience after pretending to be a tour press in men's clothes, and the character is funny and handsome.
's line skills are very solid in all aspects. The postures that the singers have cultivated over the years can always make the audience be substituted at first glance, not to mention crushing the current niche. He is also a leader among the older generation of good-looking actors. In
"Female Tour Press", under the charismatic attack of the male protagonist Chen Daoming, Sun Cuifeng still does not lose. The two actors are very simple in appearance throughout, but they have attracted many audiences. There are still non-show CP fans who are obsessed with them on the Internet.
"Moving the Mountains and Falling to the Sea Fan Lihua" is the most classic version of Fan Lihua's IP. Objectively speaking, this female general is very powerful but not very likable. The love brain foundation laid in the original book often makes the audience vomit blood.
But Sun Cuifeng brought Fan Lihua's charm as a female warrior to the fullest. After watching this drama, the audience may not remember the bloody love between Fan Lihua and Xue Dingshan, but they will definitely remember Sun Cuifeng's Fan Lihua. The two starring works of
are all praise-worthy works that the audience will never forget. It stands to reason that Sun Cuifeng can completely transform to specialize in film and television dramas, but until now, her film and television drama works are still very few, and she concentrates on singing operas.
The actor's song opera road is also quite legendary.
Sun Cuifeng's family and Gezi opera originally had a deep connection. Her father was born in Wuqiao County, Cangzhou, Hebei, the hometown of acrobatics. When she was young, she followed the acrobatic troupe to seek a living in Taiwan, and often performed with the Gezi opera troupe.
During this process, the grandfather met his grandmother, who came from a Gezi opera family. His father was good at acrobatics, and his mother knew Gezi opera. It stands to reason that Sun Cuifeng could be nurtured by his family like Chen Yalan since he was a child, and had better conditions for learning opera.
But at that time, the society's evaluation of opera workers was very low. The grandmother, who came from a Gezi opera family, did not want her children to suffer the same hardships again, and hoped that future generations could open up new careers through reading.
So Sun Cuifeng was isolated from Gezi opera since she was a child, and she herself did not have much interest in learning Gezi opera.I chose accounting major and became an ordinary office worker after graduation.
But life is very magical. Sun Cuifeng did not inherit the family business, but because of his mother's family relationship, he met Chen Shengfu , the son of the founder of Minghuayuan, the opera troupe. The two fell in love and got married.
Chen Shengfu is the only member of the Chen family who has never studied Gezi opera. His hobby is making movies, and the husband and wife team is also very prosperous in starting a company to make movies.
But the family atmosphere gradually affected them, one took over the management of the troupe, and the other had the idea of learning opera.
As we all know, professional opera actors basically have a boy's skill . They have practiced singing, reading, and playing since childhood. Many things are not done in one day. When
tried to transform into opera, Sun Cuifeng was already 26 years old. It takes a lot of courage to change careers in the ordinary industry, and the opera industry, which requires ten years of hard work, is even more difficult. The challenges she faces are evident.
At that time, Sun Cuifeng was not even familiar with the pronunciation of Taiwanese, so she learned from 0, because the lines could not be learned quickly. Even though many of the troupe and many staff members were younger members of her family, Sun Cuifeng could only start from the dragon trick.
At the beginning, Sun Cuifeng could only play animals on stage. In "Wusong Fighting the Tiger", it was always the tiger. After three years of acting, Sun Cuifeng got the role of a passerby with only one or two lines. After
finished speaking on the stage and recited the lines of the dragon characters many times in the audience, the staff all stood up and applauded. Only those who are familiar with the work of opera can know how much it takes for Sun Cuifeng to go from being a novice in singing opera to being able to speak lines.
At present, many artist teams love to take the fast route, quickly launching new stars with the resources at hand, quickly turning them into protagonists, and having a wave of loyal fans, but they always hit a wall with ordinary audiences. There is no other reason for
, whether the actors have accumulated, whether they have worked hard, the audience can see.
It took Sun Cuifeng three years to go from animal to passerby. From passerby to finding a suitable stage position for her, it was a process of constantly overthrowing herself and re-training. Every step was taken very carefully and solidly. After
became famous, Sun Cuifeng could easily receive film and television dramas with a larger audience by virtue of his status as a singer-songwriter.
Even, most of the works she participated in are works that have a certain relationship with Gezi opera, such as "Moving the Mountains and Falling to the Sea Fan Lihua", the story of Xue Jiajiang and Fan Lihua, are all commonly created songs in Gezi opera. Can
be a Gezi opera that can bring her more fame and fortune? Obviously not.
Gezi Opera has its valuable artistic value as a traditional opera culture, but the income of practitioners is far less than that of film and television actors. Artists have accumulated decades of fame, which may not be as much as a small flow of dividends.
But no matter Sun Cuifeng or female TV star Chen Yalan, they all have a strong heritage and traditional artist spirit, their love for Gezi opera and their sense of responsibility to carry forward the charm of opera, can always take the upper hand in career planning.
Chen Yalan resigned as a host to sell houses and film. After Sun Cuifeng became a god, she did not try to make quick money. Both of them worked silently in Gezi opera.
Different eras have different life pursuits and pressures. We don't necessarily need to be like these old artists for one show, but perhaps we should retain a little focus, a little heart, and a little sense of responsibility in them.
