The Mid-Autumn Festival is here. If you want to choose a heart-warming and healing movie that is suitable for the whole family to watch, this "Hello, Brother" is obviously the best choice, no matter Ma Li , Wei Xiang , Chang The comedy effect brought by the formation of the Iron Triangle by Yuan, the freshness and interest of the story, as well as the collective memory and emotional temperature contained in it, are highly in line with the atmosphere of the Mid-Autumn Festival.
In the face of the fast-paced and high-load urban life, many people have lost their way home, unknowingly or unintentionally ignoring family affection. Some are overwhelmed by the pressure of their careers and have no time to take care of their emotions. "Hello, Brother" is just in this Mid-Autumn Festival, which is "missing relatives every festive season", bringing everyone back to their families and getting back the love and love they once had. Warm. The story of the
film does not take the usual path. Xiao Wu, the son of the dangerlang who is not a success, accidentally got a way to return to the past when the single father and the old Wu were separated, so he shuttled between the present and the past, with the "brother". The identity matches the fifth and sixth in the young age, thus witnessing an ordinary but wonderful parental love.
The story is very bizarre, but the emotions contained in it are condensed and solid, without deliberately creating dramatic conflict and laughing for the sake of laughing, nor adding a halo to the protagonist's filter, depicting a group of lifelike characters, such as Lao Wu Xing But when he came, Xiao Wu was not worried but happy, fortunate that he had obtained the passbook. In the early 1980s, he enthusiastically helped Lao Wu and Lu Chunli, also out of fear of delaying his own psychology, and then with the understanding of this ordinary In the past of the family, he gradually felt the hard work of his father and mother, and the value of this love. From indifference to care, from estrangement to understanding, Xiao Wu's transformation is real and natural. It is not a special case, but the epitome of the lights of every family .
is the biggest attraction of the film. Ma Li and Wei Xiang, who have turned into box-office kings through ", the killer is not very calm ", will join forces again. The depiction of Liu, from the inside to the outside, restores the appearance of the female worker in the 1980s. She is simple, energetic, optimistic, straightforward, and responsible. The balance between the extensive and the delicate is in place, including the righteousness of the angry brother Qiang, the welder The enthusiasm during the competition, the first date was obviously very shy, but when it comes to drawings and techniques, I can talk about it. Through these vivid plots, the characters are portrayed with great affinity and a lot of laughter.
Wei Xiang and Chang Yuan's performances are also very good. The two are "brother" and younger brother at one time, and father and son at the same time. The constant changes in identities and emotional relationships have created many laughs, such as Xiao Wu's transformation into "Monkey King". "To vent my anger at the door of the singing and dancing hall to play strong brother, the welder competition Xiaowu gave Lao Liu breakfast, and the copper ring was too small to make Lao Wu almost lose his finger. These all create laughter and show the emotions of the characters. The world allows the audience to laugh without losing emotional resonance. They are repeatedly touched by tears, and then realize the value of family affection.
Watching "Hello, Brother" is by no means a simple comedy experience, but more of a feeling of family affection, a memory of the times, and some young audiences may be unfamiliar with the factories shown in the film, but it does not prevent them from understanding the plot. , because it condenses the youthful memories of the fathers, factory baths, workshops, canteens, competition fields, dance halls, restaurants by the lake, the scenes and props in the picture are very textured, and truly show the big and small 1980s and 1990s. Factory temperament, simple, simple but full of vigor.
Based on such a vivid image language, the film realizes the coexistence of warmth, hilarity and tear-jerking, so that these multiple elements not only do not exclude each other, but instead achieve the effect of mutual promotion and stimulation. become meaningful. Therefore, among the many films in this year's Mid-Autumn Festival, "Hello, Brother" has become a must-see that cannot be missed.
