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1905 Film Network News With the grand opening of the 28th China Golden Rooster and Hundred Flowers Film Festival on the evening of the 19th, Xiamen has officially entered the "Golden Rooster Time". On November 20th, the main activities of the film festival were in full swing: director Xue Xiaolu, starring Lei Jiayin and Tang Wei brought "The Whistleblower" to the screening unit to promote this new film that will officially land in theaters in December; Hu Mei and Wan Macai Dan, Gan Jianyu and other new and old directors gathered in the "Director's Forum" to discuss the individual expression and the demands of the times in creation. The
movie channel "The 32nd China Film Golden Rooster Award 5G Panoramic Live Broadcast" is in progress simultaneously. The "Star Ocean Actor Project" that exploded the topic yesterday, continues to dominate the screen today. After the complete sound source and MV highlights of "Stars and Seas" went live, young actors took turns to contract hot searches, and the whole network was full of attention. The latest task of "Golden Rooster Knocking on the Door" was completed by Wen Bixia and Wang Sen. We followed them into the theater to discover what important role movies played in the lives of Xiamen people.
Golden Rooster Director’s Forum Hu Meiwan Ma Caidan discusses personality expression under the demands of the times
On November 20th, the 28th China Golden Rooster and Hundred Flowers Film Festival Director’s Forum was held in Xiamen. Famous directors Hu Mei, Wanma Caidan, Zheng Dasheng and the new director Wubai , Huo Meng, Cui Siwei, Gan Jianyu, Gu Xiaogang and others started a dialogue. The theme of the forum is "Individual expression and the demands of the times". While conforming to the demands of the times, how directors maintain their individual expression, highlight their own style, and persist in artistic exploration have become their main topics of discussion.
Hu Mei started from her own experience. She revealed that she was a female filmmaker. The reason she became the director of major historical film and television works was because of the TV series "Yongzheng Dynasty". At that time, she didn't want to be simply labeled as a female director, so she chose to make male historical dramas. "Yongzheng Dynasty" was a great success, and investors have been looking for her to shoot such subjects. Director
Wanma Caidan selects themes through intuition and at the same time relies on the judgment of professional experience. Both "Talow" and "Battered a Sheep" are based on his novels. "It depends on whether the subject matter is suitable for making a movie. If not, I will write the observed material into a novel first."
Hu Mei, Wanma Caidan, Zheng Dasheng
In recent years, "I am not the god of medicine", "find you", "the nameless", "dog thirteen", "you of young man" and other realist movies have caused a enthusiastic response from the society, realist movies Creation has also become a hot topic in the industry.
Regarding the concept of realism, Hu Mei said that she had proposed to herself the creation method of "new historicism" in the past. Although she often photographed historical works, she said that she used realism to deeply understand the historical life patterns of various ages. Trying to restore the historical aspect, and at the same time make it easier for modern audiences to understand, including the film "Dream of Red Mansions" she is preparing to produce is also this creative method.
Wanma Caidan believes that realism cannot be a single realism, it should be more diversified, including critical realism, psychological realism, magical realism, and other richer extensions and connotations, in order to make the film more individual, "creation" The fundamental feature of the film is to have individuality, and to have individuality in realistic creation.”
Lei Jiayin revealed that he was invited by Tang Wei to play “The Whistleblower”: Without her, there would be no me.
During the 28th China Golden Rooster and Hundred Flowers Film Festival, the movie “Whistle "People" held a special premiere in Xiamen. Director Xue Xiaolu, producer Jiang Zhiqiang, starring Lei Jiayin and Tang Wei attended the press conference and talked about the behind-the-scenes stories of film production.
director Xue Xiaolu revealed at the press conference that Lei Jiayin and Tang Wei are "whistle blowers" in the film, and the specific relationship will be revealed after the film is released. In addition, when talking about the creative process, Xue Xiaolu said that he did a lot of interviews and investigations on the mysterious profession of "Whistleblower". He also filmed across Asia, Australia, and Africa, challenging actions such as speed chase and serial explosion for the first time. The shooting of the scene. The
film is the first big screen collaboration between Lei Jiayin and Tang Wei. Tang Wei revealed that she actively invited Lei Jiayin to act as her partner after reading the script. "This actor is too important, much more important than my role." Faced with praise, Lei Jiayin also At the scene "confession" from Tang Wei: "You are very important, there is no me without you!"
Lei Jiayin, Tang Wei "Whistler"
"The Whistleblower" "Golden Rooster Premiere", actor Lu Yan, Yao Chen, Liang Jing, Zu Feng and others were invited to attend. At the post-screening meeting, several guests praised the film for exceeding expectations. In particular, Lei Jiayin was very successful in portraying the role in the film. My friend Yao Chen said bluntly: "Lei Jiayin does not rely on undressing and showing flesh, but also very attractive. It's likable."
On December 6, the movie "Whistler" will officially land on the mainland theaters.
audio source is online! "Stars and Ocean Actors Project" nominates the new power of Chinese film
The theme song "Stars and Ocean", sung by 32 young actors, was performed at the opening ceremony of the Golden Rooster and Hundred Flowers Film Festival. On the 20th, the sound source of "The Sea of Stars" was officially launched. Although the full version of the MV has not yet been officially exposed, the shooting highlights have been quickly contracted to search on the whole network. Many interesting moments in the recording have also been "captured" by the Golden Rooster Awards' 84-hour live broadcast.
Zhou Dongyu, Wang Junkai, Yi Yang Qianxi, Liu Haoran, Chen Feiyu, Xu Weizhou, Song Zuer, Chen Xuedong, Dong Zijian, Gu Jiacheng, Shang Yuxian, Zeng Shunxi, Zhang Xueying, Zhang Zhehan, Chen Duling, Lan Yingying, Li Hongqi, Wang Sen, Zhang Huiwen, Jin Chen, Wang Jia, Li Manxuan, Zhou Ye, Wang Zixuan, Yi Heng, Kuang Muye, Zhu Yan Manzi, Sun Jialing, Wang Qiang, Zhang Haiyu, Wang Xi, Zhang Jingyi, a total of 32 actors were selected into the movie channel "Star Sea" young actor program, And get recommended by senior filmmakers. This plan symbolizes the success of filmmakers and the relay of sailing, and also injects more "new power" into Chinese films. On the second day of the opening of the
Golden Rooster Awards, young actors such as Wang Jia and Wang Qiang who participated in the "Stars and Seas" project also participated in the film channel "The 32nd China Film Golden Rooster Awards 5G Panoramic Live Broadcast", sharing their perceptions of the actor's identity .
The Golden Rooster is knocking on the door: Wen Bixia turns into a film projectionist Wang Sen calls on civilized viewing
Following Song Zuer, Xu Weizhou, Zhang Xueying, and Qiao Shan, the live baton of "The Golden Rooster is knocking on the door" was handed over to Wen Bixia and Wang Sen. As actors, the two are more active in front of the stage and create different characters in their works. This time, they have to go behind the scenes and experience new "characters" in the theater. During the promotional period of
, Wang Sen often followed the crew to the movie theater to "run the road show", but it was the first time for him to "operate" as an ordinary theater employee. Selling movie tickets, making popcorn, cleaning the studio, delivering leaflets... After experiencing a complete set of workflows, Wang Sen is already sweating and deeply moved.
For example, in the process of helping the cleaning sister of the theater to clean up the theater, he looked at the various garbage scattered on the spot, and he couldn't help but call out, hoping that some audiences would be "civilized watching the movie", which would relieve the staff. Avoid the burden. Of course, Wang Sen also mastered a lot of theater "professional" skills in just one afternoon, such as making "medium pop" (medium barrel popcorn), scanning code and selling tickets, etc., which made him feel full of accomplishment.
Wen Bixia presents gifts to the audience in the exhibition hall
Wen Bixia's cinema experience is more "in-depth". She has always been very interested in the work of projectionists. This time she got the opportunity to come to the rather mysterious projection room to learn how to make light and shadow move on the screen. After the operation was successful, Wen Bixia also walked into the theater and had an intimate interaction with the Xiamen audience who came to watch the movie. In addition to turning into a "projector", Wen Bixia also visited an extraordinary movie poster exhibition. According to the curator, Chinese film started with "Dingjun Mountain" in 1905, and it has been more than 110 years. In this process, Chinese-language films have gone through many different development periods, and the expression of posters has always played an important role, highlighting the unique styles of different films. Mr. He, a collector of
movie posters, also conducted detailed science popularization for Wen Bixia at the exhibition site. According to reports, since he started collecting movie posters at the age of 17, he has saved more than 80,000 works, witnessing the complete evolution of Chinese film posters from printmaking to digital production. Wen Bixia, who listened carefully to the explanation, was very interested in all of Mr. He's collections. The one-day visit also gave her a deeper understanding of the aesthetic style and historical evolution of Chinese movie posters.
