Duan Xiaolou and Cheng Dieyi are a pair of brothers who grew up together when they were young. The two played roles and the other played a role. They have always been seamlessly matched with each other. Especially in "Farewell My Concubine", they are famous in Beijing. Therefore, the two agreed to play "Farewell My Concubine" for a lifetime. However, the two people's understanding of the relationship between drama and life is fundamentally different. Duan Xiaolou knows that drama is not life, while Cheng Dieyi is a human drama. Duan Xiaolou married the famous prostitute Juxian when he thought that he should get married and set up a business. Cheng Dieyi thought that Juxian was a shameful third party and made Duan Xiaolou a traitor. Since then, the three of them have revolved around a "Farewell My Concubine" "The birth of love, hate, love and hatred battle began to escalate with the changes of the times, and eventually lead to tragedy.
This movie is Leslie Cheung’s classic work. The movie also hints at the conflict between the era of feudal thought and the new era of Peking Opera from prosperity to decline. I personally think this movie is very in-depth, and it can even be called the pinnacle of Chinese film history. The current Chinese film cannot surpass it.
is like life, and drama is like life. The characters in the
play are very three-dimensional. Juxian dared to love and hate. It was forced by life to go to Huamanlou. To marry Duan Xiaolou was moved by love. In the end, he committed suicide because of the phrase "not love". . The role of Xiao Si'er is disgusting and disgusting. It is also the essence of the Cultural Revolution. Parents and husbands and wives can fight, let alone Cheng Dieyi and Duan Xiaolou who adopted him. The most distressing thing in the whole play is Cheng Dieyi, who has tasted the sufferings of the world and forced him into a devil.
If you want to be prominent in the past, you will suffer from others. The story of
begins to tell the story of life is not easy, begging for someone to eat. Ten years of work in one minute on stage shows that you have to work hard in everything you do. It also talked about the changing times, the sadness behind the industry, the ugliness of human nature, the pedantry of the old society, the same sex who is not satisfied with the family love, and the hatred of the master. This drama touches people's hearts and feels very depressing. Every child is a victim of that era, persecuted and oppressed. Reluctantly: "I am not a good man, and I am not a female Jiao'e, why..." The two tears that had destroyed the body and mind really didn't know what words and feelings to express.
Everyone has his fate, and his fate.
Xiaodouzi and Xiaoshitou were called to Zhang Gonggong's mansion to perform. The filthyness and licentiousness completely buried a delicate, proud, and stubborn personality. From then on, he could never find his original self in the vast world. Coming out of Zhang Gonggong's mansion, he saw a baby abandoned by the pit. Master Guan just sighed, "Everyone has his own life" and then turned to leave, but he insisted on taking the person back. His own destiny has been so unbearable, how can he bear the mistakes of others.
people get everything done by themselves. Master
told the apprentices the story of "Farewell My Concubine", which made Xiaodouzi listen to God. The phrase "man gets everything from oneself to oneself" makes Xiaodouzi, who has experienced escape and the accidental death of his little friend Xiaozi, aspire to become a cornerstone. And no one thought that Master Guan’s evaluation of Xiang Yu would become a hint to the fate of everyone in the play. Even with a thousand abilities, it would ultimately be no match for fate. His performance in Zhang Gonggong's mansion made them both famous, and Cheng Dieyi's performance was unprecedented. From then on, Cheng Dieyi and Duan Xiaolou can be said to be half the sky. But then the apprentice betrayed and the people criticized the struggle, and the outcome was miserable. The film
tells about the conflict between the era of feudal thought and the new era of Peking Opera from prosperity to decline. The attitude of the Japanese when they watched shows that the quintessence of Peking opera did not die in the hands of the Japanese, but died in the hands of their own. Cheng Dieyi's phrase "Aoki knows drama", who can understand his helplessness, does not respect the classics of his country as much as the Japanese. Japanese people don’t shake people with flashlights when they enter the theater, but what about people in our own country? How ridiculous. If the Japanese leave later, the Peking opera will be passed on to Japan, the attitude of the Japanese when watching operas. It is enough to show the respect of Japanese opera culture and satirize Japan's respect for our country's national quintessence more than other people.
