film and television actors usually have certain considerations when choosing the subject matter and roles of their works. After all, some characters set unpleasant roles, and the audience will even "turn anger at" the actors themselves. But being able to play an unpleasant role that is unforgettable, and even let the audience fully understand or even sympathize with this role, is the strength of a mature actor.
such as "An Jiahe" that makes people look terrifying at a glance, the shadow of childhood "Mrs. Rong"...
In recent years, there is a role "unpleasant" in the popular dramas. The actor who went, she was practicing (training Shumei).
in last year's popular costume drama "Strategy of Yanxi Palace" , practiced as the mother of the fifth elder brother, as the "big pig's hoof" frequently forbearing pleasure. She is cowardly and cautious in the play, timid and forbearing. From the early "no contending with the world" to the later "black revenge", it was finally widely recognized, and the training was performed in many details, step by step.
Especially in the scene where Concubine Gao buried Yu Fei’s son alive, Concubine Yu climbed onto the stage,
pushed away everyone present, and dug out the child by herself. The emotions erupted in a short period of time, which moved countless audiences. .
She is still the female boss who dares to love and hate in the Douban 8.8 high-score drama "Dajiang Dahe" "Wei Chunhong" .
In this play, I practiced as a single mother who runs a restaurant-a character with a style, perseverance, and distinctive personality, and it is recognized by the audience in a short time. This is a strength The touchstone of sending actors.
Whether you are a restaurant owner who is sturdy when eating and drinking with everyone ▼
or a woman who is brave in the face of love ▼
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z0 The strong, independent, and courageous personality blends perfectly.
's practiced acting skills gave Wei Chunhong a living life, and showed the ups and downs of the woman in the period drama in the romantic road to the fullest, so that the netizens who follow the drama never forget the role and shouted: "Wei Chunhong It’s so charming!”
has been in the film for ten years, and the classic characters that have been shaped by training include Song Xiang in "The Orphan of Zhao" , "Three Sisters" , the brave country teacher He Sanmei ... She also played two roles in "In those years, we are young" . In this year's hit costume drama "The Legend of Hao Lan" , the training also has an unforgettable performance. In the next few months, there will be many well-known works to meet with you.
practice for 2019 to be broadcasted works
jump out of the role, the practice outside the theater also relied on the straightforward "big hunger" character to attract fans, brothers and netizens. .
This kind of simple and rude "return" is simply enjoyable, and her interviews often cause extreme comfort.
EQ is online, and golden sentences frequently appear.
On social media, she still be herself, not following suit.
It is not difficult to see that, whether in or out of the play, the training always maintains insight and introspection on female roles and female topics.
In 2015, Practicing starred in the drama "My Sister, Anna" adapted from the novel "Anna Karenina" by Leo Tolstoy, , starring in the drama for the first time, and she trained as a female Lord Anna. The non-repeatability and authenticity of the stage are testing the skills of the actors.
"My Sister, Anna" previous stills
In order to present Anna on the stage, the script has become a thing of practice.
's lines, the intensity of the performance, the control of the rhythm, the one-second transition from happy to angry, the coordination with other actors and the ability of temporary reactions, etc., the play idiot practice forced oneself into nowhere to go.
"I always only gnaw hard bones when I choose a play. I love acting whatever is difficult." With perseverance and long-term rehearsal, exquisitely performed Anna, a character with both classical beauty and modern sense. The first drama challenge was also highly recognized and praised by the director and audience.
past stills of "My Sister, Anna"
This year, I will rehearse Yang Ting's play directed by Yang Ting on the stage of Shenzhen drama "My Sister, Anna" , an actor can be on the screen It’s rare to return to the stage of drama in the golden age. But there is nothing better than the best actors who indulge in the magic of performance.
December 20-21, practice version of "Anna", promise you at Shenzhen Vientiane World Theater!
Deconstruction of a new perspective masterpiece
Pioneer experimental drama style
Powerful stars appear in the finale of
"Vientiane White-collar Drama Festival"
Yang Ting's work "My Sister, Anna" z312.20 Shenzhen, 2019. Tiandi Theater
