is more famous for "The Sword of the Three Young Masters" directed by Ye Dongsheng, "Qi Men Dunjia" directed by Yuan Heping, and "The Climber" directed by Li Rengang released on National Day. He even went to "The Story of the White Haired Witch" directed by Zhang Zhiliang. Mingyue Heavenly Kingdom was an art consultant.
Except for the recent "Climber" which is still excellent, almost all of the big martial arts movies he has produced are expected and disappointing. Far behind the movies he directed.
is actually Tsui Hark’s old line of production. As early as the golden age of Hong Kong movies, Tsui Hark not only directed a large number of classic films, but also all the films he supervised.
This includes Cheng Xiaodong’s "Smiling Proud Jianghu" trilogy, "A Chinese Ghost Story" trilogy, Wu Yusen’s "The True Colors of Heroes 1, 2", Li Huimin’s "New Dragon Inn", Chen Musheng’s "New Crane Needle", Lin Lingdong's "New Burning Red Lotus Temple", Pan Wenjie's "New Shanghai Beach", Li Rengang's "Black Man" and so on. Although
these numerous classic movies are not directed by him, they are all branded with Tsui Hark's works.
This is also the reason why we still regard him as the master of martial arts movies, even though the martial arts films he has directed by his own are only the "Huang Feihong" series, "Green Snake" and "The Legend of Shu Mountain". So the question is
. It is also the producer. Why is there such a big difference between early and recent works? You know, the films he produced in the early stage can be said to be treasures in the hearts of movie fans. The key to
lies in the four characters of Tsui Hark’s works, because early movie titles he supervised would have the words “Tsu Hark’s Works” (except for Wu Yusen’s "Heroic Characters" with a strong style). In the "Works of Tsui Hark" produced by him, we see a strong Tsui Hark style, including a strong sense of motion pictures, a dreamy and blurred artistic conception, profound dialogues, and whimsical creativity. Although these works were not directed by Tsui Hark himself, the core of the film was created by Tsui Hark (he was also the main screenwriter), and Tsui Hark had a great voice in the early days, almost controlling the entire movie, so the success of these movies is Tsui Hark is completely inseparable.
To put it in a more verbal way, the early productions were produced by his film studio, and he was the boss behind the scenes. The director basically carried out his ideas for him, that is, worked for him.
came to the recent production of the film, many of them are to help friends, like the world's first martial arts instructor Yuan Heping is an old friend who has been cooperating with Tsui Hark for so many years, he filmed "Qi Men Dun Jia", it is natural to find Tsui Hark to be the producer To help.
is more about the mainland film capital market, and Tsui Hark’s turn is not available. Investors often find Tsui Hark to supervise the film, and Tsui Hark, like the film director, comes to work. Of course, another reason for
is that Tsui Hark was so strong that he broke up with many partners, including Wu Yusen and Cheng Xiaodong. These were his golden partners at the time, but in the end they were separated by different ideas.
Wu Yusen didn't want to shoot "The True Colors of Heroes 1.2", but Tsui Hark had to shoot a sequel. Finally, Wu Yusen left, and Tsui Hark had no choice but to shoot the third "The True Colors of Heroes 3: Sunset Song" by himself.
Cheng Xiaodong never worked with Tsui Hark on the same stage again, so later the martial arts director of Tsui Hark's film became Yuan Heping.
, who is getting older and older, Tsui Hark no longer wants to offend his peers. He interferes too much in the film and is satisfied with his job as a producer.
So this is the movie produced by Tsui Hark no longer has the four characters of "Tsu Hark's work", in fact, this is not his work, he is just a pure producer.
has to sigh, Tsui Hark is still the same Tsui Hark, but the producer is not the one.
