Film Book: Riding the Wind and Breaking the Waves, a youthful memory of the post-80s

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When A Lang, played by Deng Chao, walked out of the "Beloved" dance hall, the movie went back to 1998. When a series of bizarre incidents make viewers knowingly smile, there may be sourness and aftertaste. This father-son reconciliation really belongs to the post-80s. The beginning of the

Film Book: Riding the Wind and Breaking the Waves, a youthful memory of the post-80s - Lujuba

movie is enough. The father doesn't understand his hobbies, and the rebellious son tells his father with practical actions that I can succeed by "wrong way". However, Alang's "method of proof" cost him, and a collision between a car and a train started the journey through.

Film Book: Riding the Wind and Breaking the Waves, a youthful memory of the post-80s - Lujuba

​​From the Batman in the Country, to the "Justice Gang", to the final "peak showdown" with Huang Zhiqiang, the system shows the youthful memories belonging to the post-80s generation. Among them are the "morning dialogues" between A Lang and his mother, and there is also A Zheng's considerate care for Liu Yi. Among the brothers and brothers with his father, A Lang opened the knot with his father.

Film Book: Riding the Wind and Breaking the Waves, a youthful memory of the post-80s - Lujuba

If you think of "Riding the Wind and Waves" as an ordinary traversing film, you are wrong. There are many explanations in the film. A Lang knows that his environment is false, and he said in the film more than once that he did not know that he could still be here. How long to stay. This also led him to cherish this "parallel time and space". The confession with his mother, the undertaking of the wedding of his parents, and Ah Zheng's accommodating and respect for A Lang all made A Lang recognize his father again.

The entanglement of "Zhengtai" and "Luo Li" in the movie coincides with the age of the post-80s in 1998. This obvious metaphor still exists in the pure "gang dreams" of the two gangs, completely born out of Hong Kong and Taiwan at the time. the film. In the film, Luo Li's sentence "all small people, what big talk" points out the purpose of the film. Of all sentient beings, 99% of us are "little people" in Luo Li's words. But if we are willing to work hard and fight for big talks and big things, maybe it will come true? The death of Children's Day in the movie

means the end of youth. The youth born in the 1980s is more like a beautiful fairy tale, clinging to one's own obsessions, having cynical dreams, the era of the only child, the time flooded with Hong Kong and Taiwan gangster movies, the years of calling for friends and loyalty. It ends when you really need to take responsibility. Between

and his father, there will always be someone who goes from youthful rebellious incomprehension to real reconciliation with him. Whether it is Alang or you or me, my father may not have the so-called "great achievements" in his life, or in your opinion, my father's original choice was too conservative and boring, but when we truly mature, we find ourselves slowly He became him and reached a settlement with his father's "youth". Stay with the person who deeply loves us. Our duty is at least to accompany him to grow old in a dull manner.

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