This year's National Day schedule is special and extraordinary.
The 1.4 billion Chinese compatriots across the country celebrated the 70th anniversary of the motherland, and the lively movie market is also filled with a strong theme this holiday. Three tribute films "Me and My Motherland" and " "The Climber" and "Captain of China" each formed a three-legged trend during this National Day due to their good box office and reputation. The combined box office of the three has now exceeded 4 billion, setting the best National Day box office results so far. It gave birth to this year's pioneering work in the mainland's gross box office that exceeded the 50 billion mark, with remarkable results. The three main themes of
successfully detonated the National Day files. It is inseparable from the film’s qualified story level and good narrative skills, and the family and country sentiments they build for the audience are even more precious, whether it is "My Motherland and Me" The small person’s perspective reflects the rise of great powers and the changes of the times. "Captain China" pays tribute to the heroes of civil aviation by reproducing the real events of Sichuan Airlines' standby and landing. It is also the "Climber" to eulogize the Chinese mountaineers who have conquered Mount Everest through difficulties and dangers. The three films all put their feelings on the ground. Put it on national belief and cohesion. The popularity of the three movies of
is expected to continue until mid-October before the arrival of Hollywood blockbusters such as "Gemini Killer" and "Maleficent 2", and entering the theaters at the end of the year, if there is anything worth paying attention to that reflects the feelings of family and country As for the film, this strong plot crime movie "Chang'an Road" to be released on November 15th must be worth mentioning.
As the first domestic film focusing on the crime of combating cultural relics theft, "Chang'an Road" tells the real case of Xi'an Jingling Concubine Wu Hui's coffin theft. These national first-class cultural relics were stolen and lost overseas in 2005. After nearly six years of long recovery by the police, they were finally able to return to China in 2010. Since the founding of the People’s Republic of China, countless national cultural relics looted during war did not return to the embrace of the motherland along with the reunification of the mainland. The work of recovering cultural relics still has a long way to go, and the cultural relics police have either negotiated with neighboring countries or stolen cultural relics internally. Those who dealt with each other have paid a lot of effort, and they spared no effort to find the national treasure, just for the lofty sense of national honor and mission in their hearts.
"Chang'an Road" not only uses the theme of cultural relic crime to express the importance of protecting the national culture, but also through the complex and multi-faceted character of the protagonists and the fetters between each other, it vividly describes the characters when they are trapped in interests. Inner dilemma. In the film, in order to assist the public security department in uncovering a cultural relic theft, under the cover of her partner Shao Kuancheng, the anti-narcotics policewoman Zhao Hongyu returns to her father Wan Zhenggang, who has not been seen for many years, to investigate his wife Lin Baiyu. Everyone involved in the case buried their own knots. When Wan Zhenggang showed the inherent elegance of a history professor, he also had the unkind side of his words and deeds; Shao Kuancheng was unable to reach the truth while investigating the case. , Also seems to have lost her own life direction; Zhao Hongyu’s image of being full of jealous chaos in front of her father is shocking, which is very different from her police status; as a TV host, Lin Baiyu’s face is not full of time , But endless desire... The complex relationship between the characters is closely intertwined with this case, justice and conspiracy will also start a desperate contest. The cast of
film should not be underestimated. The four powerful actors Fan Wei, Song Yang, Jiao Junyan and Chen Shu use the subversive acting skills of "four people and ten horns" to give each character the most layered value meaning. Such a wonderful configuration of "good actors and good stories" is really rare in the theater movies at the end of the year and should not be missed.
looks forward to a movie like "Chang'an Road" that is both family-oriented and deeply revealing of humanity, which can bring us different surprises like the main theme blockbuster of the National Day file.
