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He is a master of a generation, a hard kung fu, he is also the best martial arts instructor, he has countless auras throughout his life, he is the most kung fu master Liu Jialiang.
Liu Jialiang was born in Guangzhou. His father inherited from Huang Feihong's disciple Lin Shirong. He has a family history. Liu Jialiang also studied martial arts since childhood. In the 1950s, Liu Jialiang joined the film industry. In the 1960s, he was recruited by Shaw Brothers. At first he helped Xu Zenghong shoot a new school of martial arts. Yifeng Zhang Che took a group of Maotou boys to "rally" in the back mountains and borrowed Liu Jialiang and Tang Jia. I helped them shoot "The Three Heroes of Border Town".
In the words of Master Liu, "Catch us after the filming is finished," and that's why "One Armed Sword" was born.
The way of cooperation between Zhang Che and Liu Jialiang is that one of the literary dramas is finished, and the martial arts are completely handed over to Master Liu, and they doze off by themselves.
followed Zhang Che to Taiwan and continued to mess around. When Liu Jialiang wanted to start filming by himself, the two fell apart. Later, there is nothing to say about each other's arguments. Now I can see the most important thing-the point is, Master Liu returned. When I arrived at Shaw Brothers, I sat down with Ni Kuang and talked about the new film.
In 1975, "God Fighting" was released, and "humorous martial arts" started. In the 1980s, Jackie Chan's "Drunk Fist" series was carried forward. But Liu Jialiang, who got more opportunities for directors, insisted on pushing hard. , Boxing routines are applied to the screen one by one: "The Thirty-Six Rooms of Shaolin" is detailed to show the practice methods, "Master of Shaolin Scaffolding" uses architectural skills to enter the martial arts, which is refreshing.
"Wu Lang Bagua Cudgel" and "Eighteen Sheng Wu Yi" basically as the name suggests, the filming is how to play, the play is beautiful, the play is full of tricks, the play is full of enthusiasm, and the academic spirit is even the storyline is simplified, almost level Clear fighting tactics are enough for all the plots of a movie.
Liu Jialiang rigorously and variably brought out all the knowledge of family studies and martial arts, and he has been active until the new millennium. Especially after Shao Di ceased production, few of the martial arts and directors can continue to maintain strong creative power and high production volume. The filmmaker even made his name surpass the Shaw Brothers brand.
Although Liu Jialiang is a real kung fu with a hard bridge and a hard horse, he has always adhered to his own action concept and style. Back then, the two of them fell out when filming "Drunk Fist 2" with Jackie Chan. What Liu Jialiang wanted to shoot was a real kung fu fight, but he did this. It’s not nice to come out. Jackie Chan likes juggling fights. The two began to have conflicts and finally fell out with Liu Jialiang. At the end of the film, Jackie Chan and Lu Huiguang’s classic action scene was still directed by Jackie Chan. Jackie Chan even named him as "Drunk". The action scene designed by "Fist 2" was abandoned and retaken.
Not only that, Liu Jialiang also had a deep conflict with Jet Li. Back then, he filmed "North and South Shaolin". This was the first Shaolin-themed film jointly produced by the Mainland and Hong Kong. It was also this film. Li Lianjie and Liu Jialiang’s unfair views and extremely unfair treatment have caused Jet Li and Liu Jialiang to stay apart. Jet Li even vowed that he would never cooperate with Liu Jialiang.
Jet Li said: "The filming of "North and South Shaolin" is a group of people from different systems (referring to Hong Kong people). They earn 150,000 yuan a month. Even the extravagant actors who play dead bodies on the set are 50 yuan a day. But they only give you 3 yuan a day. They didn’t do anything. You only start to discover the unequal treatment in society. This is the beginning of resistance, and you will start to become angry with your work." The one after
The incident greatly stimulated Jet Li.
Jet Li said: "Sunrise and sunset shots are the most difficult to shoot, because the lens has limited opportunities to capture. It is too late after a minute or two. The light does not wait for anyone. In order to capture such light, work The personnel must start preparations a few hours earlier. On the day of
, the director (Liu Jialiang) asked the mainland staff to arrive at the shooting scene at 2 am. Jet Li and the others waited until 10 am before the director appeared. After he appeared, he said The first sentence is, "This light is wrong, aren't we going to shoot the sunrise? Not todaymade a bid. "
Jet Li's anger has reached its peak:" I suddenly felt that we were being played with. "This also led to Jet Li never cooperating with Liu Jialiang.
It is said that the "North and South Shaolin" paper-making segment is Jet Li's true interpretation, the mood of the set is integrated into the play.
However, no matter what kind of grudge between Liu Jialiang and Jet Li, just say Liu Jialiang The contribution to Kung Fu movies is enough to make us fans pay tribute.
When Tsui Hark was filming Huang Feihong, the first person to look for was Liu Jialiang, but Liu Jialiang and Tsui Hark’s ideas did not match, Liu Jialiang disagrees with Huang Feihong flying in the movie. However, the southern fighters started to learn Beiquan, and the two naturally broke up. After that, Xu Hark found Yuan Heping, and then Xu Harkban's martial arts design was developed. Until 2005, the two talents resolved their suspicions. In "Seven Swords", Liu Jialiang was once again used as a martial arts instructor, only to have the trick of returning to the basics in the seven swords.
For decades, Liu Jialiang has been committed to shooting real kungfu martial arts movies, taking the path of authentic Chinese martial arts, and has been committed to the best The most authentic Chinese martial arts, this is also the style of a master.
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