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is in the happy twist, give everyone a name in the audience's popularity.
Chang Yuan absolutely belongs to the second echelon, except for Shen Teng and Ma Li, who have long since grown from a small stage to a big screen, and eventually become highly national actors.
, apart from the constant production of big screens in recent years, and Alan, who has gradually gone out of the circle, seems to be able to rank far.
He is a very typical actor with a familiar face, a familiar play, and an unfamiliar name.
However, what is very inconsistent with his popularity is that Chang Yuan has extremely rich stage experience in the same age group and his artistic understanding of comedy and performance.
From this perspective, born in 1981, Changyuan, who was born in 1981, has nearly 40 this year. In the Chinese comedy circle that attaches great importance to seniority and seniority, it is almost natural for comedians of the same age to call seniors. of.
Yes, Chang Yuan, who has always appeared on stage and screen as a "sissy", is almost 40. The appearance characteristics and role positioning of
make Changyuan's sense of age missing in many audiences. It makes people feel that such a comedian who performs in such a way should be very young.
After all, actors are becoming more considerate with age.
Chang Yuan is the eldest grandson of Chang Baohua, a senior in the cross talk world, and the fourth generation descendant of Chang's cross talk.
Although the title alone can increase his weight in the circle and in the hearts of the audience for no reason, we rarely see Chang Yuan take the initiative to take this out.
On the contrary, he is very clever to hide his "unnecessary" prefix of .
allows the audience to see their own work first, not their own identity. This is a smart choice.
The four generations of the Changyuan family are all engaged in cross talk work.
In a sense, Chang Yuan’s family history is a century of Chinese cross talk.
Chang Yuan said by himself:
"Four generations in the family, dedicated to the laughter of China for a hundred years."
From the chaotic and chaotic era of cross talk, to the step-by-step development of frontiers, to the gradually mature cross talk market, finally ushered in. With the trend of Internet entertainment, the new comic dialogue.
Chang Yuan started to learn cross talk with his grandfather and father when he was three years old. At the age of six, he went to the Spring Festival Gala stage with his grandfather Chang Baohua.
On the big stage of the Spring Festival Gala, Chang Yuan first met him at the age of six.
The six-year-old Xiao Changyuan appeared with his grandfather on the spring evening.
Chang Yuan at that time had already played the "rival show" with his grandfather Chang Baohua in the Spring Festival Gala.
Chang's family is very strict whether it is a tutor or an art education for younger generations. When he was a child, Chang Yuan lived in Beijing and went to the Quyi School in Tianjin.
practice basic skills every morning and evening, and rush home from the school in Tianjin every week to receive a "review" from the family's seniors.
Chang Yuan later recalled that the most-heard sentence at that time was "Why did you learn this stuff!" from grandpa Chang Baohua:
But now that I think about it, Chang Yuan is very grateful for the strictness of the elders at home, and The comedy nutrient that he has continuously drawn from cross talk.
"Because cross talk is about studying baggage and studying how to make people laugh. It is of great help to my comedy creation on stage, including performance. For example, three and four shakes are obtained from cross talk."
and six Sui Changyuan and his grandfather's performance in the Spring Festival Gala corresponded to that, 's 36-year-old Changyuan brought his grandfather to the stage of "Happy Comedian".
Only this time, the drama relationship between the two is mirrored.
is performing with the supporting role again and again, in the bigBefore being caught by the audience's discussion on the screen, Chang Yuan was already familiar with the drama fans.
went from a small stage to a big screen. The transformation is far from a simple "walking over". The difference in the way of performance in
and the aesthetic difference from the perspective of the audience are issues that test every comedy performer.
is a good comedian who can make the audience sit up and down on a small stage, but may not be a good big-screen actor. This truth has been confirmed many times. Compared with
cross talk , it pays more attention to the point-to-stop, focusing on the subtle and memorable atmosphere when the performer and the audience share a laugh; the sketch is more "candid" More "straightforward", the pursuit is to perform all the irony and all the exaggeration, and the movie has become a sense of drama and story, which is different from "hidden". Unlike "lu", what is needed is to see the story and laugh.
but Chang Yuan’s screen performances, but you can always see the traces of the stage performance, and can wonderfully complete the work of his role.
"The Shameful Iron Fist", "The Richest Man in Xihong City", "Sage of Love", "Charlotte Troubles" these few most popular screen comedies in recent years, Chang Yuan has served as a supporting role in them .
is not the protagonist, but if you recall the impression of these works in your mind, the character of Chang Yuan can always stand out from the rest. The comedy paradigm of
is obviously different from the protagonist's comedy paradigm. It is clearly recognizable, and it is the characteristic of Chang Yuan to play the finishing touch.
uses a few scenes and a few shots to establish the character, which is Chang Yuan's strong point.
used the film critic Europa to comment on Zhang Songwen’s words in "The Storm and Clouds", that is,
, "As soon as I appear in a shot, the character stands still." Not to mention the appearance, the key to his role is to cover his mouth with his hands and smile naturally while talking, supplemented by the slight swing of his head and body. The addition of
comes from life observation. The integration of life observation and performance requires a solid deduction of basic skills.
With this, a very natural female character stands still, and "the actor is a male", which is previously recognized by the audience. The comic effect caused by the contrast of
is perfectly reflected. The comedic effect of
with contrast also appears in "The Shameful Iron Fist".
In a boxing match, Chang Yuan first appeared with a fierce face and fluttering nose.
When the camera is turned, it becomes a "girlish" deeply rooted in the character's temperament, holding the opponent's thigh and saying: I'm good to fight.
This type of performance model appeared in "The Richest Man in Xihong City". In the
movie, Wang Duoyu is a rich second generation who has inherited 20 billion yuan, aiming to spend one billion in a month. Xia Zhu is Wang Duoyu's financial director, recording Wang Duoyu's expenses, and is very disgusted with Wang Duoyu's display of wealth and extravagance.
Liu Jiannan , played by Chang Yuan, appeared in the same image as his girlfriend Xia Zhu. He is a positive energy youth who is not motivated by money. He speaks in various places to promote a positive anti-money worship outlook on life.
contrast, appeared when Liu Jiannan first came to Wang Duoyu's residence.
He came to pick up Xia Zhu from get off work. After seeing Wang Duoyu's mansion, his optimism about anti-money worship collapsed in an instant. In order to be on the list, he proposed to be Wang Duoyu as a gardener.
The whole person goes from being positive and positive to being extremely flattering to money. The theme and point of the
movie are not reflected in the protagonist Wang Duoyu, but in the transformation of Liu Jiannan.
Later, Xia Zhu broke up with him because of the deviation of the three views, and Liu Jiannan's flattery to Wang Duoyu turned into resentment.
is watching the ballAt that time, when he knew the origins of Wang Duoyu's wealth, he changed from resentment to mixed with contempt, jealousy, conceit, and inferiority complex emotions.
in this role of Chang Yuan, condensed the attitude of most people towards money.
looked at Chang Yuan's screen resume and found that the roles he played were often in this position.
has fewer appearances, fewer shots, and great effect. After
gained a certain fame, someone asked him, how do you think he often plays such a more feminine and feminine role?
he replied:
as long as the audience is happy, not to mention feminine, you can play a ghost, I don't care.
's artistic dedication concept of "play is supreme" may be born from the day-to-day training since childhood, and the ears and eyes of the parents.
For "laugh", the audience is always the most demanding.
A little bit of carelessness will magnify in the field of public opinion.
Chang Yuan's artistic dedication based on professional ability, I believe he will soon usher in his own work as the protagonist.
will present exclusive content from a major label every week starting from March 7th, and watching at hi theater will continue to bring you joy.
Chang Yuan will also cooperate with Shen Teng, Allen and others to present the first national free online performance of "A Thief Wants You Prequel". You can read it for free~
This article is written by the author as a special author of "Tou Tiao Li Yujun", come to today's headline to see more in-depth articles about entertainment ~
