is produced by Youku Information Technology (Beijing) Co., Ltd., produced and produced by Xiamen Dingshi Culture Media Co., Ltd., directed by Zhang Yongxin, written by Bian Zhihong, Wu Nan, and Tian Yu, with Xie Ying as director and producer, Mu Xiaoyong and Zhang Xiaozhou as chief producers Filmmaker, the Anti-Japanese War drama "Eight Thousand Miles to the Clouds and the Moon" to commemorate the 80th anniversary of the victory of the Chinese People's War of Resistance Against Japanese Aggression and the World Anti-Fascist War will soon be launched and a concept poster will be released.
"Eight Thousand Miles of Road to Clouds and Moon" takes the Anti-Japanese War as the background and outlines a long scroll of life of ordinary people from all walks of life in the scholar, peasant, industrial and commercial society, surrounded by gunpowder and cooking smoke. The outbreak of the war caused the fate of the cook Meng Wanfu and the general Zhang Yunkui to intersect. Meng Wanfu lived up to Zhang Yunkui's sacrifice on the battlefield and shouldered Zhang Yunkui's entrustment to take care of his family. The life-long friendship testifies to the loyalty that transcends flesh and blood, and reflects the fact that when the nation is in peril, the Chinese sons and daughters unite to fight against the national calamity, and finally usher in victory, holding on to the family and country map of the era when the clouds clear and the moon shines.
The play is jointly produced by Huace Pictures (Tianjin) Co., Ltd., Beijing Gehua Film and Television Co., Ltd., Xi'an Qujiang Film and Television Investment (Group) Co., Ltd., Hainan Yihe Shangde Culture Media Co., Ltd., and Shanghai Dingshi Culture Media Co., Ltd.
Use history as a mirror to gain insight into the national life of the Anti-Japanese War from the perspective of a small person
The year 2025 is the 80th anniversary of the victory of the Chinese People’s War of Resistance Against Japanese Aggression and the World Anti-Fascist War. The smoke of the war was lost in the dust of time, and the joy of victory cannot dilute the reflection on the war - devastation everywhere. How did the land of China turn a corner at a critical moment; how did the national spirit support the backbone of the people in the war years and achieve a breakthrough in the face of death; why did "scholarship" and "forgiveness" become regarded as the most precious treasures and models by the Chinese people? spiritual icon. "Eight Thousand Miles to the Clouds and the Moon" looks back at the war years from the perspective of a small person. The fate of the cook Meng Wanfu and the military general Zhang Yunkui formed a sharp contrast. The war caused them to intersect. From the dual perspectives of the rear and the front Latitude completes a panoramic view of life history and war history. The traditional and modern perspectives outline the legendary life history of the nation during the war in a mixture of sorrow and joy.
Not only that, the play also depicts intellectual women who grew up in merchant families, ordinary girls living at the bottom of society, patriotic young people fighting on the front line of the Anti-Japanese War, etc., forming a cross-section of the society of the times and recording the stories represented by them. In the face of invasion and war, the Chinese people demonstrated the national spirit and aspirations of "every man is responsible for the rise and fall of the world." The contrast was extremely tense and played an aria of tragedy and joy in the hope of saving the nation.
Using the moon as a mirror, "Gathering Hearts and Spirits", a powerful team explores the national character and the spirit of the times
"Eight Thousand Miles of Road to Clouds and Moon" is taken from Yue Fei's impassioned national poem "Man Jiang Hong". The poetic romance and iron-blooded ambition complement each other, and the whole drama has the temperament An unobstructed view of nature: a fusion of history and reality, as well as realism and freehand brushwork. "Eight Thousand Miles to Clouds and Moon" brings together a front-line creative team in the industry, and is particularly good at completing grand narratives from ordinary perspectives.
Director Zhang Yongxin has previously made the beginning of the national spirit deeply rooted in the hearts of the people with his popular "The Awakening Age", especially among young audiences, setting off an "awakening" craze. The national sense of belonging, cultural self-confidence and reality are highly intertextual. The screenwriters Bian Zhihong, Wu Nan, and ⽥第 are known for their profound literary foundation. Their works such as "October Siege" are rich in genre and long-lasting charm. They have subtle insights into the subtle relationship between the big era and the little people, and their emotions are delicate and empathetic.
The concept poster released this time metaphors the deep feelings of family and country and national sentiment contained in "Eight Thousand Miles of Road to Clouds and Moon" - dark clouds roll across the sky, and the center of the whirlpool and storm is a well. In the "well" The moon is reflected, but the "home" under the moon has been destroyed by the invaders. Leaving one's hometown directly affects the painful homesickness. The walls of the well built up by the clouds extend outwards, and finally extend into solid stones, forming the towering Great Wall. Thousands of Chinese people are willing to join the torrent of the Anti-Japanese War as bricks and stones, and the blood and courage of their flesh and blood to build the Great Wall are all unspeakable.The ribbon-shaped stone clouds that make up the walls of the well resemble both crawler tracks and frames of film. The roar of guns and artillery is deafening through the screen, making it soundless than loud.
In addition, in the process of creating "Eight Thousand Miles of Road, Clouds and Moon", the main creators also used the image of "moon" as the title, deeply exploring the connotation and flavor of "moon" in the traditional national spirit, and using it to represent The peace of home and homesickness are integrated into the audio-visual images to create a new audio-visual system and realize the aesthetic practice of Chinese aesthetics and Eastern context taking root in the dramatic situations of war and life. Through Chinese stories based on the feelings of family and country, and characterized by family and family, the anti-war spirit is interpreted, proving the truth that the people are the creators of history; questioning the origin and relationship of where the national spirit comes from and where it goes. and Times Footnotes.
Unlike previous anti-Japanese war-themed dramas, which were war depictions, "Eight Thousand Miles to the Clouds and the Moon" uses a life flow narrative intertwined with sadness and joy to bring dual meanings of creativity and perception, and skillfully balances life and the battlefield. The relationship between them shows their patriotism and national integrity in life, and displays their heroic spirit and belief in victory on the battlefield. This kind of narrative brings individual growth to the forefront of history, using the fate of the "small self" to reflect the rise and fall of the "big self". Through the cultural experience, artistic conception and processing of seeing the big from the small, it can not only prevent the epic from drowning the characters, but also The creative practice confirms the progressive view of history that the people are both the "actors" and "actors" of history.
