Shanghai Beauty Film Studio is 60 years old. As a major animation factory that accompanied the post-80s and post-90s, which animations do you remember?
Shanghai Fine Arts Film Studio is the largest fine arts film producer in China, and one of the oldest animation studios in China . The predecessor of
was the cartoon stock of the Northeast Film Studio. The art group was established in 1949, and moved to Shanghai the following year under the Shanghai Film Studio.
In April 1957, Shanghai Fine Arts Film Studio officially established a factory with three production departments for animation, puppetry and paper-cutting, as well as two subsidiaries: Sino-foreign joint venture Shanghai Yilimei Animation Co., Ltd. and collectively owned Shanghai Fine Arts Film Drawing Factory , The production of cartoons accounted for more than 80% of the national art film output, gradually forming the style of Chinese art films.
The paper-cut cartoon "The Calabash Brothers"
The cartoon "Proud General" and the puppet film "Ma Liang" produced by the Shanghai Fine Arts Film Studio before the establishment of the factory have achieved successful experience in exploring the national style. The direction of nationalization has had an important impact.
In 1958, Wan Guchan led a group of young art film workers, absorbing the artistic characteristics of Chinese folk shadow puppetry and paper-cutting, and successfully shot the first paper-cutting piece "Pig Bajie Eating Watermelon".
Pig Bajie eats watermelon
In 1960, under the guidance of Te Wei and Qian Jiajun, a group of young art film workers put national traditional ink paintings on the screen and produced the first ink and wash cartoon "Little Tadpoles Looking for Mother".
In the same year, Yu Zheguang used children's origami as a modeling method to shoot the first origami "Smart Duck".
In 1960, Shanghai Fine Arts Film Studio held fine arts film exhibitions in 6 cities including Beijing and Shanghai, which were welcomed by audiences and praised by state leaders. In 1962, the exhibition was again shown in Hong Kong and was praised by compatriots in Hong Kong and Macau.
Havoc in the Palace of Heaven
From 1961 to 1964, the color animation feature film "Hit in the Palace" produced by the US Film Studio became a monument in the history of Chinese animation and influenced several generations of Chinese.
The Three Monks
Over the past 60 years, excellent works such as "Mao Tian Gong", "Muddy Flute", "Three Monks", "Bao Lian Lan", "Big Ear Tutu" and other excellent works have been well-known at home and abroad. "Wonder Boy", with a box office of over 3 million, was considered a market success in the film market at that time.
These classic cartoons are all from the Shanghai Art Film Studio (incomplete list):
1958 "Little Carp Jumping into the Dragon Gate"
1958 "Sanmao Wandering Story"
1959 Paper-cut cartoon "The Fisher Boy"
Shanghai Academy of Fine Arts The work of the graduates in the 1960s: "No brains and unhappy"
1960 "Little tadpole looking for a mother"
1963 "Long-haired girl"
1963 "Shepherd the flute"
1979 "Nezhao the sea"
1979 "Panda Department Store"
1980 " Snow Child"
1980 "Nine-Colored Deer"
1980 "Avanti's Story"
1981 "Three Monks"
1982 Ink animation "Deer Bell"
1983 "Tianshu Qi Tan"
1984 "Black Cat Sheriff" "
1987 "Sloppy King"
1988 paper-cut cartoon "Gourd Brothers"
2000 "Baolian Lantern"
2004 "Big Ear Tutu"
Which movie do you have the deepest impression of after watching the animation for so many years?
