The summer film war has already kicked off, and domestic films account for more than half of the country. From the light-following animation "Three Thousand Miles of Chang'an", to "Fengshen Part I: Chaoge Fengyun", which claims to open the first year of fantasy movies, to "In the

The summer movie war has already kicked off, and domestic movies account for most of the country. From the light-following animation "Three Thousand Miles of Chang'an", to "Fengshen Part I: Chaoge Fengyun", which claims to open the first year of fantasy movies, to "In the Octagonal Cage", which focuses on the bottom-level characters, and "In the Octagonal Cage", which is about to continue the summer file Warmth", each of which is a well-made and sincere work. However, not all the films that occupy the prime time of the summer vacation can get a good reputation. Yicheng's "Super Family" is both "misfiring". Now let’s take stock of the gap between the success and failure of these summer movies. "Three Thousand Miles of Chang'an" is the highest-rated one on Douban so far, and it deserves its name. The whole film has a tight rhythm and a coherent and smooth storyline, with the friendship line between Li Bai and Gao Shi running throughout. Li Bai's free and easy, Gao Shi's prudence and tenacity, two top-ranking celebrities with completely different personalities, lead the viewers through the prosperous Tang Dynasty. Li Bai's talent, lofty family and country feelings, majestic and majestic, still shine like a peerless shooting star, shining on my children in China. Especially at the end of the film, when Li Bai read "The light boat has passed the Ten Thousand Mountains", it aroused the resonance of the audience. The score of "Fengshen" is also ranked very high. Objectively speaking, its special effects, story structure, and sculpting of characters are basically accurate. When the movie was just screened, some people complained that Fei Xiang's version of Shang Wang was too "sexy" and showing off his chest muscles did not meet the aesthetics of Chinese people. However, this version is the most in line with Shang Wang's character. It is recorded in "Fengshen Yanyi" that King Zhou was originally a hero, but he was cruel and inhumane hidden under his heroic mask. On the contrary, Jun'an will be safe, and Jun'an will be safe for the host. On the contrary, once the father who is a courtier has two hearts, his son has become an "abandoned son". What a cruel truth. In the face of such cruel facts, how could King Shang Zhou be just a king of wine and meat addicted to beauty, he must be an ambitious king. Therefore, those dramas of melee between gods and demons, father and son confrontation, all make sense, and the protons that show the masculine charm with their topless bodies are not just for the sexy embroidered pillows, but the side evidence of the full personality of the characters. Three days after the release, the public began to understand director Wu Ershan's intentions in the adaptation. After all, there are still two more films to be broadcast, and the audience gradually understands the concealment and foreshadowing of the first film. "In the Octagonal Cage" is the only one of these films that focuses on the disadvantaged groups. Wang Baoqiang's second work is obviously much better than his debut. Some people say that this film is the fur of wrestling dad, but they forget that it is also a true portrayal of director Wang Baoqiang's journey. There is not a single celebrity in the film, but all of them acted out their true selves with a sincere heart without utilitarianism. The director even paid tribute to the realistic subjects that rarely received attention with the courage to look back at the grassroots. Although the techniques used by Wang Baoqiang are still immature in terms of the reversal of the plot and the advancement of certain emotions, the film has a high degree of completion, and the emotions he wants to release to the audience are also fully presented. There is some irony in the sincerity of the whole work, and a little helplessness in the touch. It is a movie worth thinking about. The last masterpiece is "Enthusiasm" that was just screened. With Wang Yibo around, the box office is basically not worrying, but I didn't expect this movie to "ignite" this summer vacation in good faith. After watching the movie, many friends gave director Dapeng a new label, calling him a "commercial film craftsman with quality assurance", and the score can be higher than that given by the previous work. For this kind of "bottoming out" inspirational life theme movie, Dapeng's handling has become more and more handy, and many viewers' comments have been poked into tears. For example, Lao Ding asked Chen Shuo at the final match and said, "I forgot that I danced because of my love in my heart, not for those fame and fortune. For example, in the final decisive game, Chen Shuo and Lao Ding fought back. The lore combo punch. Dapeng already knows how to measure, and secretly hit the tears of the public. "Burn", "excitement", and "blood boiling" have become the imprint of this work for the audience.Well done, we're looking at the ones that have been "kicked out". The first is Allen and Shen Teng's "Super Family", which has the national popularity of Happy Twist Libao and Shen Teng, but it still fails to pull this movie out of the reputation of bad movies. No plot, no logic, pure smirk and money, became the most commented on this film, and some netizens even commented angrily, "Happy Twist is too ugly to eat now", satirizing Shen Teng, "If you make enough money, it will be bad." . The film has already angered the audience, and Shen Teng has been scolding him since his first film. "Charlotte Annoyance" is the first work of Happy Twist, and it is also the capped work. Since then, each one has not been as good as the other. Until I filmed this "Super Family", which made people regret after watching it, it was really chilling. There will be a Hong Kong movie "Sweeping Drugs 3" to take over the bad movie king. Although Liu Qingyun, Louis Koo and Aaron Kwok are guaranteed by several superstar male stars, this movie still only confirms that sentence-20 years ago The filming is over. The stereotype of "Sweeping Drugs 3" is from the beginning to the end. The setting of the protagonist has returned to the three brothers model. The narrative methods such as conflict, friendship, and separation have continued from 20 years ago to the present. Although the audience bought it many years ago, they have played it after all. It's hard to swallow this routine for so long. Even some action scenes, such as when to draw a gun, when to shoot, when to be shot and fell to the ground, etc., are exactly the same as the old routines, which made the audience feel the decline of Hong Kong movies again without any suspense, although they did not report it. Good-looking hope, but still uncomfortable in the throat. The other two films with negative reviews were "Mission: Impossible 7" and "Barbie." The problem with "Mission: Impossible 7" is that it fell into Hollywood's "episode 2" routine, which made it feel like watching a large trailer after watching the film, and the entire character line except for Tom Cruise vague. The CIA secret service team and the female villain are tool people, the character line is unclear, and even the lines of the villain female thug are pitifully few. The film can be evaluated in this way. Except for the updated iteration of Bond’s weapons and the ticket price has doubled several times, the story rhythm, speed car chase, character fights, and emotional direction of the film from beginning to end are exactly the same as 30 years ago. Refreshing the sense of sight of old movies. It is estimated that people who can watch this film are either people who have feelings for Tom Cruise, or fans who are keen on new technology products, nothing else. In the end, it can be said that this "Barbie" does not conform to the aesthetics of Chinese people from the core to the style. The real-life Barbie in the "dopamine" series shouted long live women's rights, while letting people see the ignorance of her empty head. The facial makeup characters, slogan-style lines, and superficial feminism make this movie a boring educational lesson. The ending can be guessed from the beginning, making people boring and drowsy. The failure of these two foreign films also confirms the rise of Chinese films on the other hand. More and more films that meet the tastes of Chinese people make these former Hollywood productions no longer pay for them. Therefore, please Chinese filmmakers work hard to create our own film empire