86版《西游记》
第二：83版《射雕英雄传》
主演：黄日华、翁美玲、苗侨伟、杨盼盼、曾江、刘庆基等
83版《射Although the legend of the Condor Heroes is not as high as "Journey to the West" among the post-80s generation, most of the people who have watched the show should have been born in the first half of the 80s, but it still has many fans. Everyone's martial arts dream of Jin Yong should all start from this drama. The one with the deepest memory in my memory should be Guo Jing played by Huang Rihua. When he defeated the Eighteen Palms of Subduing the Dragon, the double-image action that appeared was very tiger!
83 version of "The Legend of the Condor Heroes"
90s:
Third: 90th edition of "Fengshen Bang" The mainland, China Hong Kong and China Taiwan jointly produced the story of the fox demon Daji confused Shang Dynasty and led Wu Wang to attack Zhou. Back then, "Fengshen Bang" could be said to be a TV series inspired by various childhood enlightenment of the post-80s generation. It not only has bold costumes that transcend the era, but also various special effects interpretations of torture. Under the current radio and television review, it will definitely not pass.
90 version of "Fengshen Bang"
Fourth: 92 version of "The Legend of the New White Snake"
Starring: Zhao Yazhi , Ye Tong , Chen Meiqi and so on
believes that many post-80s girls must have learned the gestures of a white lady.囔囔 muttered to himself the sound of spells, and collectively cursed Fahai for being ruthless and ruthless, envy Xu Xian to be able to hold the beauty back. However, I still don't understand why Ye Tongnan had to pretend to be a woman to play Xu Xian. "Legend of the New White Snake" not only has all kinds of demons and ghosts, but also the love between people and demons. It has to be upgraded by fighting monsters to break through the secular love. It is definitely an excellent flow fairy tale now.
92 version of "The Legend of the New White Snake"
Fifth: 94 version of "Three Kingdoms", 98 version of "Water Margin"
94 version of "Three Kingdoms" The Four Classical Novels. The elders said that the old do not study the Three Kingdoms, and the young do not study Water Margin. After reading these two books, I feel that there is a certain truth. The various conspiracies in the Three Kingdoms are endless, and the rebellion in the Water Margin is also relished. At the same time, the theme songs of the two TV series sung by Mao Amin and Liu Huan respectively are still standard in many people's KTV. The two dramas were absolute big productions at the time. The cast was extremely strong, and the number of people was large. The locations were all over the country. Many of the characters in the play back then are now the mainstays of domestic film and television dramas, and they are already prominent figures who have succeeded and retired. So far, no one has surpassed the various remakes.
sixth: 95 "The Condor Heroes", 97 " Tianlong Babu ", 98 " Luding Ji "
These three dramas are also put together, it is Jin Yong's martial arts novels produced by TVB, the most impressive Three memorable works. 95 "The Condor Heroes" shows how Gu Tianle , Li Ruotong can attract fans, 97 "Dragon Babu" embodies the spirit of chivalrous righteousness for the livelihood of the world, and 98 Chen Xiaochun "The Deer Ding Ji" ", this is not a peerless feat of martial arts, but it can also be reflected in the smoothness and desirability of an official man, which makes the little boys envious of Wei Xiaobao.life like a king. As for "The Deer and Ding Ji", I personally think that TVB has no better martial arts dramas.
95 "The Legend of Condor Heroes"
97 "Dragon and Babu"
98 "The Deer"
Summary:
With the increase in the production cost of TV series, many excellent works have emerged since 2000, such as historical dramas " Taiping Heavenly Kingdom ", " Kangxi Kingdom " Dynasty ", " Yongzheng Dynasty ", police and bandit drama " Black Hole ", " Black Ice ", comedy " Spring Bright Pig Bajie ", suspense solving drama "Juvenile Bao Qingtian" and so on. However, due to the explosion of information and the sharp increase in the number of episodes, the production level of most TV dramas is uneven, and it is rare that one or two dramas dominate the screen. Personally, I think it is mainly due to the following reasons that there are few TV shows that dominate the screen nowadays.
1. Different backgrounds
TV series that dominated the screen in the 1980s and 1990s mainly focused on bringing classic literary works to the screen, such as the Three Kingdoms, Water Margin, Journey to the West, as well as novels by Jin Yong and Gulong . These classics are well-known, and everyone knows a thing or two about them. For the adaptation of related TV series, more emphasis is placed on "restore". By showing the content of literary works as original as possible, they can be approved and recognized by most audiences. At the same time, under the background of the times at that time, the output of TV dramas in one year was absolutely different from that of today. In a period of relatively lack of content, the same work can be broadcast on CCTV and various local stations in turn, and it can also get huge ratings, thus forming a kind of screen domination effect.
2. The structure of the production cost is different. The so-called production cost structure of
is mainly about the proportion of different components in the cost. Taking 1994 "Romance of the Three Kingdoms" as an example, its production cost was about 170 million yuan in that year, nearly 100 million yuan was used to build the shooting base, 12 million yuan was used for the actors' costumes and props, and the salary for one episode of starring was only pitiful. 225 yuan, and the actor Tang Guoqiang , who played the role of Zhuge Liang , who was a creamy boy , lived in a hotel for 2.5 yuan a night. Putting it today, tens of millions of starring remunerations have greatly reduced the cost of props, sets and other staff, and the effect of the work is naturally greatly reduced.
3. Different dissemination channels
's past TV dramas were only disseminated through the TV screen. The audience did not have any right to choose the time, place and content, and the information reception was completely subject to TV media and fixed terminal equipment. With the popularization of mobile Internet and the enrichment of content providers, we can use mobile phones, PAD, computers and other terminals to receive various content, so the probability of watching the same phenomenon-level TV series in a concentrated time is greatly reduced. The viewing methods and content preferences of different audiences tend to be personalized, and it is difficult to make works with a rating of up to 20%.
