Recently, the war-themed film "Liberation•Endgame Rescue", directed by Han Sanping as chief planner, Li Shaohong as director and chief director, and Chang Xiaoyang as director, appeared at the 6th Silk Road International Film Festival. Li Shaohong and Chang Xiaoyang together Step onto the red carpet and interact with the media and audience enthusiastically on the spot. Director and chief director Li Shaohong delivered a speech at the film festival "One Belt One Road Film Exchange and Cooperation Forum", expressing himself on the importance and influence of film as a "national business card", and the original intention of the film "Liberation • Final Rescue". The insights of Chinese filmmakers are called on to speak up for Chinese culture. In addition, during this film festival, Li Shaohong gave great affirmation to the actors' dedicated performance and shared unforgettable shooting stories.
In the live interview, Li Shaohong shared what he thinks of war films: "Everyone has always believed that war films have the function of expressing the entire history and process, but in fact, war is very cruel to the country and ordinary people. "Liberation" • The Final Rescue is such a film that shows the humanity and emotions of wartime, and that everyone has made painstaking efforts, even at the cost of their lives, for the day of victory." The film "Liberation · Final Rescue" was created by Zhou Yiwei, Leading actors such as Zhong Hanliang and Zhong Chuxi. And this time they also boldly broke through the previous screen image, each with their own highlights, which is very exciting.
Zhou Yiwei has left a deep impression on the audience in works such as "Xiuchundao" and "I am not a medicine god" with his extraordinary acting skills. This time he will play Cai Xingfu, the commander of the People's Liberation Army Artillery Reconnaissance Company, and will lead the Liberation Artillery Reconnaissance Team to complete an arduous task-destroying the underground arsenal heavily guarded by the Kuomintang and rescue the hostages held in prison. In previous interviews on the show, Zhou Yiwei, who has a wide play path, said that the most difficult thing in shaping this role is temperament. Cai Xingfu is a soldier who has experienced many battles and tried his best to find ways to narrow the distance with the role. What kind of performance will this time bring? In the play, he also has a son who was lost before the war. Zhou Yiwei and Zhong Hanliang are the same soldiers and fathers. The different interpretations of the two are quite interesting. Director and chief director Li Shaohong said that in order to truly show Cai Xingfu's life after being severely tortured, he was "defeated" on Monday, and he did not hesitate to be "stretched into hypoxia" by the rope.
Zhong Hanliang has always shown his elegant and gentle image, and he also gave the impression of being gentle and gentle in the previous films of "Shocking Reversal" and "Threesome". This time he starred in the Kuomintang quartermaster Yao Zhe, the father of a daughter. Because he knew an unspeakable secret, he became a wanted criminal pursued by the whole city. In dealing with the crisis, how can he take care of his daughter's safety? Before Zhong Hanliang played the role of father relatively rarely, this time the troubled father-daughter relationship with Yao Junlan played by Ulan Tuoya Duo will be a highlight. Director and chief director Li Shaohong said frankly that on the set, Zhong Hanliang became the "one hundred thousand whys" of the crew, focusing on the details of the characters, and helping the crew and themselves interpret the truthfulness of the story.
's stunning Zhong Chuxi in "Fang Hua", this time playing the mysterious singer Mei Yan with dual identities, her bright and moving appearance also makes people shine. Compared with Xiao Suizi, who is romantic and innocent and full of girlish hearts in "Fang Hua", Mei Yan has more mature charm of experiencing worldly affairs. In the cruel and fierce war, Mei Yan has her unknown side and bears heavy responsibilities. She dormant beside Qian Zhuoqun, Chief of the Inspection Division of the KMT Tianjin Garrison Command, waiting for the best moment to complete her mission.
The glamorous girl also has a strong side in front of her family. Outside of the scene, Zhong Chuxi was also very strong when filming. There was a scene in which her hands were strangled by a steel wire. In an interview, she described "It feels like being cut by a knife, I really burst into tears." In spite of this, the performance work is still very dedicated. The director and chief director Li Shaohong affirmed her performance. I believe that after Zhong Chuxi's passionate interpretation, the audience will love this role. In addition, Li Shaohong believes that the sense of reality is an important factor for all audiences to believe in the warfare of the film. In order to present the real side of the war, all the actors are "torn" to varying degrees on the set every day.
"Liberation · Final Rescue" not only has grand war scenes, but also portrays the characters' emotions and missions very delicately and touchingly. The three protagonists boldly break through the screen image this time, presenting a different state of interpretation for the audience, and they will collide with each other.What kind of intense sparks, the answer will be revealed for you on October 25!
The 6th Silk Road International Film Festival has a "Belt and Road Film Exchange and Cooperation Forum". As a guest speaker, Li Shaohong believes that how to move from a film country to a film country is the opportunity and challenge faced by contemporary filmmakers, and it is an issue that everyone should consider deeply. As a "national business card", movies will continue to change the international view of China. Li Shaohong said frankly: "In recent years, many local and local works have appeared in the domestic film market. The appearance of these excellent works has not only realized the continuous output of Chinese culture, but also made the public at home and abroad have updated the national image of China. A deeper understanding." The holding of the Film Exchange and Cooperation Forum not only "injects oxygen" into filmmakers at home and abroad, but also provides countless possibilities for future industry development. At the same time, Li Shaohong also revealed a heavy sense of responsibility: "Each of us Chinese filmmakers should shoulder their responsibilities, gather less and make more, and speak for Chinese culture."
