Recently, the National Day gift film "My Motherland and Me" broke the 2 billion mark at the box office at 17:48 on October 6th, becoming the 18th film in the history of Chinese film that has exceeded 2 billion at the box office, entering 19 years of Chinese movies The fifth place in the box office. It took 6 days and 9 hours for "Motherland" to break through 2 billion. The speed ranks 4th in Chinese film history. The top three are "Reunion 4" (3 days 21 hours), "Wandering Earth" (5 days 22 hours), "Tang Detective 2" (6 days and 6 hours). Has caught up with "Wolf Warriors 2" in 7 days and broke 2 billion. According to this trend, "Motherland" has become the biggest dark horse of this year's National Day. It has only been released for more than 6 days. No one knows what the final result will be.
"Motherland" is a very special movie. As a national holiday theme gift film, it can achieve such good results at such a fast speed. The reputation has not collapsed. The main theme has found a balance between commercial films and literary films. It is not easy, but the standard of this movie is indeed quite good, with 7 directors, 7 chapters, 52 stars appearing at zero pay, cutting into the context of the development of the times from the perspective of ordinary people, which is also different from the previous main theme movies. . After the
movie was broadcast, many people also scored the 7 chapters in the movie when scoring the movie, but it was surprising that Chen Kaige’s "Day Meteor" turned out to be the fastest unit of word-of-mouth loss. Many of them People’s controversy with Chen Kaige has always existed. After all, the taste of holding his son is really obvious, and Chen Feiyu’s nationality is also questioned. Many people think that using small fresh meat in this unit is a failure or straightforward. Said Chen Kaige's level is really bad.
In fact, compared with the previous 6 units, Chen Kaige's "Meteor" is already very friendly to the audience. At least compared with the previous movies, this chapter is already very realistic, and it is also the most meaningful of the 7 chapters. This time, Chen Kaige casts his perspective on the Northwest Desert. In terms of overall control, lens language, and multi-angle narration, none of the other directors can match Chen Kaige. The theme of this unit
is very simple: hope. The narrative of heaven, earth and people from multiple perspectives, the light and dark lines promote the development of the plot, cutting into hope from a "fable" and returning to reality from hope. The open line is the spacecraft's return to voyage, and the dark line is the transformation of the two wandering brothers by Lao Li. The epitome of the group, Lao Li desert planting trees, not only the desert, but also the hearts of the people, but also hope.
This time Chen Kaige is already quite friendly to the audience. In fact, after careful consideration, Chen Kaige's perspective is very unique, the lens language is rich, and subject to space limitations, of course, the flaws are not concealed, not so bad, and it can be regarded as taking care of the audience.
