"Escort" of "My Motherland and Me"
On October 1, the magnificent military parade attracted the people of the whole country. When the new aircraft such as J-20, J-16, Y-9, Zhi-10, etc. The formation flew over Tiananmen Square, and the strong national power behind it was exciting, and the pilot's effort can be imagined.
In the National Day gifting work "Me and My Motherland", which is currently being screened, the paragraph "Convoy" talks about the fulfillment and sacrifice behind the brilliance. Director Wen Muye is the youngest of the seven directors of the film. Although he has the blessing experience of "I am not the god of medicine", he is a "newcomer" among the seven directors. The shooting is so new and unfamiliar. He is under pressure and has done enough homework.
is the only story with a female as the protagonist among the seven stories in the movie "My Motherland and Me". The Escort directed by Wen Muye reproduces the unknown side of the military parade from the unique perspective of a "prepared" female pilot. The exquisite plot description highlights the heroic and heroic attitude of the Chinese Air Force female pilots.
Wen Makino
J-10 has a spirit of sacrifice in peace times.
"Air force pilots are not comparable to other arms, and the rate of success is extremely low. From the beginning of learning to fly to the final boarding of supersonic aircraft, he became a member of the Air Force flight team. It is necessary to strictly complete the high-standard training requirements, and the fault tolerance rate is zero. In other words, the Air Force pilots will be grounded as long as they have one subject, and they will not be able to fly again in the future." Wen Muye said with emotion.
When many people asked Wen Muye why he focused on the profession of "female pilot", Wen Muye explained that he actually liked the special identity of "backup". "This has nothing to do with men and women. They are the best. Only the best can deal with all emergencies, because excellent has become a substitute. This is very contradictory in itself." The situation of such a naturally full of inherent tension made Wen Muye find the shooting parade. Good angle of escort. Another director Guan Hu directed by
teased that Wen Muye was already half an "air force expert" for making this film. Because he was so far away from his own life, Wen Muye also went to the air force to undergo a lot of "training."
A screenshot of Wen Muye's Weibo during the National Day military parade on October 1. When
first entered the air force base, Wen Muye felt that everything was "too handsome." With further contact, he began to understand the deeper foundations under the appearance of "handsome" more and more. "Shuai is definitely not external. I went to interview in the Air Force to find out. I probably know how they have accumulated. Their elite state, fearless state, and their calm state when facing problems is already a kind of The temperament in the bones." 80% of the shots in the
film are actually shot. As the director, Wen Muye's design of the shots is also a brand new attempt. In order to show the most realistic fighter vision, "Convoy" mobilized real J-10 fighters. As all crew members are not qualified to fly in supersonic planes, the team also specially trained the pilots of the J-10 fighter jets to make them truly reproduce the whole picture of flying in the air. Before the pilot photographer went to heaven, Wen Muye drew pictures and various parameters for him, and then came back to read the material adjustments, "I really have no experience, and there is no way to go up, I can only fumble over and over again." Speaking of this shooting experience, Wen Muye Also feel very fresh. As the director of the younger generation,
chose to express the obedience and sacrifice of a military group this time, while Wen Muye also gave the characters plenty of space for personality. When Xiao Song Jia completed the escort mission for his teammates and returned home alone, and made her own beautiful and sassy aerobatics in a place where no one could see, the unknown "high light moment" of the individual was achieved by flying alone.
"This character belongs to the army, and he is also a person in the army. It naturally leads to the relationship between the group and the individual. I try to make two lines, one of which is a very personal journey from childhood. I saw her from childhood. She is longing for blue sky and freedom, so no matter how difficult she faces, she will walk over, but in the end she has to pay for the group, and there is a spirit of sacrifice in the peaceful era. This is what this film is going to say."
viewers can feel the action The happiness of the Chinese
Wen Muye defined the main theme of this creation as a "mainstream value film", and he is proud of the opportunity to become one of the best contemporary film creators to express this era through lens. "'Spirit of escort' is that these female pilots escorted the military parade in the filmIn real life, we film workers should also use our professional capabilities to escort the country's film industry and audiences. "At the Shanghai premiere of the film, Wen Muye said so. After
watched the film with the audience, Wen Muye heartily felt "the pride of being a Chinese." In subsequent interviews, Wen Muye talked about being a young man. A generation’s growth experience felt close to the “motherland” moments, “There were two times, one was Beijing’s successful bid for the Olympics, and the streets were celebrating. At that moment, I felt like my whole body was numb. I think it was from top to bottom. Yes, the country gave the individual strength; another time after the Wenchuan earthquake, when I was sitting in a taxi, taxis all over Beijing honked their horns. I felt a kind of bottom-up, individual to the country. Kind of love. These feelings of
are now also placed in the creation of deep emotions for the motherland, "This kind of thing is unconsciously born, and in the process of making this story, our feelings are already in it. "
"My Motherland and Me" is one of the first-choice films for viewers during the National Day. The box office on the second day of its release has exceeded the 500 million mark. Wen Muye hopes, "The audience can feel sincerely after watching the movie. Growth is very happy, and the future life is full of hope. This should be what the current patriotic films can give to the audience. ”
