Liu Minjun uses the face of the palace to interpret "Mom's Little San", "White Moonlight" is really too real

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   In the past two years, it can be said that there have been more and more TV series about female perspectives. The front foot gave away "Thirty Only", and the back foot came "White Moonlight".

   Speaking of "White Moonlight", this drama can be said to be a lot of reversals, and the biggest reversal should be that Zhang Xin's derailed object turned out to be Yang Yan.

   And the existence of Yang Yan also illustrates a fact that is not consistent with the stereotype-non-traditional minor three.

Liu Minjun uses the face of the palace to interpret 'Mom's Little San', 'White Moonlight' is really too real - Lujuba

  What is a traditional junior? To put it bluntly, it means being young, beautiful and aggressive, all focused on money.

   is like Lin Youyou in "Thirty Only" and Sun Wenwen, who was misunderstood as a junior in "White Moonlight".

  's shaping of Sun Wenwen, no matter what angle she looks at, she best meets everyone's perception of the third party:

   is a kindergarten teacher, young, beautiful and loves money.

Liu Minjun uses the face of the palace to interpret 'Mom's Little San', 'White Moonlight' is really too real - Lujuba

   can be reversed one last time, that third party is actually an inconspicuous, elderly Yang Yan.

   his appearance is not good, he is not as young and beautiful as his original counterpart, and he has a child.

People like

   will never be regarded as a third party. Adding Liu Mintao's "positive palace face" is really surprising.

Liu Minjun uses the face of the palace to interpret 'Mom's Little San', 'White Moonlight' is really too real - Lujuba

   But this is actually not the first "Mom" in a domestic drama. The last one should be Ling Ling, who was just saved by Lin Youyou.

   Today we will take a look at those unremarkable non-traditional juniors around.

Liu Minjun uses the face of the palace to interpret 'Mom's Little San', 'White Moonlight' is really too real - Lujuba

  According to the past practice in real life and in film and television dramas, those who intervene in other people’s marriages must be fangs and claws, bright and beautiful, but in fact, men only play with such women in their hearts. They are really terrible and deliberate. It was those women who seemed unremarkable and even had yellow faces.

Liu Minjun uses the face of the palace to interpret 'Mom's Little San', 'White Moonlight' is really too real - Lujuba

   Yang Yan and Ling Ling are such people. They are also looking for men for one purpose, for their sons.

   Ling Ling wants to find a rich man to raise her son, Yang Yan is fancy Zhang Xin's care for her daughter.

Liu Minjun uses the face of the palace to interpret 'Mom's Little San', 'White Moonlight' is really too real - Lujuba

  Although their goals are different, they are invincible. The reason is the man's inner compensation.

   Therefore, whether it is the rich Chen Junsheng or the not rich Zhang Xin, they all fall in love with the Ling Ling-style third party without exception.

   The marriage of Zhang Xin and Zhang Yi is very problematic. Behind the strong women and weak men is the injury of the self-esteem of men who are not cared for.

Liu Minjun uses the face of the palace to interpret 'Mom's Little San', 'White Moonlight' is really too real - Lujuba

   Because of this, Yang Yan was able to touch Zhang Xin with a few words in his conversation with Zhang Yi and left an impression in his heart.

   Zhang Xin, as a so-called family cook, lives in all kinds of mothers. Yang Yan's inner feelings were sensitively captured by Yang Yan to give comfort, and the two gradually came together.

Liu Minjun uses the face of the palace to interpret 'Mom's Little San', 'White Moonlight' is really too real - Lujuba

   is different from Sun Wenwen. Yang Yan is even crazier. She wants not only money, but also human heart.

   But Yang Yan at that time was already calculating him. For example, he had been paying for the tennis lessons of Yang Yan's son.

Liu Minjun uses the face of the palace to interpret 'Mom's Little San', 'White Moonlight' is really too real - Lujuba

   The same is true for Ling Ling. When working overtime with Chen Junsheng, she will sort out the data and observe that Chen Junsheng is not feeling well in time. She will give him stomach medicine and ask for warmth.

Liu Minjun uses the face of the palace to interpret 'Mom's Little San', 'White Moonlight' is really too real - Lujuba

  This kind of gentleness and carelessness, coupled with their own maternal glory, put the man in the palm of his hand.

   Because of their age experience and marriage failure, they know how to break the peace of a marriage.

   They have no age advantage, so naturally they will not play the tricks that Lin has some. Whether they lick ice cream or give small gifts, they are all too low-level.

Liu Minjun uses the face of the palace to interpret 'Mom's Little San', 'White Moonlight' is really too real - Lujuba

   They have failed in their marriages, so they can grasp the hysterics and helplessness when a woman finds a crack in her marriage.

   Therefore, Yang Yan can use gentleness as the biggest disguise. The surface is gentle, but he can enter the house and make many small movements beside Zhang Yi, without being blamed afterwards.

Liu Minjun uses the face of the palace to interpret 'Mom's Little San', 'White Moonlight' is really too real - Lujuba

   Compared to Yang Yan'sCrazy, Ling Ling is a smaller woman, and her scheming is a little more shallow.

   She has never persecuted Chen Junsheng like Luo Zijun, she will always do what she wants to do with gentleness and gentleness under the banner of giving birth to Chen Jun.

Liu Minjun uses the face of the palace to interpret 'Mom's Little San', 'White Moonlight' is really too real - Lujuba

When

   "forced" Chen Junsheng to divorce, she said, "I love you is my own business, and I want to return you to Luo Zijun", while being pathetic and miserable.

Liu Minjun uses the face of the palace to interpret 'Mom's Little San', 'White Moonlight' is really too real - Lujuba

   Faced with such empathy, and recalled her feelings of coldness and warmth when she had a stomachache, for a while, Chen Junsheng's compassion and machismo were aroused.

Liu Minjun uses the face of the palace to interpret 'Mom's Little San', 'White Moonlight' is really too real - Lujuba

   After returning home, and seeing Luo Zijun who has done nothing, I only think that Ling Ling is the white moonlight.

   Whether it is Ling Ling or Yang Yan, they are familiar with the weaknesses of men and women, and their unassuming, but low-key layout, eventually become the victors who defeat the original match.

   But in fact, their so-called victory is only short-lived, not long-term, and will only lead to another tragedy.

Liu Minjun uses the face of the palace to interpret 'Mom's Little San', 'White Moonlight' is really too real - Lujuba

   After Ling Ling and Chen Junsheng got married, she still used her old method to "design" Chen Junsheng, let her son go abroad to participate in summer camps, but wanted to let Chen Junsheng and Luo Zijun's son stay in Shanghai. Grandma's feelings.

   Later, I also wanted Luo Zijun's son to move out.

Liu Minjun uses the face of the palace to interpret 'Mom's Little San', 'White Moonlight' is really too real - Lujuba

   Once or twice, this white moonlight has also become a grain of white rice, and Chen Junsheng has gradually discovered the disguise behind her gentleness.

   This kind of mother-in-law is often like a chameleon who is good at disguising. After the original partner suspected all the suspicious opposite sexes around her husband, they could not suspect them.

Liu Minjun uses the face of the palace to interpret 'Mom's Little San', 'White Moonlight' is really too real - Lujuba

   Unless they want to be exposed, Yang Yan will deliberately touch Zhang Xin with her unique bow, and Ling Ling will also deliberately communicate with Luo Zijun.

Liu Minjun uses the face of the palace to interpret 'Mom's Little San', 'White Moonlight' is really too real - Lujuba

   Art comes from life. It cannot be said that the third person in life is like this. It can only be said that we should break our stereotype of the third person. The real scary ones will never be those little girls with teeth and claws, but these are not threatening. "Yellow Face Po".

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