The lineup is less than 1%, but it is one of the best Chinese films this year

2019-09-09 13:48:21 news 2638℃

Since "Nezha: The Devil's Child Comes into the World", a Chinese film worthy of discussion has finally appeared in the theaters- "The Taste of Peppercorns" .

Xia Rushu, who lives in Hong Kong, suddenly learned of his father's death one day, and found out that he had a half-sister Ruzhi and Ruozhi in Taiwan and Chongqing. Three sisters from three different regions with different personalities met for the first time at the funeral of their father. They were obviously unfamiliar but also bound by blood. They all faced the trauma of their parents' divorce and the worries of life.

It’s a pity that , although the "flavor of peppercorns" has a good quality, and a lineup of stars like Zheng Xiuwen, Ren Xianqi, Andy Lau, and Zhong Zhentao; but in terms of special nodes and themes themselves, there is still a lack of market power, and it is released third. The daily schedule is less than 1%, disappearing from the audience's vision.

We invited 8 fans to talk about this movie.

comprehensive score: 7 points

8.5

9 points

The emotional communication dilemma presented by the movie is always the dilemma that I struggle in life, this point is particularly popular. I really hope that I will have a warm and reconciled ending like a movie, so I would like to recommend it to my parents and friends. If the misunderstanding can be eliminated, then this movie is good enough. At the end of the

film, the contradiction between "want to be together" and "can be together" is also transferred by such a pragmatic attitude. The key is "together". This is also in line with the title, "Zanthoxylum bungeanum" treats pain with hemp. The problem is not completely solved, but only temporarily transferred. This is not only the wisdom of the Chinese people, but also the helplessness and escape of the Chinese people.

Han three seconds

8 points

Compared with "Haijie Diary", in fact, he still prefers "Beyond Huajiao", an exquisite and practical movie. The three daughters on the three sides of the Taiwan Strait have their own place: the eldest daughter-father, the eldest daughter-mother, and the third daughter-grandmother deal with the relationship, each pair of is very delicate and empathetic . The details of the shooting and production are very attentive. The lighting, long lens and depth of field lens are used in a meaningful way. The rhythm of the several montage passages is a little bit problematic, but it is also very good.

concave and convex

7.5 points

Chinese version of "Haijie Diary". The chicken soup and soundtrack are packed a little bit, but as long as you honestly talk about the Eastern family relationship, it won't be ugly. I wish Sammi won the Golden Statue next year and tasted the hot pot soup, speechless, and the performance is really good!

Xu Ruofeng

7 points

This year's Chinese cinema film is currently TOP3. Compared with some warm and unreasonable original works, this film is a "violent reform and upgrade", which can be regarded as "reverse version of "Haijie Diary"" , about the family and injuries behind each of the three daughters Pain, and think of "People in New York" and "Diet Men and Women" .

The exquisite performances of Zheng Xiuwen and Zhong Zhentao propped up the entire film , and the repeated gazes at the memory are all touching, and the final emotional climax is even more difficult to cry. The tingling and tender relationship between families, the distance and proximity of geographical and psychological positions, some movies will go too far, this one is just fine.

happy split

7 points

is indeed the Chinese version of "Haijie Diary", the general settings are very similar, but does the cross-strait settings have any profound implications? Tears are everywhere, and golden sentences are everywhere: "People remember the bad and forget the good; I need a place rather than a place; leaving this world is like moving a house and living in the heart of a living person; I am also studying hard and learning to speak well; if you have worked hard, you won’t say it’s okay." The Hong Kong part of

is very good, and sammi and Andy Lau and Ren Xianqi are playing rivals with their old partners. It’s like returning to the top. I am really full of gratitude. , The last cry is really explosive . The three-place drama is too scattered and intends to supplement the history, but the handling is awkward and simple, too much information can not beEffective output, it seems that the trend of TV drama is obvious.

Wang Jinwei

7 points

Through the death of his father, he gathered three sisters who had never met each other in Hong Kong. It seems that the magical "Worry-free Hot Pot Restaurant" allows the three sisters to get out of their own difficulties and get healed. The eldest sister said goodbye to her former father, the second sister reconciled with her current mother, and the third sister let go of her mother-in-law's future. Finally, a movie starring Sammi Cheng was not easily released. The original Cantonese version has a more comfortable and natural look than the Mandarin version. The main line focuses on the affection between father and daughter, mother and daughter, and sisters. In contrast, the male supporting role's love branch is slightly redundant. The regional elements of Chongqing are not rich enough.

Xiaoyu

6 points

As the movie title "Smell of Peppercorns" puts it, he uses hemp to cover the pain and transfer their respective pain points. The three women met several times to push each other forward, resolve conflicts through time and compromise, or let go of their reservations, and each stepped back to try to accept each other, presenting a way of coexistence in resolving conflicts in Chinese families. It’s just that, compared to , which is the best and particularly inspiring simple family emotion, , the film is more inadequate in dealing with the specific plots of the characters in the film. -the image of the father at the beginning of the film and the father at the end of the film. The image of, constitutes the effect of echoing from the beginning to the end, but the father's penetration in the film is too concrete, but it makes people feel that this kind of recurrence is inserted, which weakens the daughter's true view of the father himself. The film presents mostly the bitter love after their father’s death after their father’s death, rather than a collage-like method of piecing together the image of the father. This makes it difficult for the father to become the most mysterious character in the film, let alone this way. I really convinced me that my father is the key role for them to get out of the difficult life . The

movie only relies on the eldest daughter played by Sammi Cheng to inherit the main line of the hot pot restaurant as a promotion and build the main emotional line, and the technique is not advanced. In this regard, "Hengdao Shinosuke" is handled very advanced, making Shinosuke a "wandering soul". No one knows it, but everyone misses it. The story of his fragments is more integrated in mutual empathy. His image and emotion. The main content of the three sisters

is also very fragmented. They have met empathy from each other, but in fact they don't have much coexistence, they are all resolved by their own families. The main line of the eldest daughter to confuse the father is emotionally moving, but some of the content of other daughters is a bit utilitarian, , and it is difficult to blend more with the main line, so that their respective stories are very fragmented and difficult to construct a complete flow image. The solution was also a bit too rushed. Failure to get to the root of the contradiction developed into a happy ending of mutual concessions, which is very regrettable.

is still in the shadows

5 points

is not Kee Hirowa, but Chinese chicken soup.