"Jing Xuan Lu" is finally over. My evaluation is that the main line, the outline setting is very good, and the details (especially the emotional drama) are very poor. Some Taoists said that they could not understand "Jing Xuan Lu", but in fact it is different from a previous drama in Pili. Jing Xuan Lu has only one main line from beginning to end, which is to solve the mysterious disaster of the Southern Death Delta and lead to Jingxuanlu plan this big drama (about Jingxuanlu plan, you can go to the homepage to see my article ""Who is the peak of the heroes in the outer world?" Talk about the Jingxuanlu plan", I think Jingxuan The outline of the recording plan is excellent, so I won’t go into details here). The reason why it may not be understood is that its details are poor and it feels too confusing. For example, the good brotherhood between Longsu and Jianzi, Qinhu, and Lushen makes a sound foundation; the meaningless singing of the lord of Haiyu and the little narcissus can make him such a peerless overlord abandon everything for women; Xixiang Qingya, a perseverance and enlightened traitor, was influenced by Jianzi's mouth; Si Xuanying inexplicably gave him a head and so on. I think there are three points for this result.
One is the congenital deficiency of "Jing Xuan Lu". It is too new, the map is newly opened, the story is newly opened, there is basically no foreshadowing during the period of the storm and the devil, and 90% of the characters are newcomers. Take Demon Seal as an example, the big guys in the right path are all classic characters, so there is no need to tell the audience who they are? What are the relationships? What's the experience? What is the character? The audience can understand what they choose in today's plot. The influence of the Central Plains does not need to be introduced, the audience knows it. But Jing Xuanlu is different. Everything has to be started from scratch. It has to create new characters, bury new foreshadowings, and introduce the basic situation of the Southern Territory, so it has no hot spots in the early stage. When the plot unfolds, it is found that there is not enough time. Now, the next stage drama is about to begin.
So there is a second point-chopped drama. At the beginning, 60 episodes were written in the episodes on station b, and it became 50 episodes in the mid-term, and finally 48 episodes ended. I'm just an audience. I don't know how many plots have been cut because of the schedule, and which stories have been cut (such as the content of Tianqiao and Xuqiu, Zuo Wugui's life and death, etc.)? But we complain about the chaotic rhythm, the problem of plot connection, and the character change is too blunt. I think that 60% of the responsibility is to cut the drama.
The third is that the screenwriters are not good enough, they can't write literary drama. Subjective factors such as the language of the characters, the narration, and the goodness of the story vary from person to person, and I think the level is not enough to be able to comment from these perspectives, but the screenwriters even 60 minutes (the length of each episode of Pili Puppet Show) It's all in the early 60s.) The plot can't be compiled, it's not some other problem, but the level is really bad.
Jing Xuanlu talks about what is happening now. It is not a memoir, nor a musical. But it happens that every episode requires at least one hit song. In the past, only a character with a song would have a hit song, and at least two or three dramas would have such a role. Now it has become a story that is not enough. It’s time to fall in love, hit the song; it’s time to fight, hit the song; brothers are going to reminisce about the old, hit the song... And every week, let Jiang Nan Chunxin recall the intersection with the previous classic characters. These two points have no effect in advancing the plot. They are purely for the sake of water time and drag the show. They can’t spend these wasted time in the right place, such as letting the relationship between the Lord of Haiyu and the little Narcissus advance from shallow to deep, making this relationship really love, and making the Lord of Haiyu the final transformation More natural; adding to the daily life on the top of the ruins, making the characters of Xixiang Qingya and Si Xuanying more three-dimensional. If they can make up a 60-minute plot, there won't be so many songs and memories to make up the numbers.
Although "Jingxuanlu" is over, the Jingxuanlu project has just begun. After Xiafeng, you can join the show. Which one is better, the battle of the gods and the Jingxuanlu project that are on the right track? At that time, the screenwriter's strength can be truly reflected, and I hope that the excellent outline of the Jing Xuanlu plan will not be disappointed.
