I must have watched the fake Ghost in the Shell-"Ghost in the Shell" live-action movie review
I watched the "Ghost in the Shell" live-action movie in the cinema last weekend, and after watching it, I hit three on Douban For the star rating, one of the stars was added because of feelings. Let’s just say the conclusion. In my opinion, the live-action movie of "Ghost in the Shell" is a superficial fan script without the essence of ghost in the shell. Oshii Mamoru will cry when he sees it, and Shirou Masamune will cry when he sees it. The very delicate Japanese script that discusses the relationship between the body and the soul is superficially adapted into American personal heroism. The CULT chapter of Moko's search for his own memory is really heartbreaking for fans of the original work.
The first point I criticized for the live-action movie of "Ghost in the Shell" is that although "Ghost in the Shell" selected two animated theatrical stories and incorporated a lot of TV plots, the time of the live-action movie was selected. The line is the story before Mo Zi became Shao Zuo. It can be said that compared to the most classic plots of the first two TV versions, this live-action movie version selected the timeline of ARISE before the transmission of "Ghost in the Shell". Those who have seen ARISE have criticized Chong Fang Ding's script for being inferior to Shiro. The authentic script is not a little bit worse, and the live-action movie of "Ghost in the Shell" further lowered the level of "Ghost in the Shell" on the basis of Chong Fang Ding.
Shi Lang Zhengzong >>> Chong Fang Ding >>>>>>> The live-action movie
is almost like this, the comparison here does not mean that the black Chong Fang Ding is meant. I am also a fan of Chong Fang Ding, but only Shi Lang Zhengzong can restore GHOST IN THE SHELL's world.
Speaking of "Ghost in the Shell", which elements are the most impressive to fans of the original game? I believe that most people will mention the smiley man and the Tachik horse, but unfortunately there is no smiley man in the live-action movie, which pays tribute to "The Catcher in the Rye". There is no Tachik when I just wanted to post on Weibo. It turns out to be the final BOSS when you are horse, please beg my current mental shadow area. Only the classic bridge where Motoko the Pheasant jumped off the roof and a few tributes to the original from the camera are left. I almost forgot that the one who jumped from the top of the building was called Mila from an American...At that time, she still hadn't remembered that she had the memory and personality of the pheasant element.
I wrote in an analysis article 6 years ago that GHOST IN THE SHELL discussed the topic "Does a person have a soul after leaving the body":
Ghost In The Shell extended the discussion on this basis, Is there a soul after a person leaves the body? Does the transformation of the whole body have a soul? Does Android also have a soul? These questions made us think constantly from the world view of SF in "Ghost in the Shell" to the beginning of our soul. Personally, I really like the short stories that have nothing to do with the main line in the first season of the TV version, which deeply explored this issue. For example, Chapter 2 "Baozou no Proof" tells the story of a programmer who put his brain on a chariot after his body died and went back to see his parents; Chapter 12 "Tatsumi no home filming director no dream" in the film supervisor's independent survival brain The story of the movie theater in China, in the world of GAME SF, the audience's body is just a kind of body and restraint, and the "brain" is the carrier of the real Ghost, whether it is a physical brain or a computerized brain.
Of course, discussing the soul, such an oriental script, is directly changed to the movie. The black uncles must have seen a black question mark on their faces. I remember the last animated film that discussed the soul was called "Final Fantasy Soul Deep"... So, The live-action movie of "Ghost in the Shell" changed from discussing the mental dichotomy between soul and body to discussing the relationship between individual existence and memory.
Makise Kurisu’s idol, Heidegger, once said that "human beings are temporal." Human emotions and behaviors are based on past memories. When I write this, I suddenly think of the popular American TV series. "Western World", in "Western World" all these are very profound discussions. It is a pity that in the live-action movie of "Ghost in the Shell", these discussions are just too simple. Although Moko was moved into the false memory, the whole script did not further discuss the influence of the false memory on Moko. As a result, the final plot turned into an American personal heroism of personal resistance to the state apparatus, and Motozi retrieved himself through memory.
Well, if Suzi wants individual heroism, he will be heroism to the end. At the end of the story, he broke his hand and was saved by his peers in 9 lessons. What a ghost. Wait, there are others in Jiuke in this timeline? Isn’t it just Bart’s role before? Where did this sniper come from? The logic of the whole script is messy, not to mention the forced but unspeakable feeling between Mo Zi and the previous trial product.
It might have been a mistake for Westerners to change such an oriental-style cyberpunk. And speaking of cyberpunk, apart from making the whole world feel very cyberpunk through some special effects, it didn't get to the point of real cyberpunk. At least after reading it, I think this is not cool.
The rest is to look at the special effects in the 3D version. As a Hollywood blockbuster special effects, it’s okay. If you enter the stadium with eyes and no brains, it’s a good cool movie. As long as you forget that you are watching "Ghost in the Shell" ".
