The Zhejiang TV station once again acted as a demon, leaving Lu Chuan awake for 48 hours, which directly caused Guan Xiaotong’s work to be too bad

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text/Ma Qingyun

On the evening of December 14, Zhejiang Satellite TV broadcast the latest issue of "I Am the Actor's Peak Showdown". Guan Xiaotong's work "Waiting" on stage was criticized by many guests because of the beginning and end of the story. The director of the play, Mr. Lu Chuan, directly took the responsibility, thinking that this was his own problem, not the actor's. At the same time, director Lu Chuan said with emotion that he hasn't slept for 48 hours for this scene. When a word came out, public opinion was in an uproar.

The Zhejiang TV station once again acted as a demon, leaving Lu Chuan awake for 48 hours, which directly caused Guan Xiaotong’s work to be too bad - Lujuba

Earlier, Zhejiang Satellite TV had already been criticized by a large number of public opinion because of the sudden death of an actor. At that time, actor Gao Yixiang died suddenly while recording the show "Chasing Me" late at night. Since then, Zhejiang Satellite TV has apologized, but in terms of its brothers' variety shows, it seems that it has not curbed its own "overworked" recording method. Director Lu Chuan hasn't slept for 48 hours, making "The Peak Showdown" a target of public opinion.

and director Lu Chuan’s two days and two nights of work rush, did not bring any help to the quality of the program. On the contrary, Guan Xiaotong’s stage work "Waiting" can even be described as rotten. I'm really sorry for the results that "I Am an Actor" has achieved in the eyes of the audience. However, Guan Xiaotong cannot be blamed at all, let alone Lu Chuan. The creation and shooting mode is almost abnormal, and the gods can't produce good works.

The Zhejiang TV station once again acted as a demon, leaving Lu Chuan awake for 48 hours, which directly caused Guan Xiaotong’s work to be too bad - Lujuba

At the end of this issue, it was very embarrassing to announce the audience's voting scores. It directly proved that the content made in time for the project would not win the audience's quality recognition. The work scores of "Peerless Beauty" is only 8.6 points. Such a score was already at the bottom when the quality was high in the past. The second place "Waiting" has only a poor 8.5 points. The third place "Lao Pao Er" only got 8.1 points. The fourth place "Crouching Tiger, Hidden Dragon" scored only 8.0 points.

In terms of voting results for some works that did not meet the deadline, Zhang Guoli and Teacher Liu Zhenyun's "1942" scored 9.3 points. The audience rating of "The Peak Showdown" is obviously higher. Therefore, the first place in this issue is only 8.6 points, which is actually the audience's denial of the quality of all four works. I couldn't sleep for 48 hours, and the work that came out proved to be a complete failure.

The Zhejiang TV station once again acted as a demon, leaving Lu Chuan awake for 48 hours, which directly caused Guan Xiaotong’s work to be too bad - Lujuba

We might as well analyze and analyze these works one by one according to the order of their ranking. Let me talk about the first-placed "Peerless Beauty", starring Liu Xiaoqing and assisting Zhang Jizhong and Tang Guoqiang. This "Peerless Fenghua" tells the story of the famous prostitutes match Jinhua saving the country and the people in the late Qing Dynasty. Teacher Liu Xiaoqing's performance is really good, typical drama. Director Zhang Jizhong's few foreign accents are also burdensome. However, the story of this work is actually very vulgar. Good actor, meet bad story.

Our story creators are always willing to create some female characters when the country is ruined, and the so-called body is used to save the country and the people. It is not in line with reality, and there is a suspicion of prying into the female body's creative consciousness. "Feng Hua Pee Dai" is such a ghost, and Yan Geling's "Jinling Thirteen Hairpins" is exactly the same. This kind of story has little nutritional value, but it promotes the salvation of the female body. This is not much different from the fact that women’s confidantes bring disasters to the dynasty, but they are just two extremes.

Let's talk about the second place "Waiting". Director Lu Chuan said in the program that the work is not good and he is willing to take responsibility. Obviously, Director Lu Chuan knows how to play, and he also knows that this "Waiting" is really too far away. The creators themselves are not willing to wash the ground. This is a good attitude. Regarding its issue, the guests in the comment section have basically made it clear that it is untrue without beginning and end.

might as well talk about Guan Xiaotong's acting skills. "The Peak Showdown" obviously overwhelmed Guan Xiaotong. In "Waiting", there are no characters. Guan Xiaotong plays a role as a helper in a restaurant, but he looks like an actor Guan Xiaotong. "The Peak Showdown" also liked Li Bingbing. But in Li Bingbing's several works, he at least knew that he wanted to "hang characters" in his plays, and he wanted to play roles, not himself. Li Bingbing's acting skills are not enough, but she is willing to disengage herself from star Li Bingbing in terms of appearance. Guan Xiaotong, in "Waiting", made the character more like himself, and made the drama more like a vulgar idol drama. Acting like a star himself, this is typical without acting skills.

Let's talk about the third place "Old Cannon". The original "Lao Paoer" movie is good, mainly on "hanging characters". In the original movie, the character Liu Ye can stand, like an old cannon in Beijing's hutongs. In order to stand this character, the film was shotMany details of life, especially the details of Liu Ye's injustice. Many details were deleted after the film was completed, and fans can only see some deleted clips online. These are the characters on the typical creative techniques, making the characters feel like real. On the stage of "The Peak Showdown", this "old gun" also tried to hang characters to make the characters look real, so he opened the pancake fruit booth.

However, the problem with this version is that all the scenes are rushed and the rhythm is all messed up. On the stage of less than half an hour, it is not enough to hang on to the characters and tell the story of an old gun. When Director Liu Jie dealt with this scene, he was anxious, always thinking about presenting the whole picture, he would lose all the games. As for Yang Kun's performance, how does it resemble the chivalrous uncle Hu of Beijing? This is the gap between him and Feng Xiaogang.

finally said the fourth place "Crouching Tiger, Hidden Dragon". This kind of film emphasizes the realm and neglects the story. When Li Ang was filming this scene, he was overrated. The main reason is that the reading experience of our audience is dated. Why do you say that? In fact, this kind of martial arts novels with the background of the Qing Dynasty are very common in popular novels of the Republic of China. Among the martial arts novels of the Republic of China, there were a lot of works with very high-quality writers, but slightly thin stories. "Crouching Tiger, Hidden Dragon" as a text is but a very dim part of the martial arts in the Republic of China. However, our readers lacked the reading of the martial arts of the Republic of China. When they saw Li Ang's "Crouching Tiger, Hidden Dragon" for the first time, they naturally had a bright feeling.

In recent years, this kind of martial arts works that emphasize the realm and light the story have also begun to increase in the film and television circles. Those martial arts novels and movies by Xu Haofeng are all in this style. Movie fans are not surprised. Therefore, now when the audience watch "Crouching Tiger, Hidden Dragon" on "The Peak Showdown", they think this scene is very ordinary. No matter how hard Hui Yinghong and Meng Meiqi work, the play is too general to be an actor. It is inevitable that this movie has the worst tickets for the audience. Chinese martial arts movies have actually reached a bottleneck period. We must find new breakthroughs.

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