"Fireworks in the Day" director's new work, pre-sale box office of 9 million, Hu Ge's transformation is worth looking forward to

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A few days ago, a picture of Hu Ge and Yi Yanqianxi in the same frame was exposed on the Internet. At that time, the two of them were holding a piece of paper with the word "North" and the other holding a sheet with the word "South". At that time, many people didn't know the meaning of the word paper. In fact, it represented their recent movies. Yi Yang Qianxi's writing "North" means to represent his recent work "Young You", and this work has received wide acclaim, because his role in the play is called Xiaobei, so he wrote " "North".

'Fireworks in the Day' director's new work, pre-sale box office of 9 million, Hu Ge's transformation is worth looking forward to - Lujuba

The reason why Hu Ge uses the word "South" mainly refers to his upcoming movie "The Gathering at South Station", which is why he has the same frame of north and south. Many people have already watched "Youth in the Young", and because "The Gathering at Southern Station" has not been officially released yet, many people don't know much about this work. In the editor below, I will introduce you The highly anticipated masterpiece after You. The

'Fireworks in the Day' director's new work, pre-sale box office of 9 million, Hu Ge's transformation is worth looking forward to - Lujuba

​​movie is starring Hu Ge, Gui Lunmei, Liao Fan and others. The film type is a crime story. Hu Ge also plays a criminal in an uncharacteristic manner. The plot is adapted from real events and tells the story of Hu Ge. The thief leader accidentally killed a policeman, thus fleeing with Liu Aiai, played by Gui Lunmei.

'Fireworks in the Day' director's new work, pre-sale box office of 9 million, Hu Ge's transformation is worth looking forward to - Lujuba

From the trailer, it can be seen that Hu Ge's acting skills are bursting, and the tense and depressed atmosphere runs through the whole film, and every frame of the lens is carefully crafted. Almost all night scenes, what they say is true, the night is gorgeous and magical under various lights and settings.

The chasing scenes, fighting scenes, and gunfight scenes of the gangster scenes also have the director's unique way of expression. It is a movie full of innovation with a unique personal style.

​​At present, the film has been pre-sold, and the box office of the pre-sale has exceeded 9 million, and a small-scale screening has been carried out. From the effect of the screening, the film's evaluation and reputation are still good. The biggest highlight of the film is Hu Ge's acting skills. The scars on Hu Ge's face while speaking in the Wuhan dialect are truly visible. There is no clue that belongs to the actor Hu Ge himself. This is a pleasant surprise.

And he flees alone in the misty rainy night, looking for the light of humanity that shines on the edge of the city. Hu Ge rubbed Zhou Zenong's sorrow and despair into his own eyes, and the moment when he intertwined with his gaze on the big screen, it seemed that the audience could understand Zhou Zenong's life, and it must be said that Hu Ge performed well.

In addition to Hu Ge’s acting skills, the director of this film also has strong skills. This is a desperate film and story full of black aesthetics and poetry. Director Diao Yinan really combined the essence of noir genre movies. The domestic social scenes are well integrated, and a bloody feast was held with the expression of more mature and extreme authors.

Director Diao Yinan’s works may not be familiar to many people. The works he directs have never been absolute right and wrong, black and white. This makes the whole scene constantly trapped in the entanglement of "he is a bad man, no, he is just a poor man". His last work "Fireworks in the Day" is exactly that, and he also relies on this work Won the best film of Berlin film, the strength is evident.

In fact, "Fireworks in the Day" has long been like one of the splendid and prosperous flowers in the editor's heart, but this movie is still as radiant as a beacon, and the whole process is led by that dim tension. In the previous film "Fireworks in the Day", I saw the director’s very strong performance this time, and his bold shooting style left a deep impression on me. It was full of violence and blood, and was full of fierceness. I really didn't dare to shoot like this, only Diao Yinan dared to try it. His courage was commendable.

Hu Ge’s performance on the big screen has not been very good. Even in the National Day movie "The Climber", Hu Ge does not have his tension in the field of TV dramas, but this work may become his rectification work. The reason is that Hu Ge's interpretation of this kind of low-level person is too appropriate.

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