actors please take their place and finally airing, this episode is too exciting. According to the rules of the program group, the alliance between Li Shaohong, Chen Kaige and Zhao Wei and Guo Jingming began a joint confrontation. This is the most exciting play because the cooperation of the director and the actors is the key to victory. However, the first performance produced serious differences, and the scene was full of gunpowder.
The work "I Want to Have a Home" performed by Aaron Yan, Niu Junfeng, Wei Wei, and Yang Di is actually very relevant, but the performance is too idealistic and ungrounded after watching this is the biggest shortcoming. Chen Kaige does not think so, Guo Jingming Zhao Wei didn't like it at the same time, and she argued fiercely at the scene.
Zhao Wei commented: As far as the performance is concerned, I personally feel that every character is stretched open at the beginning, but I think that when everyone expresses a feeling at the end, I can’t see all the characters’ personal characteristics. Up. This is a way of expression without characters but immersed in a touch. This is also a style. (Suggesting that he is very disgusted and disliked, Chen Kaige is displeased on his face)
Guo Jingming took over and commented: Then I will say it straight, sorry, I am a newborn calf not afraid of tigers, I just say it casually. Then he patted Zhao Wei on the shoulder and said that she was too gentle. It means that Zhao Wei's evaluation is too polite. Yes, Zhao Wei still has to take care of the emotions of the old director.
Sure enough, Guo Jingming’s evaluation is quite rude. To be precise, it is sharp and unrelenting. Director Guo Jingming’s evaluation of the whole film from a professional perspective is divided into two levels. One is the script level and the script problem. One of the biggest problems that cause the actors' performance to follow up with problems is distortion. Selling a house and buying a house to get married is a very realistic subject, so your performance in such a realistic subject must be extremely life-like. The first part is really okay, each has what they want to do, and when it comes to the latter part, everyone presents an extremely ideal state, which is very unearthed. I would think I was watching a Spring Festival Gala sketch, very positive and idealistic, but if we mentioned film-level performance requirements, to be honest, we must not dare to act like this in a movie.
Guo Jingming said that the more he became addicted, he said: I don’t believe in everyone’s motives. A character must not be the same person from the beginning to the end. For example, when Weiwei comes up, I must buy a house, and you follow me. Marriage, because you have to prove that you love me, no matter how much my mother agrees to our marriage, this is the beginning of the movie. So in theory, her final point should be that I don't want to buy a house anymore. I will convince my mother that our relationship is most important.
Guo Jingming: Yang Di may be Mom Baonan, I listen to my mother, but in the end, I personally decided to do this. Everyone should have their own arc, including Niu Junfeng, you play You must be very rational in that role, so that your performance can be shaped to help her buy a house. Yang Di, you have to be very rationalized before you can make a good price and sell it to you. Everyone is the same person from the beginning to the end, so this performance lacks a lot of the so-called charm of your characters.
The four actors dared not speak after hearing Guo Jingming's harsh evaluation, and they all took a peek at director Chen Kaige and Li Shaohong.
Chen Kaige did not speak, and was preparing to refute Guo Jingming, otherwise it would be too embarrassing and too embarrassing to lose face.
Guo Jingming went on to say: What makes me uncomfortable is the role played by Brother Ming Dao. In fact, it is a taboo in our screenwriter circles. This taboo is called the God of Heaven. All the protagonists of the movie must end up solving this contradiction by themselves after going through all kinds of hardships and dangers. It must not be the sudden fall of the gods and soldiers to separate the Red Sea and then everyone passed. Ming Dao didn't get involved in your conflicts from beginning to end. In the end, no one had any money. Suddenly Ming Dao showed up and gave the money to everyone to resolve this crisis. As a viewer, I was very angry. I would not stand it when I sit in the cinema. This is like saying that Harry Potter finally met Voldemort, but he couldn't beat it. In the end, a very good fairy came, and Voldemort was killed for help, and you would feel uncomfortable.
So this is a performance with regrets, but because you are very good actors, I have high expectations for you, because we say that the actors are particularly awesome, facing a script with certain logic problems. At the time, the actor would rely on his extremely powerful acting ability to convince the audience, but at least I was not persuaded just now, I do not have such a strong common ability, I think this is what I regret most.
Chen Kaige started to fight back: thank you to the two directors on my right (note the words, did not say Zhao Wei and Guo Jingming, used to be Zhao Wei director Guo Jingming, now it is the two directors on the right, obviously with a kind of emotional confrontation) Comments on this play. They can express their own opinions in such a candid manner. First of all, I think they promote the value of this program. But I don't agree with that there were problems in our play and therefore problems in performance.
Chen Kaige: All four of them performed very well. Then why do I say that they performed well? I think each of them has their own contradictions. From the perspective of the independent artist played by Yalun Yan, he is actually a loser. But he firmly believes that as an artist he should be lonely and unconventional. I think
is reflected in him. He loves his girlfriend deeply, but it is extremely difficult for him to show it concretely. So this one kneeling is also valuable. This is his apology. For the character played by Weiwei, I have the same view. She has always been in entanglement. She is an artist who should not fall in love with a person in the world who takes music as his own foundation, and is a failed artist.
She wants to do everything for him. Which corner you finally go to hug each other is not in our plot. But I think it is an expression of true feelings. Niu Junfeng Your brother looks down on you very much. He tells you that going to college doesn't mean you can do real estate, but you say you don't believe it. Your own inner conflicts are also very, very serious. Can I accomplish this? In the end you ended up in failure, but you got what you wanted, and we all hope to let all those who wander have a home. Echo the theme. As for the idealism mentioned, in fact, this is not a comedy ending. It is telling us that even in an era of fierce competition, we still must not forget that we may be contemporary heroes, just like the four blind people in front of us.
Of course, this work is not concise enough, but overall I think you have done a good job. Li Shaohong commented: This clip is very lively. Everyone can see the presence of their characters. One of Niu Junfeng's very good ability is that I think he is also very engaged in every character, and he is very confident.
Our singer Aaron Yan sang very nervously, but I think you are very comfortable with such a character, because he is a kind of person you are familiar with. But it feels like never talked about love. Although there are kissing and hugging, but I still lack experience. The feeling after reading
is indeed too exaggerated and not accurate enough for real life experience. If you have to score, just pass.
