1, "Downstream and Upstream"; Nicholas had played a lot of roles of this type in the impression, impulsive and ignorant of the overall situation, and wanted to beat him if he watched too much. Perhaps it was because Huang Qiusheng, a small part of it really looked like the bloodier Du Qifeng at first. The sharp action editing, the story advancement without any sloppiness, the only thing that makes people play is the accent of Big Brother Wu Bai. It is a pity that the layout of the building and the position of the characters in the main part of the building are not clear, and I look confused.
2, "O's Triad Archives"; I can't stop at a glance, I dare not guess where the plot will go. The narrative style of the big brothers telling the past and the end of the tragedy of brotherhood are very routine. The gangster and the police detective thought they would develop into a plot like detective Lei. Peng Dan is really beautiful, but the plot progresses a bit fast, without too many details, and it's okay to watch.
3, "Dragon on the Edge"; I thought it was Louis Koo’s version of Infernal Affairs at the beginning, and there are many shots in the back that also have Infernal Affairs shadows, but this is a 99-year movie, which is considered a steal from Infernal Affairs. What attracts me the most in this film is the boundary between black and white. The black becomes white, but the white is darker. The black and white forest is all in a single thought, just like the cowardly and incompetent Ajian who betrayed the dragon, and in the end it was also to save the godmother. Ended with the horse king. Overall, it is worth seeing!
4, "The New Family Law"; a film from the age of Young and Dangerous. I watched it again recently. At that time, the wild atmosphere of Hong Kong films is no longer easy to see. Although I watched it for Fang Zhongxin, I still have to admit that Gu Tsai is the best in the film. Maybe I like men who are full of hostility. Louis Koo is full of hostility from beginning to end in this film.
5, "Swordsman"; the picture inside is rather gloomy and dim. In fact, it felt good back then, but now I don’t dare to watch it because I feel silly. If you are so young, I still recommend it. The general plot is very beautiful at first, then sold, and finally revenge. It felt mediocre. There was a restaurant in the middle, and asked them whether they liked it or not, but it really fit the theme. Gangster movies are always complaining about social injustice and being sold...Be prepared for a few hacking scenes, which is pretty good.
6, "Hongxingzi: The Great Storm"; although this is only a derivative of "Young and Dangerous", the lineup is not small. The director is Qiu Litao, who specializes in horror, gore and underworld themes, and uses low cost to win praise and box office. In order to be different from the young and Dangerous Boys of the previous three "feature films", this film uses female vision to illustrate the development of the story, with a strong martial arts style background language, to depict this bloody storm that happened in 1996.
7, "The Winner is King"; even an excellent young and Dangerous movie that is full of memories, there will eventually be a sense of bleakness, the plot is getting weaker and weaker, and there are fewer and fewer things to watch, as the last part of the series , I am also fortunate to stop here abruptly. When Haonan spoke of loyalty in front of a new generation of young people who played tricks, he was old-fashioned and sad, and could no longer hit Causeway Bay with a machete and steel pipe. After the millennium, the old era passes and the new era arrives.
8, "Jianghu"; "Mong Kok Carmen" and "Infernal Affairs" middle-aged version. Although the plot is very weak, brotherhood is still strong. After the Infernal Affairs series came out, Hong Kong gangster films seemed to have similar pattern plots and endings. The two different philosophies of the brother and the left-handed brother were the same at the end, which makes people have to think: sooner or later they will come out. All are to be paid back. The rivers and lakes are killing their lives.
9, "True Hero"; there are really many good points in Hong Kong films. Dawn was so handsome when he was young. In the early days of Du Qifeng’s personal dark and fierce exploration works with a little psychedelic style, the screenwriter and structure are ingenious, the editing jumps, the lens language is rich, and the expressiveness is strong. Some plot arrangements have appropriately sacrificed rationality and logic in order to obtain shock effects. But it's worth it.
10, "Blood on the Street"; two hours of blood on the street is full of violent aesthetics created by Wu Yusen, not only that, but what is more exciting is that the plot is full and fulfilling, and is completely free from the constraints of climax dramas. The lens is simple to switch, clean and neat, but it can fully express reasonable thoughts. The characters are full of play, and the scene design is in place. For the current trend of remakes of various old themes, this kind of theme should be used for reference and reference, but it is always rare.
The ten most unpopular Hong Kong gangster movies, some of which you may not have seen!
