"DREAMING IN TNE ALERT"
play dream life
black dress and suit jacket are all Isabel Marant
Photography Photography: CYRILLE DE VIGNEMONT
Styling Styling: Yao Yuhang Yuhang Yuhang YAO
Editing: Editing: AI1 zzzzEditing 2 Dear Songz Editing: AI1 zzzzEditing 2 She was too familiar with the curtains, steps, and armchairs, and even the smell was special. When she was blindfolded, she could feel where she was. It is a smell of time that seeps out from the ceiling and the cracks in the ground, mixed with dust, old wood, and seemingly fragrant perfume, mysterious but calming.
wandered and wandered, everything here filled her heart, sitting alone in the theater, looking up at the empty stage, seemed to be able to embrace all this with open arms.
's heart is drawn to the stage of her love, her obsessive screen, where her dream lies.
silver top, shorts, and high heels are all Isabel Marant
crystal earrings Fallon
black ruffled dress Philosophy di Lorenzo Serafini
In the light and shadow, she is thoughtful, and the flickering of the light hides the sadness in her heart, or is it A touch of longing, about the future, about the ideal, about the movie.
Light Blue Top Isabel Marant
The moment when the curtain ended, he got up and left. If it weren't for a thousand emotions in his heart, how could he look so sad, if he didn't find the direction in the distance, how could he be mixed with anticipation in the sadness.
Black Leather Trench Coat Edition
Black Tulle Shirt When Valentino
was at the Shanghai Theatre Academy, she liked to spend her time in the Black Box Theater, where her burning youth, and the restless days and nights of rehearsal dramas can be remembered. The unique charm of
drama is that it is the epitome of short and impermanent life. And she spent half her life indulging in this, and sometimes she still can’t distinguish between reality and drama dreams, which one is more true?
Song Jia has always been a drama lunatic. In the past ten years, she has filmed more than 500 episodes of TV series. Nearly forty movies. When she was young, she didn't know she was tired. One drama was finished, and she went directly to the next crew with her luggage. This was her daily life. She believes that performance can make perfect, and changes in quantity will definitely bring qualitative changes.
"The accumulation of experience must be good. I didn't know how to read scripts before, and I didn't know what kind of scripts are good; I entered the crew for the first time, and I was acting, the photographer kicked me to remind me that I was drawing . All of these must be experienced and you need to learn slowly in the crew. In the drama school, the teacher helps you establish a good aesthetics, you know what is right and what is wrong, and a large number of crews The practice will give you more ways." The
play is figured out. Song Jia's character creation is usually divided into two stages: rational analysis when preparing for the role; emotional input after entering the crew.
"In addition to the special professional needs to experience life, the biggest homework I prepare for the role is actually thinking. I keep thinking about this character. After I analyze everything rationally, I will crush everything into your body and let you Be that person. After you join the crew, you can throw away the script and follow her to experience that period of life based on intuition and feeling. When you are her, how you perform is right." Every director with different styles of
, Will bring actors into different performance worlds.
's "Dream of Life" was filmed in Paris. The director asked for a kind of emotional transmission, showing Song Jia's obsession with movies. Casual expressions, natural expressions of eyes and state, just like Isabel Marant’s self-affirmation and the pursuit of independence, “seems to be casually matched, but everywhere highlights the ingenuity”, Isabel Marant revealed Sex is a clever collision and perfect combination of feminism and cool attitude.
in Lou Ye's "A Rain in the WindIn "Doing Cloud", Song Jia enjoys a process of improvisation. She plays Lin Hui with multiple identities: mother, wife, lover, college flower, murderer, mental patient, and she needs to act from her teens to forties. The director also tried to tell the era through several sets of relationships. The actors must accurately interpret the breath of each era in the process of disrupting the sequence and time period. This is very difficult, but when Song Jia becomes Lin Hui, all The performances are all natural.
Lou Ye tried to erase all the information that might be passed on to the actor "This is doing a show", so every scene is real, not even the lights can be played, he is afraid that the actor will enter the room and see The table lamp, several sceneries, will produce the subconscious of "this is fake". During the filming process, he would not call start and stop, each scene is very long, the actors can perform in a coherent mood. The free play of
excites the actors. Song Jia enjoys this way of acting. “There will be more feelings and a state of wanting to express more. It is very enjoyable.” There are countless possibilities for
performances.
A few days ago, Song Jia and another drama lunatic Liao Fan analyzed and discussed a whole night because of a performance detail in "A Cloud Made of Rain in the Wind". In the
scene, after Lin Hui killed someone, he asked Jiang Zicheng to go to the river to deal with the corpse. He couldn't catch the fire, so Lin Hui ran to pass him a lighter. Liao Fan thought that Lin Hui could handle it more rationally at this time, but Song Jia felt that women’s sensibility should come out a little more.
"A performance with one point more and one point less will bring a different experience to the audience. There is a lot of room for imagination here. It is a complex and ever-changing world. This is where the performance makes people addicted. "The
performance is not a job for one person. Behind you is a team of nearly a hundred people. All of them are doing the same thing, so that they can be presented frame by frame on the screen.
Lin Hui’s several makeup trials have helped Song Jia a lot. The stylist is a German artist and has a deep understanding of the characters. The first time she sculpted her, she received a lot of signals. The
stylist was asked by the director to break all the literary atmosphere of Song Jia, so it is very interesting from the details of the design: most of the time, she does not make up at all, and only wears a big red lip; the hair is combed high and tilted to one side ; Wearing a suit outside, lace inside, but stepping on a pair of sneakers; full of jewels, but with a large male watch. Looking at the shooting scene, Lin Hui is a very weird person, but she is right in the temperament of the movie, and this weirdness also allows Song Jia to capture Lin Hui's breath in the first place.
"Qin Hao and Zhang Songwen, when the three of us stood together to try on makeup, they were already in line with the state shown in the movie. At that time, I made a very crazy expression. The director liked it very much. He thought that moment , Lin Hui is already there."
has no makeup throughout the entire process. This is Lin Hui, who is sexy in the eyes of the audience.
Many years ago, Song Jia also played a role labeled "sexy" in another suspense movie "Curiosity Kills the Cat". The role of this shampoo girl not only won her the 26th China The nomination for Best Supporting Actress at the Golden Rooster Awards also made her stand out in the film industry.
But these are two completely different types of sexiness. "When I was young, I used fancy and revealing clothes to please the sexiness of men’s silly girls; at this stage of Lin Hui, her sexiness comes from her life experience. Her femininity, including her slow speech, is another style. And these, she can make the audience feel and be moved, she is beautiful." Every performance of
is a manifestation of the state of life. , Cannot be repeated. "I definitely can't show the strength of "Curiosity Kills the Cat" now. If I change it to today, it will be a different taste, but the vigorous, aggressive, and violent performance only belongs to that period."
"The Poet" was shortlisted for the main competition unit of the Tokyo Film Festival. Song Jia's Chen Hui is a woman with a strong oriental beauty in the 1980s. Tolerance, generosity, and motherhood are everyone's "dream".
She sat in the audience to watch her performance. The whole theater was full, but there was no sound. Everyone watched such a quiet movie quietly, but because they couldn't stop the mountains and mountains, they burst into tears.
She is the person in the play and the bystander.
And at the moment, she is sitting in the corner of the empty theater, the projector is like an eye, its light reflects on the screen, illuminating the handrailsChair, she imagined who would sit in the position of that beam of light, imagined the story that might happen...
What kind of story is this VogueFilm shooting? The director
is a Frenchman. He chose a very old-fashioned theater. We don't even need to communicate with too much language. The environment gives me feelings. Once I enter the theater, I know what emotions he wants. . What he wants to express is that a woman's obsession with movies and places is actually acting myself.
A few days ago, I went to watch "A Cloud Made of Rain in the Wind". When I came out, I met a friend. She naturally said to me: Oh, you also watch this movie. After talking about it, she realized that I acted in this movie. I think this is the biggest compliment to the actor, that is, you are not in line with the people in the movie. There is no relationship at all, especially for those who are familiar with you. Humanly speaking, she knows your every move too well, and she can still feel that there is another person in the movie. This is my high point as an actor.
Do you think that as an actor, should you make the role more suitable for yourself, or should you stick to the role yourself?
I think there are thousands of ways and methods, and the final result is right and ok. Each role is different, the temperament of each play, and what the director wants to express is also different. Actors must have the ability to adapt and adjust. This ability is your professional ability. Some actors have learned a lot and look very good, but the characters they acted didn't make you feel moved or felt. Some actors did not learn to act, but you must admit that he was acting right.
You played the majesty in "Master" with outstanding beauty. When Lin Hui was in "In the Wind", everyone thought that Lin Hui's face was beautiful. Is there really a big screen face?
I have never cared about beauty and ugliness. For example, I went to watch the replay secretly, whether I was photographed beautifully or not, I have never had such awareness, and the role should be whatever. In my twenties, I acted in a TV series called "The Big Girl Gets Married", and I played a 34-year-old leftover girl in it; and in "Broken Time", I have to act girlishly, I think these are not problems. , Actors pretending to be beautiful or ugly, old and young are not the point. The point is that you become that person through all technical methods.
Next you have eight works to be released, some of which are group plays.
Yes, when I was young, I cared about whether it was a female number one or not. There were not many plays, but now I don’t care about these things. I think that good-looking plays should be performed collectively. I am now in a very free performance state, without so many distracting thoughts, and I purely enjoy the process and pleasure of playing another person. I am willing to act in a playful supporting role, as long as I can find a high point and have the desire to act. It’s the first time for the director of "Broken Time" to film a movie. He said he saw the crew leader for the first time, but I like the script. When I read the script, I couldn’t laugh. The character I played was so funny. , What popped out in my mind was a light deer, very agile, fast in speaking, and very fast, running and jumping like a deer. In the past few years, I have played a relatively heavy role with a strong sense of destiny, so choosing such a role will make you feel different.
