Liu Yifei 's new drama " The Story of Rose " is airing in full swing. Her role as Huang Yimei in the drama can be said to condense the figures of countless women.
When she was young, like all girls, she was passionate about love. Not only that, after falling in love, she is somewhat love-minded. When faced with the conflict between work interests and love, she will choose love without hesitation.
After getting married, she lived in daily necessities of firewood, rice, oil, salt, sauce, vinegar and tea, completely losing herself. What's worse is that she still has to live under her husband's various PUAs and surveillance, feeling all the consequences of the unequal relationship between men and women in this marriage.
Huang Yimei is trapped in her marriage and unable to flourish in the workplace. This is a reflection of reality and a portrayal of many married women today.
And this year, like "The Story of the Rose", there is also this movie that shows the plight of women from a female perspective -
"TV Reporters ~ Women Connecting to the News ~"
This film tells the story of four people living in different eras The following female perspectives are connected in series, and their stories are used to show the difficulty of women in the workplace along the way. The story of
is set in a Japanese television station. The first person to appear is Sone, a veteran of the television station.
She was an outstanding reporter on Japanese television at the end of the 20th century, and was also the first female reporter in the station to work with the Metropolitan Police Department.
But despite her outstanding abilities, rumors about her gender have never stopped. Colleagues say that she relies on her beauty to get news, while her boss thinks that as a woman, no matter how talented she is, it is impossible for her to become the leader of the department.
Because in the boss's mind, women's bounden duty is to serve men.
Regarding this, even Sone's boyfriend thinks so. Although he was very happy when he first learned that his girlfriend had successfully entered the Metropolitan Police Club, the bad thoughts that men should be the master of the house and women should be husbands and raise children were always firmly imprinted in his mind.
Sone's boyfriend is like Fang Xiewen in "The Story of the Rose". He wants to use marriage to trap women for their entire lives and let them live in the cage they have set.
Under this huge secular prejudice, Sone was unwilling to become a tool to help men, and angrily chose to leave the TV station.
After Sone, Hirao took over her baton and moved forward in an orderly manner with the goal of becoming the Minister of Social Affairs.
The reason why she strives for this goal is not because she is hungry for power, but because she knows how deep the prejudice against women in the workplace is.
As a senior in the same industry, in order to save the younger generation from the hardships she has suffered, and also to give the younger generation the confidence to show their talents, so even if she does not like power, she will still use the power of power to achieve her goals.
Thanks to her efforts, more female reporters poured into the TV station, and Mano and Izumi were among them.
With Hirao on the front, Manano can dedicate himself to his work and dig out the story behind every incident, so that he can become the deliverer of the truth and give the news real meaning.
For example, when interviewing family members of unsolved cases, she was able to dig out the real news behind the cases, and used the power of television stations to promote the abolition of the statute of limitations in criminal cases.
Mano presents the meaning of the news in front of the audience, and also shows the side of women who are not as good as men.
Compared with the first three women, Izumi can be said to be the representative of the new generation of women. She represents the awakening side of women.
When Mano was unable to take care of his kindergarten children at home due to the epidemic, Izumi, who was overwhelmed by work, complained to Mano's husband that it should not be women's duty to take care of children. They, like everyone else, longed to be in the care of children. Let's shine in our own industry, instead of sticking to three meals a day, rice, oil, salt, sauce, vinegar and tea.
Under the spirit of girls helping girls, even though the story of this film is fragmented, you can still feel the strong atmosphere of the heroine.
