Violence can be expressed in movies but cannot be promoted. In order to improve the acceptability of violent content, directors can be described as exhausting. The methods they come up with each have their own merits. One is to add a comedy element to the violence scene, and to eliminate the cruelty of violence in the laughter, such as Jet Li's Fang Shiyu series; the other is to label violence with justice and seek legal justification for violence Sex, such as many police and criminal movies; third, bind national justice and patriotism in violence, so that the violent teacher will be famous and justifiable, such as the movies about national heroes Huo Yuanjia, Chen Zhen, Ye Wen and others; fourth, Adding morality to violence as a decoration, so that violence is unjust but reasonable, such as the Young and Dangerous series; Wu Yusen, Du Qifeng and others are working hard to create the so-called violent aesthetics, raising violence to the aesthetic level; and so on. When cooking the thorny dish of violence, the directors dare not cook it in clean water. They always add morality, justice, laughter and other condiments to cover up and dilute the bloody taste, which is like removing the toxins from the puffer fish meat. The table, the host and the guest enjoy themselves. Today, I will share with you 10 high-scoring violent action movies that are rude but not easy to recommend. The shooting is so deep and bloody! 1. "History of Violence" is a heavy emotional and depressing violent crime movie. It is more about violence-related issues than violence itself. The character relationships are particularly good, and the sound effects in the action scenes are too perfect. Violence is a kind of nature, a kind of passion, surging under a calm place.
2, "The Very Suspect" is a suspenseful classic movie that has been widely circulated and has been touted to the altar. An almost seamless lie, a wonderful lie. The film completely overthrows the audience's inertial logical thinking, and makes a dramatic story with a complex plot full of tension, exciting from beginning to end.
The whole film's statement of a crime and the conception of the main plot is absolutely perfect and subtle. This point does not exaggerate the meaning, because in fact, many people do not really understand the main line and the most important of this story. Expression, but too much entangled in the true and false of the details. For this movie, those who entangle the truth will really lose to the conspiracy theory of the screenwriter. At the end of the entanglement, it will be like a policeman in the film, looking around blankly and a little bit of a sudden realization. 3. "Old Nowhere" is a rare excellent film in the history of Oscars. It tests the audience's ability to observe details and reason about the plot everywhere. From the perspective of the storyline, the whole film is well-thought-out and reasonable, and has very rich and far-reaching meanings. The
movie spends most of the time telling the dealings between hunters and murderers. Hunters are like traditional Western movies with courageous cowboys with character, but murderers are cold, shrewd and ubiquitous. If after several confrontations, Dao Gao One foot sharpens one foot high and wins in the last minute cowboy danger. 4. "The Absent Person" won 19 awards including the Best Director Award at the 2001 Cannes Film Festival, the Best Photography Award at the 2002 British Academy of Film Awards, the London Film Association Actor of the Year, and the Best Screenplay.
"The Absent" inherited the consistent style of the Coen brothers' previous "Blood Maze", "Fargo", "Murdering Green Toes" and the following "Old Nowhere". The lens focuses on a specific time and environment that the two brothers are familiar with. Some small characters survive according to their logic, but they always encounter unexpected events and endings. What the Coen brothers struggled to outline was driven by every inch of skin of these little people and the underlying texture. Therefore, when different people go to watch the Coen Brothers movies, they can always integrate their own knowledge and produce rich interpretations from different angles. The Coen brothers used craftsmen and philosophical thinking to dig out the survival stories they are familiar with, and they are all conveying the same proposition "Fate is impermanent, even if you work hard, life will not continue in the way you understand, what you do It should be accepted." 5. The theme of the film "Ice Blood Storm" is a mid-life crisis. Everyone's acting skills are very good, and all of them are powerful.
The movie produced by the Coen Brothers in 1996 is not an American drama of the same name. Accidents are the main theme of life. The husband asks for money and plots to kidnap his wife; the father-in-law loves money and thinks he is tough, but he was killed by the robbers; the short man wanted to embezzle the money and was hacked to death by his accomplices; the tall man was speechless all the way, he shot his gun when he saw someone, and finally fell on the girl In the hands of the police; and the female policeman thought that the Japanese were pursuing him, she was insane. The crime plot is mixed with life jokes, and everyone's seriousness becomes more stupid. 6. "L.A. Confidential" classic old-school crime film, reminiscentTo the golden age of Hollywood. Three beloved men’s superb dramas, gorgeous era background + perfect narrative editing, from plot to detail, from acting to design, impeccable, wonderful, let people remember too many faces, very fast pace, clues But it is clear; like a famous singer, he is neat and tidy, without any sloppiness. Lost to the Titanic that year was really wronged.
said that the movie is "black" because there is no positive character in the ordinary sense. As the main characters, several police officers, Ed Exley (played by Gapierce), wanted to climb up; Jack Vincennes ( Kevin Spacey) In order to be on TV, he only wants to show off; Budwhite (Russell Crowe) has a rough temper and only believes in violence and punishment; Team Leader Smith (James Cromwell) is amiable and caring about his subordinates on the surface , In fact, is the big black hand behind the scenes, trying to eat black and white. 7. "The City of God" Oscar's best foreign language film, a classic film with equal emphasis on form and content, ingenious multi-line narrative, the characters are interspersed, layered, and involved. The occurrence of various shooting incidents is presented in the composition of Jiugong format shot from above. At first I thought it was an African movie, but later I learned that this is the real Latin America. Poverty, violence, drugs, corruption, and "Young and Dangerous" are completely different. The documentary techniques and clever structure make it far more than ordinary entertainment. Popular commercial film. The rhythm and camera switching of
movies are absolutely difficult to find in American genres, European literary films, or Hong Kong action films. It has the sense of sight of "sound and picture samba", casual interspersed, in the overall As long as the story can be told well, the partial story will never follow the normal linear narrative method.
8, "Drug Network" document structure, literary grammar. Unfolding the illusion of high-density narrative with multi-line group images, the foothold is purely emotional presentation and catharsis. Looking at it from a distance, it is not talking about the erosion of people by drugs, but the control of people by position. Once in orbit, there is no possibility of turning around.
9, the pinnacle of the police film "Stealing Fire", the two great movie emperors (the godfather and the son) fight for good and evil, men's iron-blooded passion and fate struggle, heart-stirring sadness, loneliness and gentle despair, the rivalry is very exciting.
When talking about this movie, the first thing people always think of is the ten-minute period of street shootout, which is known as the best street shootout in film history, or the dialogue between the two great actors and actresses in a cafe. Indeed, as a fairly "hardcore" movie, the former is indeed a classic that can be written into textbooks, whether it is in terms of the use of sub-cameras, the positioning of the actors, or the control of the overall rhythm. It fully embodies the proficiency of the acting skills of the two great actors, and the rivalry between the two is full of sparks. 10. "Border Killer" This is a 2-hour movie that needs to be breathless and breathless from beginning to end. "Border Killer" is different from most other crime movies, not only because it has Roger Diggins' cold lens language blessing, but also because it tells stories.
"Border Killer" jumps out of the routines and patterns of general commercial crime movies. It does not focus on how to fight criminals, but calmly shows that when the law cannot effectively curb crime, violence can only be curbed by violence. , Has more practical significance. This is a film that leads the audience to think about the theme of "order and morality". Its storyline is not complicated. That is, the US FBI anti-kidnapping team accidentally discovered evidence of violent crimes committed by foreign drug groups during a hostage rescue operation in Phoenix, which triggered another incident involving multiple departments of the US government to eradicate A not-so-legal secret operation with the Mexican drug lord as the main task. Which of the above 10 violent movies have you watched? Which one do you like the most?
