"July and Ansheng" as a youth film is not limited to telling the story of a love triangle. More precisely, in the construction of overall emotions, the creators follow the clear definition of "female growth" from the beginning. Clues, move forward slowly. Although July and An Sheng both had feelings with Jia Ming, under the creator’s settings, this male role has been maximized weakened and restricted. The film does not have a separate passage of Jia Ming. Su Jiaming is only a Functional roles appear, and their role is to assist in the expression of female growth and transformation.
For example, in the film, July and An Sheng rip apart Jia Ming's favorite underwear type, which seems to be a fight for male rights. In fact, the key to the dispute between the two is not on who can get the family name, but on which way of self-existence and which way of life they choose. The two must find a sufficient and superior basis for their own way of existence. . As Qiyue and An Zesheng are tearing at each other, they are tearing at their own souls, looking for reasonable evidence of their own existence in the struggle between the two souls.
In the role of July, she is given the attributes of stability, steadiness, gentleness, and quietness. An Sheng is eager for family, stability, and dependence more than anyone. The gentle and well-behaved July took the initiative to kiss Su Jiaming, and Su Jiaming took the initiative to grab An Sheng's hand. July and An Sheng broke off because of Jia Ming. As time passed, the two reconciled. When July was looking for An Sheng with her pregnant belly, they smiled at each other and returned to friendship. Xiao Qiyue and Xiao Ansheng share the little secret of development, and they still grow up.
The story about breasts is a clue that runs through the whole movie, and it is also a thing that maintains their emotions. Time can heal the pain, or dilute love and liking. I have been separated from my first love for four years and completely disconnected for one year. Now I occasionally think of it like a familiar classmate, without any waves. July is a good-looking girl, but she is stubborn in her bones, and even has a fierce side. An Sheng looks rebellious and unruly, but she is actually very persuasive. Her rebelliousness stems more from self-exile after seeking stability. Two girls like
are the easiest to attract each other. They are like two perfectly biting jigsaw puzzles that can seamlessly form a complete soul. From the planned escape marriage, the film began to climax. Three different stories are nested layer by layer, so that the audience's emotions continue to receive new impacts, the fiction and the real loop are intertwined, which enhances the richness of the film's thought expression. In An Sheng's fantasy, July did not die at the age of twenty-seven. "Twenty-seven years old, on the road", An Sheng used words to weave an ideal ending. In July, he embarked on a journey of wandering around the world, embarking on the road An Sheng had walked; and An Sheng became a stable July. Live an ordinary home life.
After July and An Sheng experienced the twists and turns of life and the two-way torture, their souls entered each other's bodies, and the two finally found their true selves. At the end of the movie, An Sheng died of heavy bleeding in July. An Sheng raised the children in July and wrote their stories under the pseudonym of July. After July left, An’s life became like July. She had a child with I have come to a home and lead a stable and normal life, and in An Sheng's novels, July has also become An Sheng's appearance. She is finally free, wandering between the heavens and the earth, and wandering freely.
