"Me and My New Era" tells the story of an ordinary Chinese person through each episode, tells the story of the leader from the people's first perspective, realizes the brilliance of thinking, and shows the spirit of the times. The selected characters include the cadres and the masses who have cordially communicated with General Secretary Xi Jinping when he visited various parts of the motherland, the cadres and the masses who have had correspondence with General Secretary Xi Jinping, and the groups concerned and cared by General Secretary Xi Jinping and the Party Central Committee, and those who practice Xi Jinping's new era. People who have achieved extraordinary achievements in the thought of socialism with Chinese characteristics.
This film tells the warm moments of people's leaders and ordinary people together, tells the stories of cadres and people's perseverance under the inspiration and inspiration of the new journey and new mission, and tells the happy memory of ordinary Chinese people walking with the country and the times. Many vivid individual stories integrate leaders and people, family and country, individuals and times, and realize the unity of major themes and micro-narratives. When
filmed "Writing the Results on the Earth", the most impressive thing was the first time I followed Zhao Yafu. It was the hottest time of the summer, and the surface temperature was above 60 degrees Celsius for a week. At that time, we were all worried about whether it was appropriate to shoot the 81-year-old Zhao Lao outdoors in such bad weather conditions. After all, our young directors and filmmakers were also a little unwell working in high temperature before. But on the day of the shooting, Mr. Zhao personally walked into the farmland orchard as usual, carefully checked the growth of each crop, and patiently instructed the local farmers in scientific planting. In the face of such extreme weather, Zhao Lao is most worried about whether the high temperature will have a great impact on crops and farmers' harvests this year.
During the filming interval, Mr. Zhao was reluctant to sit in the car and blow the air conditioner. He said that he prefers to sit under the shade of a tree, blow the wind blowing over the ears of wheat, and listen to the chirping of insects and birds in the fields. Looking at Mr. Zhao under the tree, we can really feel the deep love for agriculture of this agricultural science and technology worker who has worked all his life. For decades, Mr. Zhao has always practiced the concept of "doing it for farmers, leading farmers to work, helping farmers sell, and realizing farmers' wealth". He said that he has worked all his life, and he is reluctant to bear the farmers on this land. As long as he can do it, he will definitely continue to contribute to the great cause of rural revitalization and write more and better achievements on the wider rural land.
"My Dawan Village" has a scene of a rainbow after the rain. At that time, because of the shooting of the first two days, the interviewee was unable to enter the state. There was a rainbow, so I told my subject, Yu Jing, that we won’t be taking pictures today, and I will take you up the mountain to watch the rainbow and sunset. Yu Jing, who is also a post-80s generation, heard that she didn’t need to shoot to see the rainbow, so she was interested. After hours of mountain road, the film crew finally saw the rainbow and sunset at the top of the mountain, and Yu Jing was also very excited. I think she's in a good mood, so let's take a photo as a souvenir, but Yu Jing took the initiative to cooperate with us and started shooting without saying a word. We were very satisfied with the final picture and used it The main poster of the film.
The shooting of "My Heart Returns to Dunhuang" is very different from the past. This filming is mainly based on documentary, so it cannot be the same as the news interview - the interview is mainly, the empty mirror is supplemented, but it is to record a person's living condition truthfully. Therefore, we decided to keep the camera turned on at all times to capture the moments of Mr. Fan Jinshi's state to the greatest extent possible, and at the same time put the characters in her ongoing events to record what she is doing from the perspective of a bystander.
Mr. Fan Jinshi's strict requirements for the members of the archaeological report team, the rigor of the data, the continuous strengthening of repeated memories of new terms in the archaeological report, her self-discipline and frugality, her sense of responsibility and mission, her persistence, and her The imprint of the times is obvious, but she is doing her in the new eraMogao Grottoes has always been doing what she is focusing on, writing archaeological reports with computers, and digitizing Dunhuang to the future in another non-destructive form. This is what we most want to present. The biggest feature of
"Stories in the Hutong" is that the subject of the film is an ordinary retired citizen, who has rarely given interviews before, nor does he have any valuable video material. Therefore, how to match the documentary paragraph with the theme of Hutong upgrading and renovation was the biggest problem at that time. Later, after full communication with Li Changlin, I learned that he has a group of old friends. After the renovation of the yard, he planned such a scene. The "House Warming" action, through the perspective of other people and with a documentary expression, reflects the people's recognition of the protection of the old city and the transformation of the residents' modern life.
was filming "Father and Son Soldiers on Saihanba", when the protagonist Sun Lige set the pest control work time and informed the film crew, we did not expect that this would be a game against the weather. The unpredictable weather on the dam made the prevention and control operations on the day crowded. In the alternation of sunshine and rain, we recorded the whole process of Sun Lige leading the team to successfully complete the prevention and control task. For the Saihanba Wulin people, this is an ordinary day for them. In the past sixty years, the three generations of Saihanba foresters have never stopped fighting and overcoming difficulties, creating the miracle of deserts turning into forests and seas. Whether it is in the Sun family and their sons or other foresters, in Saihanba, you can clearly feel the love for Linzi, as well as their stubbornness and perseverance. That is the reflection of Saihanba's spirit across time and space, and it is the background color of generations of foresters. The topic of
"My Sea of Stars" is Lin Baojun, chief designer of the Beidou No. 3 navigation system. This is undoubtedly a very good topic and a very good character, but it is not so simple to tell the story well. One is that Beidou-3 is an important weapon of a great power, and the "scientific content" is too high. It is not easy for ordinary people to understand the high-level knowledge; secondly, many contents and scenes of the development process of Beidou-3 are classified content and are not allowed to be filmed. . The three Beidou navigation systems have been built, and the process of research and development cannot be expressed in a "reappearance" way like the work of other characters.
put a "perfect" character, but couldn't tell his story, which made us very painful at one time. After repeatedly reading various materials, books, and even popular science picture books of the Beidou Navigation Team and Lin Baojun, after repeated thinking, I finally came up with a "diary style" method, which tells about the development of Beidou for more than ten years from Lin Baojun's point of view. The course of his life and the growth of each satellite are linked together. The relaxed painting style and simple and clear 3D animation explain the life story and scientific principles clearly, and the expression method of the series "self-reporting" is also different. Perfect fit.
"The "Alley Prime Minister" Zhu Guoping tells the story of November 2019 from the perspective of grass-roots cadres, and witnessed the first time General Secretary Xi Jinping put forward the important thesis of "people's democracy in the whole process" when he inspected the grass-roots legislative contact point of Shanghai Hongqiao Sub-district important moment.
, a grass-roots worker who has been rooted in the community for more than 30 years, recalled in Shanghai dialect the scenes of General Secretary Xi Jinping shaking hands three times and having three conversations with him when he was investigating the Hongqiao Gubei Civic Center in Changning District, Shanghai. On the spot, I had a chat with the general secretary: "Allah's grassroots work has been done well, the people are satisfied, the people are happy, and the Party Central Committee is relieved."
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's "The Island Doctor on Lingding Ocean", Wang Guixiang, director of Zhuhai Guishan Island Central Health Center who has been on the island for 35 years, is a shy, low-key and somewhat introverted person. Especially when the camera was turned on, Wang Guixiang, who was not good at words, was even more cramped and nervous. In order to make the shooting effect more realistic and natural, we first established a good relationship of trust with Wang Guixiang, lived and worked with him on the island, familiarized himself with his laws and rhythms, and sensed his emotions.
Wang Guixiang's tone is calm, not in a hurry, as light as "boiled water", but when he walks every road on the island with his medicine box on his back, the islanders greet him kindly when they see him. The people, like being fully charged in an instant, are full of energy and warm to them. The trust, love and warmth between people make our film crew feel the same way. The photographer has also done a lot of work. He is very familiar with the environment on the island and has some predictions about the characters' personalities. Therefore, the character charm of the protagonist is well displayed in the undisguised snapshots, and the audience's empathy is aroused. .
Shibadong Village where "Xiu Niang Shi Shun Lian" is located is the focus of various media reports across the country. Several typical characters in the village have been interviewed and photographed countless times. They already have their own set of ways to face the camera, which is the biggest difficulty we encountered. When shooting the old party secretary Shi Shunlian, she didn't even understand why we had to shoot for so long at the beginning. Isn't it something that can be finished in an hour or two? The various shootings in the past were straight to the point, and she finished it step by step. Therefore, we spent a long time building up our relationship with the old party secretary, letting her relax and showing her most real and natural life and spiritual outlook.
We often say that a good documentary makes the director and the subject become dead friends, she is willing to pour out her heart to you, and she is willing to share everything about her with you. Therefore, in the shooting and production, research and the establishment of an intimate relationship between the two are the most important. When you walk into the subject, what you get must be what you want.
"General Secretary's Reply" series reports that each episode of the program interview and filming will encounter various difficulties. Of course, there are many interesting things in the interview. For example, during our research in Taizhou, Zhejiang, we asked Zhang Shouchun, a 96-year-old former team member of Dachen Island, how his health was. The nearly 100-year-old man jumped three feet high, but the director was startled. As a result, the cute and happy scene of the old man "jumping high" appeared in the film.
"My Times and Me" is "new" in terms of techniques mainly in the following aspects:
New Expressions The way of expression, the film has no commentary, no dubbing, and the whole film is narrated in the first person of the protagonist. These characters come from all over the country, some are not good at words, some speak strong dialects, but the film always insists on letting the characters tell their own stories. They tell the stories of themselves and the people around them, and they speak their hometown dialect.
New creative mode
The creation of "My New Era and Me" is a collective action of provincial radio and television stations across the country, using the "total-point-total" creative mode, that is, the overall planning by the State Administration of Radio and Television. Provincial radio and television stations are divided into separate creations, and finally broadcast by the General Administration. The creative teams of provincial radio and television stations across the country use "small incisions" to analyze "big themes", "multi-perspectives & rdquo;Tell "new ideas" well, explain in simple terms the stories of theories leading development, and tell the changes in life brought about by ideological practice.
The new communication method
adapts to the trend of integrated communication. "My New Era and Me" will be broadcast simultaneously in radio and television media and online audio-visual media this time.
Through the interview with the representative of the main creative team of "Me and My New Era", we can deeply feel that from planning to creation and broadcasting, the efforts and ingenuity of creators for "new" can be seen everywhere, and even more so. What is valuable is that every creator adheres to and follows the essence of innovation as a service for content. All innovations in
literature and art come directly or indirectly from the people. The story of "Me and My New Era" can be seen from small to big, and explained in simple terms. Behind the scenes, creators walk into the depths of life, realize the essence of life among the people, understand the details of life, and use the language of the common people to tell the common people. own story. This also proves once again that only by going deep into life and rooting in the people can we create content that truly touches the audience, accurately reflects the style of the new era, and conveys the power of ideas.
