(1)
Judging from the current situation, "the end of the sea is the grassland " is expected to succeed " hidden in the dust ", and at the turn of summer and autumn in 2022, it will become a popular and popular literary film.
For a long time, artistic and ideological films have rarely sold well at the box office. Of course, a big reason is due to the type of film. Crime films, martial arts films, comedy films and other film types are deeply loved by fans, while the audience of literary films is more relatively narrow.
Thanks to the wide spread of social apps such as Douyin , WeChat, Weibo, etc., in recent years, a number of well-made literary films have stood out and won the market.
The audience's word-of-mouth has become the vane of the film's box office, and the literary and artistic films that have gained the enthusiasm of fans "Amway" and "Tap Water" can often walk out of a wave of low-opening and high-going trends.
"The End of the Sea is the Prairie" is directed by the famous Hong Kong director Er Dongsheng . He was born in a family of performers. He used to be a very good actor, and later became a director behind the scenes.
(Director Er Dongsheng is at the filming site, Er Dongsheng is on the left)
Over the years, the films directed by Er Dongsheng have become more and more diverse in subject matter and genre, fully demonstrating his excellent narrative ability and skilled driving skills.
At the end of the 1950s, China suffered from severe natural disasters, and a large number of orphans in the south faced the crisis of nutritional deficiencies.
The party committee and government of Inner Mongolia Autonomous Region took the initiative to invite the central government. Based on the principle of "take one, live one, and strengthen one", nearly 3,000 orphans were taken to the prairie and adopted by simple and kind-hearted herdsmen.
This heartwarming scene that really happened in the history of the Republic is the famous "Three Thousand Orphans Entering Inner Mongolia", this film is adapted from this historical event.
(2)
The mother who suffers from Alzheimer's disease still has one wish in her life, which is to find her daughter Du Siheng, who was cruelly abandoned by her.
She entrusted this important task to her son Du Sihan ( Chen Baoguo ).
At this time, Du Sihan is also in his old age, and what the old mother doesn't know is that he is terminally ill, and his life is counting down, with only a few months to live.
Actually, Du Sihan didn't have a strong desire to find his sister. In his heart, he always felt guilt towards his sister.
At that time, he overheard the conversation between his mother and his neighbors. Due to the pressure of reality, his mother was unable to raise the two siblings, so he and one of his sisters were sent to a child welfare home, and he decided to put the weak one. stay by your side.
Like a thunderbolt from the blue, Du Sihan rushed out of the house without hesitation, standing numbly in the wind and rain, letting the wind and rain blow. . . . . .
That night, he had a high fever as he wished.
The film uses Du Sihan's search for his sister as a clue to promote the development of the plot, and focuses on the life experience of his sister Du Siheng after arriving in Inner Mongolia.
From the beginning of rejection to the gradual integration into the adoptive parents' family, life seems to be calm, but deep down in Du Siheng's heart, she always retains huge grievances and resentment. She wants to question her biological mother face to face, why did she lie to herself? Why abandon yourself?
She's waiting for her moment.
Growing up day by day, Du Siheng has become a beautiful girl.
At a Mongolian traditional wedding, Du Siheng accidentally met Ma Zhengyuan , a partner he met at the Shanghai orphanage. Both of them were orphans sent from Shanghai to Inner Mongolia.
Now they're all grown up.
The reunion after a long absence is naturally extraordinarily cordial.
With the support and help of Ma Zhengyuan, Du Siheng felt that the time was right, and she began to prepare to go back to Shanghai to find relatives.
The two secretly stocked up on food. The day of
's departure finally came. Du Siheng and Ma Zhengyuan rode on their horses and ran all the way. They had planned to leave without saying goodbye. . . . . .
The family quickly came to the conclusion that Du Siheng "escaped", and Namuhan decided to split up with his friends to chase. The
movie enters the most tear-jerking episode.
has been secretly in love with Du Siheng's brother Namuhan (the son of his adoptive parents), in order to rescue Du Siheng and Ma Zhengyuan, he fell into quicksand and eventually lost his life.
Du Siheng fell into deep self-blame for her willfulness and ignorance, and it was she who killed Na Muhan!
At that moment, she made up her mind to never look for her biological parents again in her life, regarded her adoptive mother Sarena and her adoptive father Idel as her biological parents, and changed her name to Namuhan.
(3) The
film expresses the sincerity, simplicity, enthusiasm, kindness and other character characteristics of the grassland people incisively and vividly through the delicate depiction. Under the great disaster, there must be great love. Under the careful care of the herdsmen, the experience of the orphans who came to Inner Mongolia After a brief break-in, it began to thrive.
The vast and boundless grassland stretches far into the distance, with white clouds floating under the blue sky, and horses galloping on the green grass. . . . . . In the
film, the beauty of the grassland can be seen everywhere, and the dream-like pictures are fascinating, which not only makes the film wonderfully presented, but also makes the tourism resources of Inner Mongolia attract more people's attention.
After watching this movie, many people may have the idea that they must go to Inner Mongolia grassland for a walk and have a look in this life. The performance of
actors can be described as "amazing".
Chen Baoguo, the old drama bone, is naturally no problem, one look and one expression can instantly break the defense, Ma Su also contributed wonderful performances.
Affected by Li Xiaolu and PGone's "night-sleeping door" incident, Ma Su's reputation was once very bad.
But it is undeniable that in the matter of acting, Ma Su's professionalism deserves everyone's respect.
This time, she plays the adoptive mother Sarina. Her acting skills are remarkable. She has faded away from prosperity and returned to her true nature.
The film is immersed in a warm atmosphere throughout the whole process, and the relationship between people is full of human love, which makes people feel the beauty of life.
