2022 "The Voice of China" ushered in the last contestant in the blind selection stage.
But familiar netizens found out instantly that the lead singer of this new band is the overall champion of the 2016 restart online version of " Super Girl ", circle 9.
Yes, another contestant who has participated in "Super Girl" has come to participate in "The Voice of China".
No matter what the perspective is, " Super Girl " and " Fast Boy " have become a thing of the past, and the 11th year "The Voice of China" is still on the air - it exerts its strength, but it is weak.
, due to the competition system of "The Voice" in the past two years, the blind selection and the transposition competition have been bound. It is said that there are only 6 teachers in each group, and the students will not necessarily advance after encountering the mentor and turn around, because they may face transposition PK at any time.
Under this rule, the combination of 9 of the 16 Super Women's Championships will be the last to play, and naturally it will not take advantage.
But she still got the turn of Liao Changyong teacher with the characteristics of Chinese style rock .
Regrettably, when she switched positions, she was defeated, and no mentor chose to continue to fight, and she was eventually eliminated.
has a barrage saying that although the champion who participated in "Super Girl" in 2016, it has been 6 years now. After 6 years of hard work, she should have transformed into a new stage musician.
is lucky to participate in "The Voice" this time, she did not "use" the results of participating in the online version of "Super Girl", but set herself to zero and set herself as a musician.
"Superfast" series and "Good Voice" series, although they are two IPs in different periods, although only the intersection of the same period occurred in 2013, they are often compared. Some people regard them as different categories of Chinese pop music attention drafts, and some people think that the two are iterative. What is the relationship between
?
We might as well review the list of fast boys and girls who have participated in "The Voice", and you will find that these two shows are mutually exclusive.
2007 fast male Yao Zheng
participated in the second season of "The Voice of China" in 2013, but lost in the PK.
2010 fast boy Li Xingliang
The fast boy invited by the good voice in the first season, the label for him is "the boy who wants to prove himself with his voice". At that time, this was in line with the proper meaning of the new gameplay of "blind selection".
2013 Fast Boy Zhao Yuchen
He is a creative player, and he once had an intersection with Li Yuchun in Fast Boys.
has also participated in " China is listening to " and is familiar with the then mentors Li Yuchun and Li Jian , and won the championship.
and his participation in "The Voice of China" has indeed brought extraordinary musical results.
2017 fast men Yin Yuke
The third runner-up of "Fast Man" in the Internet era, he will participate in the good voice in 2021 and join the Naying team.
2017 Fast Boys Hong Yulei
and Yin Yuke were in the same session of Fast Boys and participated in the 2019 Good Voices, but they failed to reach the end. The cases of
let us see how difficult it is for the teenagers of the past and the older brothers and sisters in their 30s to pursue their dreams. When
participated in "The Voice", except Li Xingliang, the other contestants did not mention the history of "super fast", and were unwilling to bear their original background. Because "The Voice" hopes to create a grassroots professional role, rather than "returning the pot".
But no one in Super Girl and Fast Guy came to the end in "The Voice". The reason is really not the children, but the music talent discovery scene constructed by "The Voice of China", which is more and more embarrassing.
"The Voice of China" is not a stage for digesting already-famous singers, and it is impossible to be as clear as "Riding the Wind and Waves" and "Overcoming Toughness".
But it is not enough to make the discovery of the new generation of musicians a vertical mission. Those ordinary people who are full of fireworks have always been the mass foundation of "The Voice".
Under the impact of idol selection programs in the past few years, its strategic positioning has always been clear and deeply cultivated in TV audiences with spending power and purchasing power. During the "post- Jay Chou " period, "The Voice" also temporarily lacked the opportunity to talk to a new generation of young people. The R&D and innovation of
music programs is to be rooted in reality: after the idol practice program officially withdraws from the historical stage, it is time to adjust the positioning: whether to choose a youthful path of intergenerational renewal, or continue to cultivate elite audiences, yes The situation must be adjusted accordingly.
