Five years ago, Marlene Fissen provided the audience with another version of the traditional Sleeping Beauty story-a story told from the perspective of the villain in a fairy tale, played by Angelina Jolie. The Oscar-winning actress returns in "Maleficent 2: The Evil Mistress", but this sequel to be released on Friday is not a movie with only one woman. On the contrary, the film allocates time to three different women who are caught in an emotional tug of war with dangerous consequences. Julie's Maleficent is one end of the rope. She is a dark elf who is suspicious of the outside world, and vice versa. On the other side is the Queen of Ingris (Michelle Pfeiffer), who is the cunning ruler behind the Ulstered Throne. Princess Aurora (played by Elle Fanning) is sandwiched between them, and she prepares to unify the world of mankind and the elves by marrying Prince Philip (Harris Dickinson), the son of Ingris.
This central conflict rooted in the themes of motherhood and individual independence is reflected in the interaction of trio and in their royal costumes designed by Emmy award-winning costume designer Ellen Mirojnick. "The triangle relationship between two mothers and a daughter is a great theme of the entire fairy tale," she told Yahoo Entertainment. This is also a particularly strong theme in our story. It is about fighting for the love of the child and the love of the mother at the same time. A very important point in the design is that these are three queens, and we must decide how (their clothes) represent them separately and how to oppose each other. The following is how Miroynik cracked each character to find the evil mistress, and attached some exclusive sketches as an explanation.
"This is "The Sleeping Magic 2.0"," Mirójnik commented on the changes in Julie's dressing style from 2014 to 2019. "There is very little cover-up in her costume, which shows her fragility and openness to what she is about to learn. "Evil Housewives" is the third collaboration between Milojnik and Julie. She has previously directed " "At the Sea" and "They Killed My Father." Milojnik believes that Julie realizes how important costumes are for a fully developed character. Angelina thinks the whole movie is important, and she thinks Marlene Fussen’s clothing should be black and white, just like the movie stars of the 1930s or 1940s. This creates a very strong film image and also plays a role in the whole process of her story.”
Keeping Malin Fiessen's aversion to iron, Julie's costume contains no metal. "Her accessories are all carved bones, everything is made of organic materials, carved in a way that represents her silhouette." We have very smooth fabrics and use different layers to create different Tones. "The one thing Mironic didn't do was the wings of Marlene Fissen. It only exists on the computer. "They are incredible wings, but they are digital. We always have marks to design the direction of the wings. They are strong, fierce, and beautiful. "
Although Princess Aurora’s engagement led to the first conflict between Inglis and Marlene Fissen, their greater battle involves the future of their respective kingdoms. During the course of the movie, the lonely dark Fae finds her and Not as lonely as she thought, but there is no refuge for her comrade Wing. And Ingris will not let any non-humans pass through Ulstead’s gate. "She has a new plan for her kingdom ," Mirójnik said. "She is very modern and independent in her way of doing things. She is not constrained by form-she has her own ideas, she wants to execute them, and she doesn't want anyone to block her way. "
When Mirójnik first started designing Ingris's imperial costume, Feifu had not yet been selected, and once she joined the film, she needed to make a major change in the direction of the director. In Michele Before, all Ingris suits had hat-like headwear, which was not uncommon at the time. They were also exquisite: they went all the way up. But once Michelle was selected, it was clear that we should not do that. Instead, we worked with her hair stylist to design headgear and crowns studded with jewels and accessories. All this has to do with Michelle’s body proportions and what she can wear."
became Aurora’s own adulthood As a key part of the film's narrative, Mironic designed the costumes for Fanning that "grow up" with her character. "Her first costume is very fairytale, it feels like it’s made by a fairy. It’s notA dress made by people in the castle; this is a dress from nature. The leaf pattern on it was embroidered with a very special blue yarn by a great embroiderer named Catherine Iverson . This is the best way to introduce her. "
According to the designer, Fanning himself asked for a "Sleeping Beauty Dress" for the hapless first dinner between Marlene Fissen and Inglis. "There are also hand-embroidered flowers on this dress." , Are all cut from the clothes. "It needs to feel as if all the little flowers are made by fairies. This is her most elegant suit, because she will have dinner in the castle and meet Philip's parents."
At the end of the tragedy, Marlene Fissen was wounded in two places and was forced to flee: one was physically, and the metal projectile penetrated her wings; realized that she was the most popular image of a mother, at least for now, The queen moved quickly and turned her future daughter into her own image. As a result, the clothes she wears are more restrictive than when she lived in the forest. "It is completely different from other dresses because it is hand-woven in the castle and is very organized. She is studying the life of the princess in the castle and her duties. In order to become the princess that Ingris is trying to create, O Laura has to give up everything about her, give up who she is. You will see how upset she becomes. Ingrith soon discovers that you did not upset Aurora. You will not like when she is upset.
