The etherealness of the big fish and begonia, you are dead-hearted, heart-digging, I am indifferent and do whatever I want

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today brings you a domestic animation film, "Big Fish and Begonia", released in July 2016, known as the "light of the country" that carries the heritage of Chinese traditional culture. At that time, there were no "White Snake Origin", "The Return of the Great Sage", "The Devil Boy of Nezha", "Big Fish and Begonia" was the first national comic movie to open up the national popularity, and its production team was also the first to eat crabs Industry professionals. However, at that time we only paid attention to the image quality and exquisite production effects of the national comics, and did not pay too much attention to the logic and continuity of the film's plot, so that when looking at the film from the current perspective, we always felt that the film expressed The spiritual core is incompatible with our ideas. The protagonist Chun of

The etherealness of the big fish and begonia, you are dead-hearted, heart-digging, I am indifferent and do whatever I want - Lujuba

is a member of the mermaid tribe. Deep in the ocean floor stands a huge circular earth building. It is reported that the prototype is the Yunnan earth building that was investigated on site. The mermaid tribe lives in this mysterious and unknown area. Every member of the mermaid tribe has to go through an adult ceremony. The patriarch and elder cast a spell in the middle of the earth building to open a whirlpool leading to the sea. The children participating in the adult ceremony will go to the human world from this whirlpool and turn into fish. The coming-of-age ceremony is only considered to be completed by swimming around the sea, and in only one day, the small red fish transformed into a tree slowly wanders on the beach. When swimming to a coast, Tsubaki met a pair of fishermen brothers, but Tsubaki kept in mind the teachings of his elders that humans are animals that cannot be in close contact with each other, so Tsubaki always maintains a guard.

Seeing that the sky is getting late and the people of Tsubaki are vying to swim back to the origin, Tsubaki spares no effort to swim to the original whirlpool, but the anxious Tsubaki did not notice the fishing nets that were placed on the sea, so that they were firmly entangled by the fishing nets. The kind-hearted fisherman's brother ignored the waves, and a carp jumped into the rough sea to help Tsubaki get rid of the fishing nets, but Tsubaki who was afraid of humans mistakenly thought that the fisherman was going to hurt her, so he struggled desperately. With the tide of the sea and Tsubaki's resistance, even though the fisherman's brother had good water, he still sank to the bottom of the sea due to exhaustion. The fisherman's brother shouted to Tsubaki sadly, accusing Tsubaki of killing his brother. The guilty Tsubaki returned home, and the mother who had been waiting for a long time burst into tears, almost thinking that Tsubaki would not be able to come back, but Tsubaki who survived the catastrophe looked worried. Only Chun's grandfather knew about this, but he didn't interfere too much with Chun's behavior. The causal cycle of everything in the world always pays for one. Chun's selfishness is reflected in the transaction between her and the Lingpo. If Chung has given her life to make up for his mistakes and is worthy of respect and touching, then the next words of Lingpo will be intriguing.

The etherealness of the big fish and begonia, you are dead-hearted, heart-digging, I am indifferent and do whatever I want - Lujuba

You met someone, made a mistake, and you wanted to make up for it, but in the end you found that you couldn't do anything. This was Lingpo's last advice to Chun, but Chun remained unmoved and insisted on trading herself in exchange for the resurrection of the fisherman's brother. As a result, she got a scarlet fish and named it Kun. Lingpo told Chun, along with Kun’s daily growth, it would bring unbelievable disasters to the entire mermaid tribe, but Chun chose to do it. At this time, Chun’s eyes are full of Kun, even if Fa Xiaoqiu has done everything to be good to her, it will not be worth a screaming Kun, and Qiu is not a spare tire, because Chun did not intend to treat Qiu as a spare tire. But the so-called good brother. When Qiu left, the audience in the theater couldn't cry. What do you think you accepted was the love of a god. Qiu turned into a light rain, slowly drifting away with the wind. Chun's favor with Kun was derived from the fate of the previous life. Even if Qiu betrayed the mermaid tribe for her and turned into wind and rain, Chun's mind still had the shadow of Kun. There is a kind of good, called you desperate, but she is indifferent, instead of being a spare tire without self, it is better to walk away freely and freely.

The etherealness of the big fish and begonia, you are dead-hearted, heart-digging, I am indifferent and do whatever I want - Lujuba

The story of "Big Fish and Begonia" is very short, so short that it doesn’t detail Tsubaki’s remaining life, so short that we can’t face Tsubaki’s deformed love. The plot is ethereal and beautiful, but it’s not a plot I’m willing to accept. In exchange for a good brother, the company that gets along day and night is no match for the sudden goodwill that night.

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