People's love for villain characters, hiding their extravagant hopes for escape from the real moral order, and their yearning for characters with complex human nature. Film and television provide imagination and entertainment satisfaction for the audience trapped in the melting pot of reality. This year, DC's "Joker" used evil corners to push the comic genre to new heights. Perhaps, the revolutionary era of mainstream superhero movies should begin.
is an endless stream of superhero movies, and the market has gradually ushered in a period of aesthetic burnout. With the increasing acceptance of evil actors, this trend was quickly captured by Hollywood. In recent years, a large number of comic IP-adapted commercial movies with villains as the protagonist have been produced, such as Maleficent and Suicide Squad. ", "Venom", etc. Even Marvel, who is in the family carnival style, spent more pen and ink than heroes in the final chapter of "Avengers" to create Thanos' role.
However, in this batch of villain commercial films, a freak has recently emerged, and that is DC's "Joker." This independent film
has nothing to do with the past superhero universe, with low funding and few special effects, but it won the highest honor of this year's Venice Film Festival, allowing the world to see more possibilities for comic IP genres. This can't help but make people think, why is the market for villains who used to be just to set off the hero protagonist? What do we like about evil horns? Why is the role of Yizheng Yixie so attractive?
