was released in 1978 and won the Best Photography Award. Although the film has little content and an extremely slow rhythm, the film’s oil painting-like composition and tone accurately capture the American pastoral flavor of the early century. The final wheat field fire especially brought photography to its peak. However, the tone of the whole film is rather gloomy, and the development of the story is also slightly flat. Very beautiful movie.
is really beautiful, especially the ubiquitous wind in the film seems to be the most beautiful. Although it is a story of a love triangle, it is described from the mouth of a child without passion and enthusiasm, but it is told in an elegy atmosphere. The feeling of losing. This feeling came from a child. She didn't have a stable life, then she found a sense of security and happiness, and then lost it. However, she held back her tears and said it was nothing. "Days in Heaven" "The director told me that this is a very visual movie. The story is communicated visually. Few people really want to give priority to the screen. Usually the director gives priority to the actors and the story. .
He is a "movie poet". He is different from French film poets. He doesn't use the depression in the back streets to narrate. His art and his lens are aimed at the boundless sky of wheatgrass and dense red clouds. His shots have a sense of beauty, like the bleak decay that suffocates the sky and the earth. He is the wanderer of life. He is the person who made the film by Terrence Malick with philosophy. The film describes the male protagonist in the early 20th century. To make a living, he took his little sister and girlfriend who depended on each other to find work in Texas. In order to avoid people's eyes, he and his girlfriend are also siblings.
went to a large farm. The hero heard that the young farmer who lived alone was suffering from serious illness Soon after he died and the farmer fell in love with the heroine, the hero encouraged his girlfriend to temporarily commit himself to marrying the farmer in order to receive the inherited tree of life. The beauty is excessive, the editing is flexible, the narration leaves no trace, and the mirror is beautiful The long-term and comprehensive planning can be described as a model of the film. The narrative power of the film is already possessed by Terrence Horsepower when he filmed the day of heaven. The beauty is beautiful because we are separated from it, just as God is Worship is because of the distance between humans and gods. This distance can be achieved at a great price. Don't try it lightly.
In the era movies, there were no electrical appliances. At least before the invention of electricity, the result was a decrease in the amount of light used. I People think that light must come through the window. That's how people live." The photographer's grasp of light is subtle and true. "When the sun sets, and before night comes, it lasts up to 20 to 25 minutes. There is still light in the sky, but there is no sun. The light is very, very soft, there's some magic (magic light). This leads to our daily effectiveness. The time is only 20 minutes, but this adds a kind of magic to the film, full of romantic beauty. In this regard, the expressive power of color is much stronger than black and white."
associates with the grasp of light, not only in photography, A lot of inspiration can be gained in architecture, and traditional architecture pays much attention to light. And, the history of film photography, the history of editing and the history of film documentaries, the content and examples are quite different. Terrence Malik’s "Days in Heaven" has an amazing and shocking beauty, and many of the pictures even look like Shishkin’s original works. Coupled with Morricone's soundtrack, the film is always immersed in an atmosphere of desire and regret. Through the perspective of a little girl, she tells the cruelty of the world in her eyes, the happiness and stability she dreamed of and gained but lost. The narrative is calm and simple, but it makes people experience the indifferent sadness in the memories.
happiness is actually very simple. Every day, the afterglow of the setting sun hangs over Bill and Abby; in the evening when there is no one, they can play in the pond like a normal couple; they can also chase me in the tall wheat bushes with the children. When they have nothing but each other, although they often look at the unattainable and isolated villas in the corner, they can feel the magnificence that nature bestows on them and the warmth they draw from each other. That villa, just like its owner, was high above but cold. And they, like birds flying on the endless wilderness, are open and free. The world of the poor, although materially poor, but spiritually full. People use singing and dancing to release their talents and emotions in the few free time. In some moments, they are more enviable than the lonely and weak rich.
