Chen Kaige in "The Actor, Please Be in Place", how he became more and more aware of Guo Jingming
Wen|Xianyun
"The Actor, Please Be in Place 2" After the eighth issue, Chen Kaige's reputation fell into a mixed situation.
Er Dongsheng praised Chen Kaige's "Fantasia in F minor" as the most complete and best-looking script of the night. This is almost a portrayal of the relationship between Er Dongsheng and Chen Kaige in the second quarter. Er Dongsheng tried his best to move closer to Chen Kaige, and praised Director Chen, while Chen Kaige enjoyed the process with a kind of kingly appearance.
This is Chen Kaige's happiest moment.
However, in the eyes of netizens, the best works of the night were Zhao Wei's "Theatre" and Dapeng's "Mulan".
As soon as "Actors Please Take Place 2", the performance and status of the four directors are like this in the eyes of the audience:
Chen Kaige: the master of film, elegant.
Guo Jingming: I got on the hook with Li Chengru, and I took charge of the topic.
Er Dongsheng: It's a blockbuster, really dare to say.
Zhao Wei: The presence is so low.
However, with the end of the eight episodes, the impression that each director gave to netizens gradually began to change.
Er Dongsheng, in fact, is not as sharp as his performance in the first period. He simply came to participate in a variety show in order to expand his network.
Compared to helping the actors shoot a good short film with heart, Er Dongsheng is more interested and attaching importance to the red envelopes for the benefit of the opening ceremony.
In his eyes, film is not pure art, but an artistic product. Of course,
is correct.
But it also shows that in Er Dongsheng's inner world, honesty and utility coexist. In other words, he is a very realistic director.
Because of the existence of Guo Jingming, Chen Kaige, and Er Dongsheng, Zhao Wei's sense of existence has been very low until the eighth issue, Zhao Wei conquered the audience with "Theatre".
"Theatre" is most powerful in its metaphor.
Audiences, self-righteous directors, bad actors, investors, including some entertainment strangers, can all find their own shadows in "Theatre."
of course also includes Chen Kaige.
"Actors please take their place" Zhao Wei is a metaphor for the entertainment industry, Guo Jingming did not understand, Chen Kaige's black face comment
Chen Kaige belongs to the kind of veteran director who hangs his face as soon as he is not held up, and smiles as soon as he hears compliments. Even a big coffee like Li Chengru, just because he said that he hadn't watched "Promise", Chen Kaige had a spear and a cudgel.
also started from Li Chengru's comment on Director Chen's work. I don't know if he was stimulated, Chen Kaige began to let himself go, and Guo Jingming's performance became more and more. After the total score of the four directors in the eighth issue of
, Chen Kaige and Zhao Wei won the first and second places. Then, Chen Kaige gave the S card he got to Wang Qiang in F Minor Fantasia.
Chen Kaige’s reason for giving the S card is: Myolie Hu is the one with the highest score in the whole game, so she will naturally get an S card, and you will naturally continue to struggle in our crew. This is my point. confident.
Chen Kaige said to Zhang Haiyu: You played well, but you still need to make progress.
What a familiar reason!
Isn’t this Guo Jingming’s most commonly used articulation? "It is true that ..., but..." "Although...but..."
Guo Jingming used this kind of speech more than once to give the S card to He Changxi.
was in the last issue, Guo Jingming said:
I still give He Changxi, because Xiaoding (ding Chengxin) has the highest number of votes. Relatively speaking, I think he must be safe and I am not worried. Chu Ran is actually very popular with everyone...
You see, Chen Kaige chooses Wang Qiang and Guo Jingming chooses He Changxi. What is the difference?
"Adhering to the principles of the show, helping late-moving young actors to make real progress, so give this S card to Chen Youwei"
Isn't this all encouraging newcomers? What does the old actor
do? Accompany the prince to study? Isn't
looking for a bunch of sound-sounding reasons for your own decision?
vaguely remembers that Director Chen at the beginning of the broadcast was not like this.
Guo Jingming gave the S card to He Changxi for the first time, which caused great doubts from Li Chengru and the actors. At that time, director
also used the word surprise to respond to Guo Jingming, and directly questioned: giving a young actor in an immature stage an S card would mislead him. If you don’t judge from the perspective of acting, is there fairness at all?
Although Chen Kaige is critical of Guo Jingming’s standard for issuing S cards, it is puzzling thatThe performance of Chen Youwei was substandard, but Director Chen cherished himself, and did not hesitate to criticize the audience not to laugh because of Chen Youwei.
Chen Kaige: If I were an audience, I would not laugh. I would wait to see if he played well or not. An actor at is very vulnerable.
Since an actor is very fragile, Guo Jingming can use the same reason to protect He Changxi from promotion.
And Er Dongsheng has also been stunned by actors: Don't be an actor if you are afraid of pressure.
You see, the logic of the three directors is similar, overlapping, and conflicting on the same stage, completely chaotic, and there is no uniform standard at all.
In essence, Chen Kaige and Guo Jingming are no different.
The two of them together created the summit meeting between Chen Youwei and He Changxi.
If these two really make it to the finals, it will be the biggest mockery of the powerful actors and an insult to the audience. Any high-sounding reason will appear extremely pale: after all, the final result is not up to you. What, but what you did.
Director Chen Kaige has his own mature theory for filming, and he also has the endorsement of the top film in the history of Chinese film "Farewell My Concubine". Of course, Chen Kaige does not need to prove anything, but his works in recent years always give people a kind The form is greater than the content, and the scores of works continue to go up and down.
"Promise" has passed 15 years, and still can't change the public's view of it: in the clouds, in the mist, it is unknown. Therefore, it was originally a steamed bun, and it took two hours.
"Me and My Motherland", Chen Kaige's "Day Meteor", was rated as the most disliked passage by netizens.
At the end of the film "Taoist Down the Mountain", it became more and more like a wild horse running away from the audience.
Chen Kaige has a kind of stubbornness, a kind of stubbornness towards romanticism, he always feels that others do not understand him or his works.
Chen Kaige once said: No one can understand Promise within ten years. After
was commented by Li Chengru, Chen Kaige's stubbornness became more apparent.
So he always commented on others wantonly as a great master, but he couldn't tolerate others. It's hard to imagine that he would be very gaffey, like Guo Jingming, critical of Zhao Wei's "Theatre," and great to Wang Zhi Be critical.
Some people say that this is Zhao Wei's work that offends Chen Kaige. In Xianyun's view, Director Chen has taken the seat by himself. To a certain extent, "Theatre" poke the pain of Chen Kaige's own inability to write a screenwriter, just like Guo Jingming was pricked in the pain of only rhetoric.
So Chen Kaige released himself and me, completely tore off the master's disguise, and turned from a romantic perfectionist to an exquisite egoist-the same as Guo Jingming.
All things grow by rewards, or just a little attention!
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