Exhibition name: 2019 Taipei International Art Fair
Exhibition location: Taipei World Trade Center One (No. 5, Section 5, Xinyi Road, Taipei City)
Booth No.: N01 Long Yin Yafeng
VIP Preview: 12:00, 2019-October 21:00
Public Day: October 18-20, 2019 11:00-19:00
October 21, 2019 11:00-18:00
Participating artists: Feng Fasi, Zhang Wenxin, Wang Chengyi, Ou Yang, Zhong Genglue, Su Wei, Shen Guorong, Shen Guoliang, Du Jianqi, Zhang Yongsheng, Shen Jingdong, Xu Dongsheng, Shi Jianjun, Tang Huawei, Wang Hao
Gallery Introduction
Beijing Longyin Yafeng Visual Art Center was established in 2003. Longyin Yafeng not only pays attention to combing the history of Chinese modern and contemporary art, but also pays attention to exploring the future development direction of Chinese contemporary art. This time in "Art Taipei", with the clues of the development of art history, artists of various ages and painting languages are selected. Through their works, the audience can see: the inheritance of Chinese oil painting; the structural transformation of the painting language due to the change of times and the evolution of Chinese contemporary art.
Appreciation of some works
Feng Fasi
(1914-2009), born in Lujiang, Anhui Province, graduated from the Art Department of Nanjing Central University, under the tutelage of Xu Beihong, graduated from the Central Academy of Fine Arts Maximoff Oil Painting Training Class in 1957, and once worked in Central Fine Arts Director and professor of the oil painting department of the college.
(Feng Fasi) is meticulous in every painting. The pen and pen are based on the relationship between the object's shape, structure, color, warmth, and space state, which arouse creative passion, seek the method of drawing, and never fake it out of thin air. The sleek and dark appearance, the processing of the picture is extremely rational, and the explanation is clear and orderly. Therefore, his works are pure in style, achieving the effect of being strict but not dead, tight but not rigid, and work but not embellishment, giving people a real, real and natural artistic feeling.
——Zhan Jianjun (Professor of Central Academy of Fine Arts)
Feng Fasi | Cardboard oil | Sea donkey island | 39.5cm×51.5cm | 1977
Feng Fasi | Cardboard oil | Dai Village-2 | 55cm×78.5cm | Born in Tianjin in 1949, graduated from the Fine Arts Department of North China University in 1949, studied in the Department of Physics of Peking University from 1949 to 1951, and graduated from the Maksimov Oil Painting Training Class of Central Academy of Fine Arts in 1957. Member of the Chinese Artists Association, Russian Repin Art Honorary professor of the college. He has published seven albums including "Selected Oil Paintings of the Painter Zhang Wenxin in the United States" and "My Art History" in Chinese, English and Korean.
Zhang Wenxin is an artist with comprehensive artistic accomplishment, strong creativity and distinctive personality. He has rigorous realistic modeling ability. European classical oil paintings are good at realistic modeling, and their modeling skills are based on the principles of anatomy, physics, optics and other natural sciences. Realistic painters must undergo long-term and arduous training to master the basic laws and techniques before they can make a difference. Zhang Wenxin is well versed in this theory. He pays great attention to the study of the structure of objective objects and the relationship between them, and obtains solid basic skills of modeling by copying masters' works and sketching.
——Shao Dazhen (Professor of Central Academy of Fine Arts)
Zhang Wenxin | Cardboard Oil | Xia Yu is Coming | 32cm×54cm | 1974
Wang Chengyi was born in Anhui in 1930, and graduated from the East China Branch of Central Academy of Fine Arts (now China Academy of Fine Arts) in 1954. He stayed on to teach at school and graduated from the Maksimov Oil Painting Training Class of the Central Academy of Fine Arts in 1957. He is now a director of the Chinese Oil Painting Society and a member of the Chinese Artists Association.
Mr. Wang drew heavy colored lines and re-swiped the writing. Behind that lies his feelings. This kind of feeling is not vigorous or surging, but naturally has a condensed tendency. "The empty lake is in spring, the ancient mirror shines on the gods." That is like the spring water, To clarify thoroughly; the ancient mirror that shines in the form of a human being has no shadows. Mr. Wang's heart is often full of Qingming that tends to be clear and self-reflecting after being washed by emotions, so his color lines always carry emotion and emotion; on the other hand, they tend to refine.
——Xu Jiang (Dean of China Academy of Art)
Wang Chengyi | Oil on canvas | Morning dawn on the marsh pond | 38cm×46cm | 2014
ouyang
Born in 1937, he graduated from Guangzhou Academy of Fine Arts in 1960 and was a famous French teacher Artist Zao Wou-ki, is currently a professor at the Guangzhou Academy of Fine Arts, a member of the Chinese Artists Association, a director of the Chinese Oil Painting Society, and the vice chairman of the Guangdong Oil Painting Society.
Ouyang has been exploring step by step from the mid-1980s to the present. With his open and enterprising concept and the modern consciousness of free creation in the Eastern style, he chose the aesthetic "image" of Chinese literati painting as the core of oil painting's change. "Vivid" is the point of creation of imagery. It absorbs the colors of impressionist oil paintings and incorporates the pen and ink of Chinese ink paintings, seeking the individuality and originality of language styles, thus opening up the eastern road of oil paintings that belong to oneself and the progress of the times.
——Sun Meilan (Professor of Central Academy of Fine Arts)
Gull Yang | Linen·Sand Gum·Paint | Dahui Series-King | 180cm×120cm | 2007
Gull Yang | Linen·Paint·Composite Material | Drifting Bug 18.4 | 102cm× 130cm | 2018
Zhong Genglue
, born in 1947, graduated from the High School Affiliated to Guangzhou Academy of Fine Arts, an artist in the United States and art critic. He has held more than 30 solo exhibitions in the United States and China (including Hong Kong and Taiwan), and won the award of Butler, Ohio. The "48th National Mid-year Exhibition Judging Special Nomination Award" by the School of Art, and the "Art Critic Honor Award" by the American Oriental Culture Foundation, Lika Art Museum, Connecticut.
His figurative painting does not emphasize objective reproduction, but consciously explores painting observation modes and deductive techniques that go beyond traditional painting, and incorporates more personal subjective consciousness in the process of depicting; he is habitually intuitive to describe the natural scenery. It is transformed into an ideal landscape composed of personal mental images, which is a real and virtual scene between reality and surreal.
Zhong Genglue | Oil on canvas | Seven banana buds | 40cm×30cm | 2019
Zhong Genglue | Oil on canvas | Mangoes on the ground | 40cm×30cm | 2016
Su Wei
Born in 1957, graduated from Nanjing Art Institute Professional, master degree, after graduation, engaged in professional creation in Jiangsu Art Museum.
His works in recent years present a typical oriental image: subjective colors, free brush strokes, with a sense of rhythm like calligraphy, weakening the narrative and highlighting the energy contained in the language of the painting, and becoming more and more of the taste of Chinese literati painting. His works integrate the freehand spirit of Chinese culture into the language of oil painting, continue the oriental context, and build his own way of expression. This is the result of his own family background, artistic endowment and long-term hard practice.
Su Wei | Oil on canvas | Scenery 1 | 70cm×60cm | 2019
Su Wei | Oil on canvas | Scenery 3 | 70cm×60cm | 2019
Shen Guorong
was born in Zhejiang in 1959, born in Taiwan, graduated from Zhejiang Academy of Fine Arts in 1988 Now the China Academy of Art).
His works are full of quaint literati interest, and it is more of a distant and ethereal song than an oil painting. The picture of his works presents a jade-like warm texture, which seems to be light and strong. This oriental temperament and oriental connotation stems from his injecting Chinese painting style narration into the language of oil paintings, thus exploring an art path of his own .
Shen Guorong | Oil on canvas | Cang Song Hualong No. 3 | 160cm×80cm | 2018
Shen Guorong | Oil on canvas | CangSonghua Dragon No. 4 | 160cm×80cm | 2018
Shen Guoliang
was born in Beijing in 1961 and graduated from the Fine Arts Department of Capital Normal University in 1996.
His paintings are rich in color, thick and simple, with a bit of ancient clumsy meaning; the texture of the picture formed by the laying, rubbing, and depiction of painting knives and oil paints, presents a meaning similar to Chinese brush and ink-pen Between the pen and the pen is filled with the joy of changing ideas. His painting art combines the two-way traditions of China and the West, and through long-term practice and exploration, he finally formed individualized style characteristics.
Shen Guoliang | Oil on canvas | Bridgeside 1 | 55cm×63.5cm | 2003
Shen Guoliang | Oil on canvas | Bridgeside 3 | 45cm×50cm | 2006
Du Jianqi
Graduated from Hebei Normal University with a degree in oil painting in 1987. In the master's course of Mural Painting Department of Central Academy of Fine Arts, member of Chinese Artists Association, professor and master tutor of Hebei Normal University.
He can use the most common chalk and charcoal in his hands to a superb realm-his paintings are simple and lightly colored and not much ink, but he often depicts natural objects full of flesh and blood and lifelike. This ability stems from personal gifts and years of tempering. His concrete paintings often make people feel more real and moving than natural objects. In fact, this "reality" is artistic reality and the charm of painting language. At this time, the concrete depiction already possesses the spirit of transcending natural objects. Sex and the meaning of the times.
Du Jianqi | Mixed Materials on Paper | Plateau Eagle Series II | 120cm×90cm | 2019
Du Jianqi | Mixed Materials on Paper | Tang Wei | 80cm×55cm | 2014
Zhang Yongsheng
was born in Hebei in 1964 and graduated from Tianjin University of Arts and Crafts. Beijing, professional artist.
His abstract paintings are mottled, dense and saturated. The light and color in the painting are intertwined and transformed into each other, presenting a peculiar visual effect, giving people a strong and perceptual aesthetic. However, this seemingly perceptual visual language actually originated from the artist’s very rational thinking—he injected life experience and creative passion into the material language, repeated scrutiny, and polished it layer by layer to make it more than entertaining. mental strength.
Zhang Yongsheng | Acrylic on Canvas | Light and Color 26 | 100cm×100cm | 2013
Zhang Yongsheng | Cardboard, Acrylic | Light and Color 26 | 25cm×25cm | 2018
Shen Jingdong
Born in Jiangsu in 1965, graduated from Nanjing Xiaozhuang Normal School Art Class successively Department of Fine Arts, Nanjing University of the Arts, currently lives and works in Beijing and Nanjing.
Each of his works can also be said to be related to pop, or pop, or vulgar. But in fact, Shen Jingdong is very unique. He provides a very complete and authentic "fairy tale context" in a visual and cultural sense that is transformed into an artwork through personal experience. This "fairy tale context" It runs through all of his creations and becomes a red line connecting his creations.
-Wang Meng (curator and art critic)
Shen Jingdong | Oil on canvas | Today I am not happy | 100cm×50cm | 2019
Shen Jingdong | Oil on canvas | I am a little unhappy | 100cm×50cm | 2019zz
Xu Dongsheng He graduated from the Oil Painting Department of Guangzhou Academy of Fine Arts and the Graduate School of Oil Painting. His research direction is modern and contemporary oil painting creation. Now he works and lives in Guangzhou.His works wander between abstraction and concreteness, expressing the straightforwardness of abstract painting language, joyful and vivid, and mixing concrete narratives in the pictures, creating an uncertain visual field. This uncertain field is mysterious and profound, with an image that transcends realityTibetan artists' exploration of life and observation of all things in the world. His personalized expression, or "new painting", attracts viewers to immerse themselves in the spiritual realm he has created with its strong visual effects, triggering deep thinking and poetry.
Xu Dongsheng | Oil on canvas | Pink skirt lining | 200cm×280cm | 2018
Xu Dongsheng | Oil on canvas | The Oath of the Dark Night | 180cm×190cm | 2018
Shi Jianjun
was born in Hunan in 1969 and studied in Hunan Central University of Fine Arts in Hengyang University of Fine Arts. Graduate class in the Second Studio of the Oil Painting Department, professional artist, works and lives in Beijing.
His paintings inject deep emotions into the ancient mural-like patterns. The texture of the pictures is rough, the colors are mottled, the images are simple and natural, and they carry the long and long Eastern imagery, which is intriguing. His painting language is built on the Western visual system and continues with the Eastern context, giving the painting language a contemporary meaning.
Shi Jianjun | Oil on Canvas | Sixteen of the "Alien" series | 60cm×80cm | 2019
Shi Jianjun | Oil on canvas | College, Graduate School of the Chinese Academy of Art, currently working and living in Beijing; works involving paintings, installations, and videos have entered many domestic and foreign art galleries and public art institutions.
His paintings use abstract ways to express his own life experience, rational thinking and emotions that are turbulent in his heart. His works have dynamic lines and full of energy; the colors are sensual and even sexy, thick as reliefs; the texture of the pictures is like a lively body with vitality. At the same time, his unique painting language comes from his creatively integrating the cultural traditions of Chinese calligraphy into the oil painting language with Western culture as the background, so that the viscous oil paint can freely generate visual images with oriental meaning on the canvas. The perceptual expression of the oriental spirit in the rational framework of Western culture uses another way to interpret the contemporary meaning of written visual language. For contemporary art, his exploration may herald a new beginning.
Tang Huawei | Oil on canvas | Feng (2019-3-3) | 190cm×180cm | 2019
Tang Huawei | Oil on canvas | Melting (2018-12-9) | 100cm×80cm | 2018
Wang Wei
(formerly known as Wang Min) Born in Wudang Mountain, Hubei in 1974, he graduated from the material performance graduate course of the Oil Painting Department of the Central Academy of Fine Arts, and is the artistic director of Chaos Art Museum in Shiyan, Hubei. He currently lives in Beijing and Wudang Mountain.
Wang Min’s new work, the lines, colors, shapes and even rice paper that constitute the paintings and many other abstract methods with Eastern and Western interest, are mellowly combined with the special background pointed by ancient material techniques such as tempera and lacquer. It has a very rich meaning of extension, which is also consistent with his spiritual temperament, taking Tao as a mirror and responding to reality with clumsy understanding, forming a brand-new state of elephant "open" shape.
——Cheng Pei (Doctor of Fine Arts History, Central Academy of Fine Arts)
Wang Hao | Tempera on canvas | Bach's average law No.30 | 180cm×100cm | 2019
Wang Ha | Tempera on canvas | Bach's average law No .31 | 180cm×100cm | 2019
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