"The Next Stop Is Happiness" is over in one after another. The screenwriter and director have been added to the blacklist by many netizens. Please detour when you see their plays in the future.
However, He Fanxing is gone, we ushered in Jiang Dalin, and the " perfect relationship " broadcast immediately, the heroine is still a silly white sweet in a light mature coat. Eight sisters really want to ask, is it because we have limited screenwriting skills, or do they see women in the workplace like this?
Good female love dramas are all made into bloody family ethics dramas. The female protagonist is obviously too stupid to be rescued. She is also a bitch, has no attitude and has no opinion, but has to forcibly establish a acquaintance who will not succeed.
In the current TV series, is there no fresh and refined heroine? Yes, the heroine of the recently popular Korean drama "Itaewon Class" is refreshing.
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42zSpeaking of Korean dramas, is the related word that you think of the first time you are still bloody? The heroine is Cinderella Marie Su?
Korean dramas in the past few years have changed their appearance, and the hostess has become more and more bold. The heroine Zhao Yirui in "Itaewon CLASS" is a subversive heroine.
Zhao Yirui looks young and sunny. He is proficient in learning, sports, music and other aspects. He is an 18th all-round genius with a bright future.
However, she was depressed and depressed inwardly, an anti-social personality.
Her ideal is the destruction of the world. Why is it so extreme? She replied only because she didn't like the repetition of life and it was obvious, because success in the traditional sense had to work as hard as crazy. She hated it.
is weak and non-existent, as soon as she appears, the heroine cleans up the school tyrant.
rushed up like the protagonist of justice in the past, is it wrong to scold the school bully? The result of this will not be a warning to the school tyrant. In the end, he will hurt himself. Our male protagonist Tiehanhan was almost ruined because of his help to his classmates. Not only was he dropped out of school, but his father died. He also went to jail.
Zhao Yirui is more witty, and she photographed the bullying process and uploaded it to the Internet. Because the other party's parents are high-ranking officials, it caused a lot of social disturbance.
The school bully’s parents found it arrogantly and slapped her viciously, but she turned her head the next second and asked her friend whether the photo was taken?
After confirming that the filming was completed, she warned the school bully parents that if this happens again, she will use this video to ruin her daughter's life in the future.
How could the high-ranking lady, who had always been aloof, bear the anger, and was about to fight again, the heroine took the first step and slapped her severely. The vicious supporting role of
is asking for trouble, how to deal with it, friends are preparing to persuade peace, she has already started.
met a wretched man, and didn't forget to kick his feet after falling over his shoulder.
For the male protagonist who seems to have done nothing, she not only bravely chased love, but also bet on her own life. Even if the hopeful mother strongly opposed, she also strengthened her opinion.
Since the male lead is very ordinary, then I will train him to be worthy of me.
met a rival in love and wanted to kiss the hero, no way, this is my man!
defended and covered the second woman's mouth.
like this to live a thorough, violent personality heroine, it really makes people feel comfortable.
The heroine in "Itaewon" is exactly what we lack. Our heroine is like a silly white sweet produced by an assembly line, the same thing, unchanged.
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In fact, the so-called female love drama should include elements such as freedom and bold innovation, discussing the contradictory relationship in marriage, love, mate selection, career, etc., can arouse the resonance of the current female audience, and bring some thinking to the audience.
But in our modern romantic drama, the heroine is more stupid than the other. Either it is "Luo Zijun" waiting for the man to save, or it is the middle-aged Marisu "He Fanxing".
Regarding workplace dramas, we are not even as good as the Hong Kong dramas of the 1990s. Just throw a TVB professional drama out, and it can be completely crushed.
Now, even modern romantic dramas make people scalp numb, and the heroines are similarly angry.
is hard to imagine, in this era, the heroine of the mainland drama is still like 20 years ago, only standing between the male and the male and two shouting.
Even Taiwanese dramas with idol dramas as the core have redefined idol dramas.
A "Want to See You" is a collection of suspense, love, crossing and many other elements. The heroine Huang Yuxuan is neat and generous. Anyone who reads it will fall in love with her.
A little further forward, "The Story of a Sister-in-law" portrays a 40-year-old woman, Carina Chen, who has no house, no car, no husband, no children, and the "tragic" of all the older unmarried heroines. At first, the audience might think that the screenwriter would Arrange for the heroine to achieve a life counterattack like the previous protagonist.
did not, as the director Yan Yiwen said, "At this age, I will never do inspirational and dream-catching stories! Sorry, I didn’t marry the president, or open any Wenqing coffee shop or return. Hometown promotes culture or something... I hope this drama can be as close to the truth as possible. Even in the final ending, you are still worried about the heroine because her future is uncertain." The story of
is not bubble-like about the heroine. In the future, it is to reveal the process of her growth. In the end, the audience will be cured by the heroine.
In recent years, we have also been actively creating female-oriented dramas and creating a new era of female images.
However, from "The Story of Hot Mom", "Translator", "Ode to Joy" and "My First Half of Life" to the current "Next Stop Is Happiness" and "Perfect Relationship", there are still a group of ideologically correct people on the market. There are “big heroines” whose professional abilities are mostly screenwriter plug-ins. Most of their love of career is forced by helplessness. When they compete for men, they compete more fiercely than for projects.
sincerely suggest that mainland screenwriters stop sitting in the office and fantasize out of thin air, to actually understand the current situation of contemporary women, it is not good, and learn more from excellent dramas.
