Whether Fan Bingbing has acting skills is really a metaphysical problem.
talk about her lack of acting skills, starring in "Mobile" won the Hundred Flowers Award for Best Actress, starring in "I'm Not Pan Jinlian" won the Golden Rooster Award for Best Actress, and starring in "A Ghost in My Heart" won the Best Actress of a Horse Award As a supporting role, she won the title of Tokyo actress in "Kuanyin Mountain" starring in 2010.
can talk about her acting skills, "Dynasty Woman", "Legend of the Conferred God", "The Legend of the White-haired Witch" and other bad films are all corroborated. Fan Bingbing's acting skills seem to be far from her ability in popular searches.
Does Fan Bingbing have any acting skills? If I want to say there are still some, or "Mobile" and "I'm not Pan Jinlian", although Fan Bingbing's acting skills are not bursting in the above works, we can still get a glimpse of the performance from the details.
It's just that this amazing feeling is not stable on her.
In fact, looking at Fan Ye's acting journey, it is not difficult to draw a conclusion.
Fan Bingbing’s highlight moments were mostly gathered in the last ten years. In those ten years, Fan Bingbing was not a domineering fan, nor was she a queen of hype who paid tens of millions. Get more familiar with each other, and then make some major director movies.
was not outstanding at that time, as for tax evasion and tax evasion, she had nothing to do with her.
Fan Bingbing started with Feng Xiaogang "Pong", then she successfully broke the circle through "Mobile", and then had the opportunity to cooperate with Li Yu, that is, under Li Yu's training, she finally opened up, or "Double Exposure". "Guanyin Mountain", in Li Yu's tailor-made women's play for Fan Bingbing, she finally found her most comfortable acting state and the meaning of the actor's existence.
Among them, "Guanyin Mountain" represents the pinnacle of Fan Bingbing's acting skills. Today we will review Fan Bingbing's performance in "Guanyin Mountain" together, and then analyze this underrated work.
Before talking about "Guanyin Mountain", it is necessary to introduce director Li Yu.
As a scarce female director in China, Li Yu's existence is even more maverick; in this respect, Li Yu is different from Zhang Aijia and Chen Chong who acted and directed by You. The transformation from an actress to a female director is even more different. Yu Xu Anhua and Hu Mei first became directors from a professional background.
Li Yu is more similar to Zhang Wanting, who has directed "Autumn Fairy Tale" and "Eight Two Golds" in terms of experience. The two are not actors in transition, nor are they major in film studies. They started as TV station hosts, and then they started shooting documentaries. At the beginning, I gradually tried to shoot movies to become a director.
In 1996, Li Yuxian directed the first documentary "Sister", which won the 1996 China Documentary Association Award at that time, and after filming several documentaries, Li Yu only started filming his first feature film "This Summer" in 2000. .
The most valuable feature of Li Yu's works lies in the absence of discipline.
has no formal film education, so there are more emotional things in her works. In this respect, she can see through the out-of-focus lens and disorderly dialogue in her works. Moreover, because of the experience of working in the media, Let her work have a strong realism color. For example, the filming of "This Summer" focuses on female groups, and the filming of "Hong Yan" focuses on romance beyond age. In Li Yu's dictionary, movies are art without rules, and everything is only for expression.
Unfortunately, Li Yu’s freedom is not seen in China. Because the subject matter has no taboos, Li Yu’s first few works are hard to see, but Li Yu’s freedom has been recognized internationally. First, "Hong Yan" won the Venice Film Festival International League. Art Award, and later "Guanyin Mountain" won the Best Art Contribution Award at the Tokyo International Film Festival.
How good is Li Yu's work? Is it just because the subject matter is bold?
of course not! The most shining part of Li Yu's work is not only its focus on reality, but also the core of resonance with society in this focus. And this core is the "lost" of a generation of young people.
can take a certain film as an example in this respect. In the film, Fan Bingbing is the carrier of “lost”. She used to be an ordinary person who came to the city to work. She lives in a difficult life but it is also comfortable to fall in love with her boyfriend. After the gun went off, she stepped into the life of a rich man, which made her life start to lose.Preface, and then gradually lose yourself in the metropolis.
"Guanyin Mountain" speaks the same principle.
The film "Guanyin Mountain" tells the story of the landlady Chang Yueqin and the three young guests Ding Bo, Nanfeng, and Soap comforting each other, and the film seems to tell the warmth of four fringe people holding a group for warmth, but in fact this holding group is still They can’t save their “lost” fate.
Sure enough, unfortunate people have their own misfortunes.
In the movie, either Nanfeng (Fan Bingbing), who is far away from family troubles, Ding Bo (Chen Bolin), whose mother is sorrowful of his father because of his deceased mother, or Soap (Fei Long), whose family is rich but rejected They are actually "lost" groups in reality.
However, this "lost" is different from the gap in class, but lies in being squeezed by society to find a way not to be loved, and no outlet for release.
What they represent is the social microcosm of a generation. They have fun and vent all day long, they try to gain attention and desire to be loved through this way, but after they quarrel, after smashing, the huge sense of emptiness remains Invade them. The only thing that
can save them temporarily is the three of them comforting each other.
Later they rented the house of Peking opera actor Chang Yueqin (Zhang Aijia) and met a woman with the same fate. Although they had a big gap under one roof, they gradually felt a little warmth in the lonely man.
This is lucky, but the reality is still endless confusion.
Finally, when the landlady Chang Yueqin passed away, they returned to normal again. It turned out that all the good things were only a flash in the pan. What awaits them is still an unforeseen future and an abyss of insecurity. Nothing can save myself, all good things are still fleeting.
Just like the image of Guanyin Mountain, temples, earthquakes, Michael Jackson and other images in the film, it is just to build a compassionate and sorrowful reality in this world, that is, everything is collapsing, everything will pass away, not to mention their group on the edge of the city Young people being constantly squeezed.
There is no direction in the future, and life is not a pity.
How should contemporary young people live with this world?
This kind of depression continues to spread in the film, or the lens is distorted, or the close-up shot, or the whistling train, or the messy incident. The film is always on the sidelines with a godly attitude in a film with no structure and no narrative. It mockingly watched the group of young people become paralyzed and decomposed.
is gradually at a loss and dilemma in love and family.
All this is so lost and hopeless, the future cannot see the direction, and there is no vitality right now, just as Chen Bolin and Fan Bingbing each had secrets in their hearts, and then cuddled on the rails without knowing that death was approaching.
For them, death is not the best ending.
But living aimlessly like this is equally meaningless.
