Don't worry, three-body fans.
This is not fake news. It's not a joke either.
The news about the adaptation of "Three Body" has been around for a long time.
Let's review it.
In March 2015, China Youzu Pictures announced the start of the film "Three-Body".
From the encyclopedic point of view, six parts, with a single investment of 200 million yuan, Feng Shaofeng, Zhang Jingchu, the international top production team...
without exception, all indicates that this will be an unprecedented...
The domestic science fiction blockbuster is difficult to produce.
Let’s not talk about how fans of "Three-Body" wailed on the day of the announcement.
said that the release plan of this plan in July 2016 has been postponed for three years.
has news that the film will be postponed indefinitely...
and rumors that the production team has been disbanded.
So, the adaptation of "Three-Body" was aborted like this?
This makes many book fans like me, who are disgusting, but still looking forward to it, are really a little worried.
So, someone looked elsewhere.
At the end of 2019, the animated version of "Three Body" PV will be released.
This is probably one of the most "explosive" events in the animation and animation circles this year.
As far as this trailer is concerned, the barrage is an admiration.
makes sense. After watching the film more than ten times, I rekindled my blood!
However, it is a pity.
The film will be officially launched in 2021.
is good.
So the question is, is there one that can fight? ? ?
yes!
is here, "Three-Body" is an adaptation of the radio drama of the same name, which is officially launched in the Himalayas on December 1st!
Yes, not a movie, not a TV series, not an animation, not an audio book,
is a radio drama. Who can think of
?
Before the production of "big thunder, little rain", this turned out to be the first landing project after Liu Cixin led the launch of the "three-body universe" development plan in 2017!
I have no other requirements like the majority of the audience! Just keep going!
(forgive me for being excited like a meal circle girl)
is reasonable, and many people are not familiar with radio dramas. Let's put it this way, radio drama is like a series without pictures, with actors, narration, dialogue, and soundtrack.
is different from audio novels. Radio plays need to edit novels from scratch, instead of copying and reading, they need a complete script, and the director's voice montage is indispensable. The more classic
is a radio drama produced by Orson Wells, the director of "Citizen Kane" in his 20s.
was later continuously remade-after the broadcast of "World War: Martians Attack on Earth"
, the entire United States was a sensation.
Many people panic, and some even report to the police for help.
is mainly because it is too real.
This is also how I feel about the "Three-Body" radio drama.
literary master Cao Yu once said: The biggest advantage of
radio drama is that it gives listeners a lot of room for imagination. Instead of seeing
, it is more memorable than seeing it, and
is more interesting.
And Liu Cixin, the original author of "Three-Body", also said: The best science fiction of
is to use the most real details.
brings human beings to the boundary of imagination. In this sense,
sounds may be the best science fiction. One of the carriers.
To sum up, "Three-Body" + radio drama + high-quality team = absolutely not vulgar
.
In fact, for works like "Three-Body", maximizing the restoration of the characters and stories in the book is already the greatest gift to our fans.
With this mentality, I listened to the first four episodes in one go. In addition to surprises,
is also a surprise. The analysis of the characters in the
play is very thorough, and there are even extensions that are not in the original work. Whether it is some extra details, the sense of voice substitution, and the layering of the environment, the direct readers are drawn into the feeling of the first reading of
.
although it may be a few months or evenYears ago.
But sound has this kind of magic. The current updated episodes of
are fast-paced, not procrastinated, and have a strong sense of rhythm.
The feeling of rain in the mountains is very strong.
Shi Qiang and Wang Miao are dubbed, one is greasy and slippery, and the other is arrogant. In the first episode of
, several rival scenes were seamlessly connected and super tacit. The character of
is especially big history, unobtrusive, and the meticulousness hidden under the rudeness, which fits my imagination completely.
also has the "crazy age" described in the fourth episode.
slowly advances in reality and memory, and the two lines alternate in parallel, just like a long shot of a movie, giving the listener an immersive experience.
In the dark years of Ye Wenjie's father, he felt sore for the actors through headphones.
So, there was an episode that listeners called "donating the vocal cords."
It can be said that these have broken my understanding of radio dramas. The original sound created by
, including white space, imagination, details, and realism, can completely surpass the picture itself.
launched the first four episodes this time, with a production cycle of more than ten months, nine of which were changed drafts.
can tell that this is by no means an easy job.
First of all, radio drama is the visualization of sound.
Due to differences in the expression of text and sound, the creative team needs to adapt the original work.
However, adaptation is risky. R. Zhao, producer of
, said: “There are too many adaptations, some people will say that you don’t follow the original work; if there are fewer adaptations of
, others will say that you are lazy and don’t bother, why don’t you make scenes.”
in Da Liu Under the supervision of the audience, in the expectation of the audience.
is under a lot of pressure, and it is difficult to both ends.
Therefore, the creative team made a bold decision-to "deconstruct" the original
, that is, to analyze the characters and completely split the narrative structure.
then re-spliced according to the form of the drama.
is equivalent to saying that it is a second creation. This work has never stopped.
During the program launch, the production team is constantly adjusting the script and revising it repeatedly to ensure quality. Although
is slower, it is okay in terms of effect.
is not small in terms of dubbing.
729 Sound Factory came up with an all-star lineup:
Liu Cong, once voiced "Wandering Earth" Moss, this time played Shi Qiang.
Ajie, once voiced Tu Su in "Gu Jian Qi Tan", this time playing Wang Miao.
Yang Tianxiang, once dubbed "The Legend of the Demon Cat" Kong Hai, this time played Ding Yi.
......
just the first season, has assembled more than 50 great gods in the dubbing world.
In addition to character dubbing, ambient sound is also too important. The producer of
said:
"We will deliberately add a lot of sound effects.
pays attention to factors such as distance, vocal position, etc., constructs a suitable'sound field' to form an overall multi-level, even if it is just a low-level sound. "
For example, in the fourth episode, the masses below coughed, moved their feet, and couldn't let go of a small whisper in their mouths.
This is the most contemporary element of the "crazy age".
And all this, the big screen is still "unable" to do it.
is especially true for "Three Body".
I mentioned earlier that book fans reject film adaptations.
After all, this is not a question of whether it is bad or not, or whether to bet.
This is simply a question of "can create".
does not say that the technology is mature enough, but that most of our "audiences" are not doing well enough to face humanity objectively.
Unfortunately, in the portrayal of human nature, Da Liu is an extremely cold person, and anyone who has read this knows this.
Therefore, content like
cannot be shown. We all know these things too.
Therefore, the adaptation of the movie undoubtedly means the deletion and modification of the original work-we do not say what
cannot say, and we do not do what cannot be done. Is the value incorrect? Then change it!
Is that still "Three-Body"?
is basically two dimensionsthing.
Fortunately, there are some things that film and television dramas can’t do, but radio dramas can.
This is why I support it.
Regardless of the degree of reduction, or the true shaping of technology, I think the sound is better than the picture.
at least on the current level.
In essence, sound and text have one thing in common-the human brain curtain.
The brain is the most unrestricted thing.
No matter how smart you are, there will still be things that you can’t perform.
And the brain is the carrier that can stimulate the big bang in the brain.
Of course, if film and television can be achieved, it will naturally be the best.
