is in a city in the south, where the fugitive Zhou Zenong, played by Hu Ge, is involved in a "life gathering" full of crime and punishment. The film was shortlisted for this year's Cannes Film Festival and is the only Chinese film in the main competition unit. The director of
Diao Yinan said that the reason for asking Hu Ge to play was that he saw a picture of Hu Ge in a magazine and was hit immediately. "There are many stories behind Hu Ge's face, and that photo showed me a different Hu Ge, a very rebellious and unruly Hu Ge."
can say that Diao Yinan has tapped out more potential in Hu Ge, and Hu Ge himself accepted the challenge very courageously and dared to break his inherent image.
When mentioning Hu Ge, you must add BGM and the youth filter of "Who on Mo is young".
Graduated from the Acting Department of the Shanghai Theater Academy in 2005. As soon as he graduated, Hu Ge had the opportunity to participate in the fairy tale "Legend of the Sword and Fairy". After successfully portraying the character of "Li Xiaoyao", this young boy with a shy and perverted smile was horizontal Empty out. Created the sensational "Sword Fever" and at the same time pushed himself to the forefront of young male actors.
How hot Hu Ge was at that time, let's put it this way, except that "Han Zhu Ge Ge" was all played on the streets and alleys when I was young, what really sparked discussions among my peers was the "Sword" and Hu Ge of that year.
Before the craze of Xianxia and Crossing dramas faded, Hu Ge was one step ahead and became a powerful actor with a series of word-of-mouth works of "The Pretender" and "Langya List". In this movie "The Gathering at Southern Station", he won the first game on the big screen. He has worked hard throughout his acting career, and has given fans and audiences answers to excellent works.
The film "The Gathering at Southern Station" is a very standard noir genre, incorporating the very strong personal style of director Diao Yinan. It is intriguing and exquisite in terms of audiovisual language and light and shadow effects. Break through the bottleneck of domestic films that cannot coexist in the two contexts of domestic genre films and international film festivals. The film strives to present a holographic view of the marginalized figures in contemporary society. At the same time, this complex movie landscape is also lacking in domestic films. The movie-watching experience is very strong, and there is a sense of panoramic immersion. The chaos and mess of the village in the city, coupled with the restlessness and vigor of the gray crowd, coupled with the sudden violence and broken and mottled light and shadow, are rare and rare image specimens. Looking at the whole film, all the light and shadow fit the theme of film noir, the various uses of shadows throughout the film, the city covered by shadows, the determined gaze of the man covered by shadows, the director uses almost stubborn visual light and shadow , Is a footnote of a special kind of humanistic care for violence. Use a highly realistic style to focus on the most current people and things that are chased and expelled by fate. The fast-paced narrative of
is full of information, and the editing style is also refreshing. Although Zhou Zenong, played by Hu Ge in the film, became a fugitive wanted by the police because of an accident, the fugitive is the fugitive. Between hiding in Tibet and panicking, mental and psychological changes and fluctuations, such as emotional changes and emotions Hu Ge needs to figure out and comprehend all aspects of expression and the thoughts and thoughts of family and people around. Under the crush of the wheels of
, the struggle and formation of the character is embarrassing. Under the camera, Zhou Zenong, played by Hu Ge, has a broken and vigorous color.
Hu Ge spans eighty to ninety percent of the scenes. Almost from beginning to end, he shows the action line of desperadoes mediating and fleeing around. The image of a tough guy is true and credible. From the appearance to the end, Hu Ge has maintained a sense of surprise, his eyes are depressed and introverted, and he clings to the audience's gaze. In particular, the action is fist and fist, and the tricks are clean and neat. The fragility that the character attaches to him when he flees is magnified by the lens language several times, as if he is dancing in shackles. Zhou Zenong's escape to death is enough to prove that Hu Ge's future can be expected.
After choosing this movie, Hu Ge turned on the learning mode and calmed down to serve the role only. Hu Ge had no basis at all for the Wuhan dialect that Zhou Zenong said in the
film. In order to be proficient, he began to practice non-stop every day. He and the other actors on the set agreed that he could only speak Wuhan dialect when speaking to him, and practiced an authentic dialect in a high-intensity language environment.
has a scene where he needs to expose his upper body. His entire upper body muscle line is in full compliance with Zhou Zenong's identity as a bastard. When filming, Hu Ge only drank a little coffee for three days and kept the corners of the scene by dehydration.Color state and figure. Only then has the character Zhou Zenong's authenticity and fierce perseverance in the movie story itself. In the boat scene between
and rival actor Gui Lunmei, there is no room to move around in a narrow space. Hu Ge not only broke through the first erotic scene on the screen, but also brought a sense of security and solid support to Gui Lunmei. The two actors have achieved each other's achievements, and only then have the struggle and choice between Zhou Zenong and Liu Aiai in that scene.
is a scene that impressed me very deeply. It was in that extreme violence and romance, riding a motorcycle and braving the heavy rain, and his face was full of blood flowing down. Hu Ge half-squinted his eyes, but he continued to work hard. Riding forward, trying hard to see clearly. This makes Zhou Zenong in the video look like a sad animal, hibernating after being injured, waiting for an opportunity to move. The slow motion at the end slowly swept across, and the soundtrack sounded from far to near. Moved to cry. It is not only Zhou Zenong in the film, but also Hu Ge, the actor who was once "reborn after catastrophe". The whole story line of
can be regarded as Zhou Zenong's redemption of his own life, showing the struggle and struggle of marginalized people to find dignity and the meaning of life in front of the public with the help of Zhou Zenong, eliciting deep thinking about human nature and life. And Hu Ge, as an actor who is close to no doubt, no matter how far the vigorous and angry-looking young man left us, he relies on the character of Zhou Zenong, and at the same time breaks the inherent dream of the audience and fans of his old days. The image, with a vigorous and perfect interpretation, returns with honor again.
From then on, Hu Ge is not only the handsome boy in my memory, but an excellent actor who can go on and go further.
