heard that "There is a place only we know", Wu Yifan was faintly worried (of course, not who watched him in this kind of film), this worry really came true. Wu's own experience is quite varied, and his experience in foreign countries has caused him not to have a good grasp of Chinese language. At that time, Xu had specially helped Wu to practice his lines, but he still said it was frustrating! what!
Compared to the grandmother's love and granddaughter's love, the love of the Reiza pair is really more organized. At least I have seen a process, and the Prague and the Chinese are eye-catching, music together, and falling in love with each other, what the hell is it! I can still protect my partner for decades, and I can stay in a foreign country to take care of my former child's feelings. I can't see this process. Hey!
Likun’s acting skills used to be thought to be good, so it looks really against the sky. I would like to say how the goddess acted in front of Wu's paralyzed face. Does it rely on the brain to make up for it? Is it really not a minute-by-minute act? People say "the feature film is not as good as the easter egg, and the easter egg is not as good as the trailer." Well, it's really right. If it's not for a certain fan, it's better to keep the money to buy Weilong. Recently, Weilong seems to have been replaced with a new package, and the tall ones can hardly afford it.
This kind of film purely for watching the scene should be made into a ppt. It should be quite good to make a film. I am really worried about wasting film. Prague might be hot for a while, after all, it is much more worth seeing than love Prague. Although I majored in radio and television, I am really not sensitive to celebrities. After watching it, I realized that Xu Jinglei and Wu Kris were like that, and I was drunk by myself. Then back to the topic. First, the film connection is unnatural. The color tone feels suspicion of misuse.
For example, when Xu Jinglei passes by that cafe, she seems to be in the same time and space as the hostess, and it feels like crossing. The protagonist and heroine used a yellowish tone by the river, how do you feel what era it is? I personally feel that the best distinction should be the black and white or yellowish tones that were used in the old age. This gives people a better degree of distinction. At least don't feel that they are in the same time and space. It feels strange, especially for express delivery. I felt a little scared when the hostess went to Lan Xin's old place to see it. The second is the plot setting.
Men and women stare at each other at the farm and are about to kiss, will they be faster? There is also the heroine and the heroine who went home and slept for a while and the hero cooked her breakfast. Is there a sense of familiarity with the scene of a lifetime, Nicholas Tse cooked breakfast for Gao Yuanyuan. Gao Yuanyuan didn't brush her teeth when Nicholas Tse was feeding her, well, I digressed. Third, the scenery and Czech language bring audiovisual novelty. The Prague scenery and Czech language add some visual highlights to the film. Fourth, the suspense setting has its own characteristics, especially when the female protagonist is photographed in front of the statue with a telephoto, the eyes are filled with bright tears.
Later at the funeral, tears filled my eyes and opened the suspense. I think this setting is a bit interesting. Fifth, the soundtrack is a lot of other music. A good movie should have its own soundtrack. Sixth, why the black shorts worn by the heroine are worn by her friend, exactly the same, and it appears that her friend wore it twice. Seventh, does the movie clearly refer to a statue? It's still where the top of the mountain is in reality. I remember that the hero said that he took you to a place twice, and there is a place that I forgot anyway. The impression is roughly like this, and I don’t feel particularly impressed.
