As "You are a teenager" was widely praised by the audience, Zhou Dongyu became popular again, and by the way, her sister Ma Sichun was also brought out and compared. Maybe everyone did not notice that the movie starring Ma Sichun was also released in the same period, but word-of-mouth and popularity were completely crushed, so that this movie has no sense of existence at all. Ma Sichun was also evaluated that his acting skills became more and more awkward.
netizens all say that they are the same actresses, why is Ma Sichun getting worse and worse?
Let’s compare the works of the two from various aspects. The first is "Youth in Youth". The script of this movie is surprising. Coupled with the blessing of popular young students, the audience itself is wide. And Zhou Dongyu’s acting skills have been breaking through. So this movie is very well received.
Looking back at "About Winter", which is the movie released at the same time, I have to say that Ma Sichun's script this time is too ordinary, not only the script is average, but the plot also makes the audience drowsy. But in fact, her acting skills in it are not bad, but there is no breakthrough, she and Huo Jianhua together is a capitalized "not suitable". She was fascinated by this youthful pain literature throughout the whole process, and the audience did not resonate at all. If this ordinary movie can't make her progress, then everyone can not expect "First Incense Burner".
The vitality of an actor lies in his acting skills, that is, whether he can understand the characters in the script and perceive him. If you understand, then you will definitely act out. Everyone has always commented that Dongyu Zhou always plays the same kind of role, and you can find commonalities in it. This is because of her appearance restrictions. The roles she plays are always cute and playful, and she is persevering when encountering difficulties. Yes, naive and rebellious.
So many people say that she is a "talent type". With such a blessing in appearance, scripts with similar roles will come to her door. But this statement is not accurate, because she has also had a time when she was confused, and almost couldn't find her role.
We look at many of her roles. Although they are similar, their recognition is not bad at all. For example, Chen Nian and An Sheng, you can't confuse these two roles. She is very good at choosing the script that suits her. This may be where Ma Sichun differs from her. The steady selection of scripts has made her acting skills stable. After a stable selection, the themes of the scripts will be expanded. For example, the scripts of campus bullies and the scripts of mentally retarded girls have deepened the audience's resonance.
Zhou Dongyu slowly explored and perfected his role, not rough, not tortuous, but steady.
Judging from the script selected by Ma Sichun, she has tried all the roles. TOEFL is based on her appearance and body. All the roles have no sense of disobedience and no limitations.
She is also happy to try various character protagonists, such as bad girls, obedient girls with rebellious heart, female generals, agents and crazy girls. The role contrast is huge, and she is groping for her career as an actress. Ma Sichun likes to choose the script she likes at will, it can be said that she has no scruples, so this happens, she goes around or goes back to the starting point. When
was a newcomer, she was acting "Left Ear", and after getting the trophy as a queen, she was still acting "About Winter".
There is not much difference between the two at all. They both tell stories about adolescence and love, and even the authors of the two movies are the same. Isn't this back to the beginning?
last year, she published a review of "The First Incense Burner", and was criticized as pretending to be literary. Why? Netizens said that she didn't understand Zhang Ailing and talked about her opinions freely, so she was ridiculed.
She is accustomed to youth pain literature. After reading this book, she still thinks of love, but she doesn't know that this book is actually about women's struggle and the oppression of women in that era. She didn't even understand the book, but she wanted to act in this play, so why not make people complain.
In a recent variety show, she has to challenge Zhang Ailing's role again, and even the friends on the scene joked that she was going to be on the bar with Zhang Ailing again. Unsurprisingly, her performance is still love. Someone has said that all the characters in Zhang Ailing's works are used to tell an imperfect love story to imply the hardship and despair of women in that era.
Ma Sichun understood the love story, but did not perceive the true meaning of the character. In short, her performance was superficial and could not reach the heart of the audience. Her scenes are very good, especially the crying scenes, but she cries too much, and she cries almost the same every time. Why does she go round and round without breaking through herself?She is acting on the surface story.
She must be considered alive among actors, otherwise it would be impossible to always appear on the big screen and be favored by big directors. Ma Sichun has an understanding of the role and will try to figure out the mood of the role. For example, she can play the girl trapped by love, and she can also play the affectionate father and daughter. This is where she shines.
But maybe because the actor's road is very smooth, some emotions are hard to touch and experience, so the interpretation is not complete. Everyone can understand her mentality that she wants to break through. She keeps trying different roles to escape the comfort zone that traps her. This is a great way to break through for older actors who have rich experience, but for a new generation of actors like her, is this kind of exploration a bit reckless?
Because the role she tried made her escape from the comfort zone, the audience will feel that this role is not outstanding when watching it, and acting in an uncomfortable environment will wear out the aura accumulated before. So her acting skills are becoming more and more uncomfortable, and she may eventually have self-doubt. All actors in
have a comfort zone. For example, Dongyu Zhou's comfort zone is an innocent and rebellious girl, slowly improving the aura of the role. Take experienced veteran actors, such as Huang Bo, Wu Jing and others will stay in their comfort zone, and the roles they choose are somewhat resonant and similar. What Ma Sichun wants is that she can act in everything, but not everyone is Tony Leung, acting like something, if that is the case, she may not be in this position now. The acting skills of
need to be tempered slowly, and only after having rich insights into the same role, can you break out and try another role. So the new generation of actors can learn Zhou Dongyu's model, stay in the comfort zone at the beginning, figure out a role thoroughly, and then come out and expand their own play. It's not too late.
Acting is the process of learning. We must refuse "learning but not perfect" and learn to "practice makes perfect". If the last actor can accept public criticism, it is actually very helpful to his interpretation. The audience also desires good works.
