"Over the Spring" is the polishing and presentation of a new generation of youth experience, with a strong sense of plot.

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First of all, there is no hypocritical pain in this movie, but there is cruel reality. And more importantly, the self-selection of a brave life that faces confusion and uncertainty, fears the heart but still moves forward. "Over the Spring" has no traffic, no name guide, no celebrity, but it can be overwhelmed by word of mouth, and the prize is soft. Secondly, the heroine Pei Pei loves snow and wants to go to Japan to see the snow falling like cherry blossoms, and even used it as a tattoo for herself. The movie repeatedly says that Hong Kong is very hot, and it takes time to show the joy of the heroine's early life, but these are all superficial. Looking deeper, the heroine is living in a cold world, divorced family, nothing Friends, not accepted by others. This is where the contradiction of the movie lies. Sister Hua, Pepe’s parents, and all kinds of social figures in the movie are all like this. They are not willing to stay here, but they are helpless.

'Over the Spring' is the polishing and presentation of a new generation of youth experience, with a strong sense of plot. - Lujuba

Furthermore, the plot has a strong sense of hierarchy and is progressive, and I will talk about a few plots that make me remember deeply. It was the first time that Peipei came to the gathering place of Sister Hua and the others. She did not understand the thoughts of the people around her, nor how deep the water she stepped into, but she might have felt some warmth and the atmosphere of her family. , This is what she has always lacked and what she needs. Her heart may have been suppressed a lot, whether it is happy, sad, or helpless. When

'Over the Spring' is the polishing and presentation of a new generation of youth experience, with a strong sense of plot. - Lujuba

​​broke out with her mother later, she had suppressed the dissatisfaction and emotions that had been suppressed for too long, and her sensitive and fragile heart might have long been unable to bear it. Also, the lines are grounded, and the overall calm but thoughtful personality of the heroine feels very real (in addition to the script, the actors must be praised). It is not difficult to understand complex psychological activities without relying on large sections of shame lines and inner monologues, and relying on the character's environment and actions alone. But the family background may be a bit vague. The heroine's father is the driver and now has a complete family. The mother's job is not clearly stated, but at least one of the ways to make money is through men.

'Over the Spring' is the polishing and presentation of a new generation of youth experience, with a strong sense of plot. - Lujuba

can be understood as a simple divorced family. Although I have not directly contacted it, I have heard the old story that "ordinary people can use the wage gap to provide mistresses in the mainland". This is the case for the heroine mother in the film. At the end of the film, Pepe put down the postcards that recorded impure friendship and ignorance of love, went to the balcony and looked at the sky; sat at the family dinner table with her mother and ate the home-cooked dishes made by her mother; and was alone with her being trapped in her heart. Free and fearful little sharks are released into the sea. This is a symbol of her reconciliation with friendship, love, family, and herself.

When Peipei went home alone from school for the last time and walked past the street sign pointing to Shenzhen, the white earphones no longer appeared, just striding, steady and unhesitating stride. She has grown up, as if she had crossed the confusion and fear of youth. When the little shark returned to the sea, Pepe, in her neat school uniform, looked up at the foggy sea and the fishing boat with scarlet lights floating in the distance. She was still the 16-year-old girl with no sense of direction. There is still fear and anxiety, but she has chosen to let go of the anxiety in her heart.

Finally, the emotional line of "Over Spring" is really advanced. The host and the host have never said the word of love to each other, nor have they formally communicated with each other, but both the "emotion" and "desire" are just right, and it is conveyed not by lines but by micro expressions and micro movements. Unexpectedly, the clips of boys and girls tying mobile phones to each other's bodies here have a more youthful hormonal feeling than the sex scenes in some movies. "Revolutionary friendship with hormones" is what a youthful relationship should look like. It's much more pleasing to the eye than those stories where I loved you when I was a teenager and I was so old.

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