Beautiful and elegant as Chen Shu, but when I mentioned her, the first thing I thought of was this show.

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Today is another day full of curiosity, hello everyone, I am the information at 3:30, dear ones, don’t forget to pay attention after reading!

A few days ago, the movie "Chang'an Road" was released. The

film is adapted from Hai Yan's novel "The Pirates of Chang'an" and tells the story of a cultural relic theft.

Beautiful and elegant as Chen Shu, but when I mentioned her, the first thing I thought of was this show. - Lujuba

pays attention to this movie because the editor likes a big Tsing Yi-Chen Shu.

Lin Baiyu, who she plays this time, is the current wife of Wan Zhenggang (played by Fan Wei) and was once a well-known show host.

is shrewd, glamorous, exhausted, full of desire and aggressiveness.

Beautiful and elegant as Chen Shu, but when I mentioned her, the first thing I thought of was this show. - Lujuba

It is not difficult to see from the character poster that this is a classic setting of a middle-aged man marrying a glamorous wife, even if this middle-aged man is a university professor.

Besides, the professor's heart is not as humble and honest as he looks.

Beautiful and elegant as Chen Shu, but when I mentioned her, the first thing I thought of was this show. - Lujuba

How to stop commenting on this movie, today we will talk about Chen Shu first.

plays an exquisite and elegant upper-class figure, and Chen Shu is already familiar with it. A good example is Chen Jiaying, who played in "Peace Hotel" which was popular for a while before.

And the role of Lin Baiyu, in the words of director Li Jun, is:

"This woman should be a dare to act, have the ability, means and a figure. She must make people believe that this is a TV show host, and she is also It's so charming that Professor Wan abandoned her family for her back then..." From this look, Chen Shu couldn't be more suitable.

In fact, this is also the first role the director has set.

Seeing Chen Shu reappear on the big screen, Xiao Shijun is still very happy.

To be honest, Chen Shu's path two years ago made me a little worried.

is very afraid that she, like most middle-aged actresses, has not fully explored her own possibilities, she has already entered the big green leaf stage of matching traffic. For example,

played Lu Han's mother in "Fighter of the Destiny"-the queen ▼

played Li Yifeng's agent in "Fantastic Stars"-Meijie▼

also played a wave in the Hollywood blockbuster "The Martian" Short-term soy sauce ▼

As a musical family who has studied and worked for many years in the Oriental Dance Company, the Central Academy of Drama and the National Theatre, her role cannot stop as a foil.

Chen Shu looks gentle and graceful, coupled with his background and dancing foundation, his temperament is even more outstanding.

has red lips, raised eyebrows, and wavy, like a movie star of the last century.

Therefore, the Chen Shu in most people's impression is the "cheongsam queen" in Gao Xixi's words, a classical beauty who came from the Republic of China.

Chen Shu is very lucky. Within a few years of joining the industry, he met his favorite character, Huang Yiyi in "The Settlement".

Huang Yiyi is a mathematics genius. He boldly said love and pursued passionately in front of the people he liked. He was an outlier in that era. The naive idealist

is the first impression many viewers have of her.

In "New Shanghai Beach" starring Huang Xiaoming and Sun Li, Chen Shu plays a charming and bleak Shanghai social flower-Fang Yanyun.

Chen Shu's ingenious balance between amorous feelings and tragedy makes people hardly hate the former lover of the actor, and even steals the limelight of the empress back then.

But the most memorable role in Chen Shu's acting career is still the white tassel in "Love in the Fallen City".

"Love in the Fallen City" is adapted from Zhang Ailing's novel of the same name ▼

Zhang Ailing's literary image and the screen image created by Chen Shu overlap, making "White Tassel" a concrete imagination of Eastern women at that time.

Bai Liusu was born in the Hanlin family in the family. The elder brother of

is incompetent, his sister-in-law is shrewd, and his mother protects his shortcomings. Only one sister, Baoluo, who is convicted, is an individual.

The biggest bargaining chip of the Bai family, who sits and eats, is to marry a good family with tassels.

But this profit-only marriage did not have a good result-

Tang's young master was stealing fishy, ​​tasseling a small child.

Thanks to this marriage, tassels are desperate for love and life.

She wants to go back to her familyFaced with the cynicism and extortion of two brothers-in-law.

The arrogant and lustful Tang Yiyuan finally died of morphine overdose.

For the sake of face, the Tang master paid a lot of money to make tassels widowed by his son.

For the dilapidated Bai family and for his own way out, Tassel can only agree.

Old-style women have only one rule for maintaining marriage, and that is "forbearance". In the end, Tassel still couldn't bear it, so she chose to divorce.

In the end, it was her native family who really held her back. The relationship between husband and wife can be separated, but the blood relationship cannot. The

screenwriter used more than half of the plot to describe Bai Liusu's marital tragedy. In the original work, he only used "the one who left the sixth sister" to explain the Tang family's young master. In the TV series, he seems to be the double hero. In

19, Fan Liuyuan (Huang Jue) finally makes an appearance. After the illegitimate son of a financial crocodile succeeded in inheriting the family estate,

became one of Hong Kong's largest rich.

They met on the busy Waibaidu Bridge, Fan Liuyuan's car was stuck behind Tassel and Baoluo's rickshaw.

Faced with two beautiful ladies, Fan Liuyuan played a high-level flirtation.

He abandoned the car and got out of the car and became a rickshaw driver for the two young ladies of the Bai family. When

met for the first time, Fan Liuyuan fell in love with tassels at first sight, but Lang Yuqing and his concubine had no intention.

In front of this 28-year-old woman whose heart has long been vicissitudes of life, Fan Liuyuan's methods of teasing sisters all failed.

But Fan Liuyuan became interested in this woman who robbed him all the time.

However, the driver of Fan Lao still has a deep routine and lured tassels to Hong Kong under the guise of others.

The time spent in Hong Kong during this period is a love game between two mature men and women who have "scraped".

is also a textbook-level display of male and female intercourse.

He pretended to be a reunion from a stranger in his hometown, and booked the tassel hotel in the next room▼

He deliberately approached her in front of others, but confessed his sincerity under the beautiful moonlight▼

He said she looked down The best look, she will show him obediently ▼

​​When the two were fighting hot, he deliberately left her in the air, and kept her jealous with other women all day ▼

Complete idol drama configuration , But for Bai Liusu and Fan Liuyuan, this ambiguity is bitter.

Bai Liusu is a pretty lady who is unwilling to lose her reputation for him; Fan Liuyuan likes her but he is not enough to give up being single for her.

They all yearn for love, but no one is willing to give sincerely.

After all, but two selfish men and women.

Later, Japanese artillery burned to Hong Kong.

In this city where thousands of people die every day, they only own each other.

put aside their shrewd calculations, and they finally fell in love seriously.

So, the dear son brother and the young lady lived a life full of fireworks like an ordinary couple.

After a bombardment, Fan Liuyuan proposed to Tausu.

World War has begun, and their love war is over.

Chen Shu's white tassels performed quite well.

Although the white tassels in the original work have a petite appearance, Chen Shu looks a little too dignified.

However, with her temperament and acting skills, Chen Shu successfully convinced the audience that Bai Liusu was like her.

However, the white tassels in the TV series are still beautified to a considerable extent. In

's novel, Bai Liusu is a sophisticated woman who doesn't know a few big characters. She can't write a good hand like the one on TV and open her mouth to be the "Book of Songs."

Her thinking is not so advanced. Although she has thought about self-reliance, she thinks that working outside is a loss of lady status.

The purpose of her love for Fan Liuyuan is impure, and her gentle and amiable or arrogant and charming expressions are all means to trap Fan Liuyuan. In the original book

, Fan Liuyuan is a wealthy overseas Chinese businessman who grew up in the UK. He has always had a poetic aesthetic imagination of ancient China.

and fringed, the eldest lady who came out of the white mansion abandoned by the times fits his imagination of traditional Chinese women.

But the tassel at the time was just eager to find a life support, and could not respond to Fan Liuyuan's spiritual calls.

She is economically involuntary. She cannot survive without a man. How can she talk about love?

Therefore, before the war broke out, the so-called love between Bai Liusu and Fan Liuyuan was nothing more than the mutual attraction of beauty and money.

Zhang Ailing is a pessimist, especially in love. In her novels, most of the heroines courtship to no avail, and finally sink into the quagmire of calculation and utility.

criticizes these human absurdities from a high position, but also has sympathy and understanding. Her position and attitude are always vague and incomplete.

Therefore, in his "On Zhang Ailing's Novels", Fu Lei commented on "Love in the Allure": "There is neither real joy nor deep sorrow."

70 years ago, "Love in Allure" is an old age The typical relationship between men and women, men are strong and women are weak, and the capital of women's survival and love depends on men's charity.

Seventy years later, we regard "Zhi Ming and Chun Jiao" as a model of marriage and relationship. Women want a sense of security, but men have not grown up.

In intersex relationships, women are still more likely to have a sense of dependence, and men are still good at avoiding responsibility. Both works of

omit the follow-up of marriage life with a seemingly complete ending.

Because in the long relationship of marriage, no one's life wisdom is enough to provide us with reference answers. At the end of

"Allure of Love" read:

Yanagihara never plays with her now, he saves his witty words and tells the woman next to him. That was a thankful good phenomenon, which indicated that he completely regarded her as his own family-a well-justified wife, but Tassel was still a little confused. After the vigorous

, all the contradictions, discomforts and struggles in getting along will still come back.

This kind of melancholy is a flaw in life that we must accept.

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