Liang Zuo: Born on September 3, 1957, a native of Beijing, writer and screenwriter. Graduated from the Chinese Department of Peking University. In the 1980s, he created cross talks with Jiang Kun and others such as "Tiger Mouth Reverie", "Extraordinary News", "Thief Company" and so on. In the 1990s, he began to create sitcoms with Yingda, representative works "I Love My Home", "Sister Horse" etc. On May 19, 2001, Liang Zuo died at home from a sudden myocardial infarction at the age of 44.
When I met Yingda in the crew of "I Love My Home", the new screenwriter Zhang Yue directly said that your crew had a bad attitude towards screenwriters, and I will not participate. After learning about the situation, Yingda said kindly, Liang Zuo would not teach people for no reason, there must be reasons. Yingda also said that you shouldn't be a very unreliable person, and you won't provoke him to that. Zhang Yue still hesitated. Yingda finally said this, set up a team for you, you and Liang Huan will be under my control, and the script will be handed over to me directly. I will talk to you if I have any questions. A green channel is opened.
Zhang Yue previously wrote a comedy sketch on CCTV's "Variety Show" program, which also needs to add baggage, but after going to the "I Love My Home" crew, he found that the baggage was wasted by her. He wrote one of the works in the book before. The burden is only used once, but Liang Zuo will repeatedly "ravaged" a burden endlessly, turning one burden into a pile of burdens.
The script for the first and second episodes of "Graves and Complaints" was written by Zhang Yue, in which it was written that Lao Hu and Lao Fu, a knowledgeable veteran cadre and an old revolutionary veteran cadre who did not look down on each other, began to quarrel with each other. Zhang Yue wrote that Lao Hu said that his father was born in hardship, and he shook the briquettes, and he would not mention the briquettes anymore. Liang Zuo made amendments after seeing it. He wrote, Lao Fu said, "You can also degenerate from a bitter background. You cried when Kennedy died that year. Why don't you cry when our company shakes the briquettes and Zhao his father died?" Old nonsense, can I cry? Old Fu said, why can't you cry? Doesn't your father shake the briquettes too? Old nonsense, oh, my father shook the briquettes. All the people who shook the briquettes that day were my father? I heard that someone who shakes the briquettes dies and I have to cry, am I sick? I know who he is? After adding this word to
, the live performance is very effective. Zhang Yue was also very impressed by Liang Zuo's creation of another line, and felt that the burden was really ridiculous. That was a section of "Double Ghosts Shooting the Door". The old Fu criticized the director of the neighborhood committee, Yu Auntie, "You must seek truth from facts in everything. How old are the old ladies in your street? The average age is seventy-six, just that old. Age, can you still catch the bad guys? If the bad guys let you catch the bad guys how old? If the bad guys of that old age are caught, can they still be rehabilitated? That is, if the bad guys are reworked well, they can still be rehabilitated. What's the use?" This line of
first appeared in the cross talk "Family Strange Stories" written by Liang Zuo. Zhang Yue thinks that this is the great thing about Liang Zuo, which can make the line a burden connected with a burden.
also commented on Yingda. He said that Liang Zuo has a theory in this respect. There are several rules used here, one of which is repetition. There is a sentence that is not funny in itself, but when it appears repeatedly, when you have said it three times, if you can mention it again subtly, the effect will be very good. For example, Yuanyuan has a line in "The Star in the Heart". She said "You have to study hard" several times before, and finally saw Xiaofan say "You have to study hard" again. It's a laugh. Another typical example of
appeared in the episode of "Being in the Old", the old actor Li Ding played a TV station doorman. After retiring, he came to Lao Fu’s as a director for an interview. The two began to quarrel over many details. "This line was only used once as Yingda thought, and Liang Zuo turned out four "lively". The director said, I didn't let you make a bed scene. Fu said, "If you want to do it, I have to be good at acting?" The director said, hey, you can do it, so someone should watch it? The line that the audience saw in the TV series is like this, and Liang Zuo’s original work has another arrangement, that is, Aunt Chen, who is next to the neighborhood committee, then added another sentence, “If you really want to do it, no one will watch it.” Yingda felt that this sentence was a little bit. However, it was deleted during the actual shooting.
Later Zhang Yue also worked as a screenwriter for "Temporary Family". In his opinion, "I Love My Family" has made many people famous, but it didn't make much profit. Because the copyright is not their own, the crew basically earns money from wages, and the TV series are repeatedly sold and broadcast. . Everyone has grown up to be able, and wants to pull his team to make some money.
One day Liang Zuo invited Zhang Yue to eat hot pot. During the meal, he said that he wanted to be a director and asked Zhang Yue to help write the script. Then Zhang Yue began to write the script for "Temporary Family", but she also doubted Liang Zuo could Can't be a director. Because of his work, Zhang Yue is not in the team, and hands the script to the crew every time he finishes writing a few episodes. In the process of writing this drama, Zhang Yue has completely lost the freshness and creative impulse when he wrote "I Love My Family". The more he writes, the smoother he writes, but the more he writes, the more boring he becomes.
Shen Chang was not in good health for a while at Nankai University, so she applied for a leave of absence from the school, during which time she participated in "Temporary Family". During the filming, she could feel Liang Zuo's extensive knowledge, and Cai Ming, another leading actor in the play, called him "Encyclopedia Library". However, Shen Chang also thinks Liang Zuo is a good screenwriter, but he does not seem to be a good director.
When Liang Zuo directed "Temporary Family", Jiang Kun also called and told him, Liang Zuo, don't overpower yourself. Why do you become a TV drama director again? Do you understand? Liang Zuo slowly said to Jiang Kun that when the director is very good, you can sit while standing, and second, if you want to move a place, you don’t have to move a chair by yourself, someone will move it for you; if you look at the tea cup, Someone will hand you water; when you have lunch, the box lunch is delivered to your mouth, so comfortable."
According to "Temporary Family" lead actor Cai Ming, Liang Zuo liked to listen to him when he was on the scene. The director couldn't be stretched when he heard it. He closed his mouth and opened his nostrils for fun.
Judging from the opening captions, "Temporary Family" planned to shoot 120 episodes, but in the end only 40 episodes were broadcast. Wang Juan, a classmate of
, asked Liang Zuo in 1998, how did your 100 episodes of "Temporary Family" disappear after a few episodes? Liang Zuo said, "I haven't written it yet, it's not selling well, so I won't write it down." After
"Temporary Family", Liang Zuo, who has experienced directorship, once confessed to a friend on the phone that I was not suitable for director. "Temporary Family" is the only time. I should do my best. .
not finished, to be continued
