In the new film "The Hedgehog", Wang Junkai worked really hard, from image to performance, and tried his best to prove that I am not an idol. I have appreciated his efforts several times and cannot bear to blame him. I thought that I was also playing a "freak", so it do

In the new film "Hedgehog", Wang Junkai worked really hard. From image to performance, tried his best to prove that I am not an idol.

I have appreciated his efforts several times and cannot bear to blame him.

thought that the played by was also a "freak". It doesn't matter if he is ugly, the drama is too big.

In recent years, it is no longer news that idols have subverted their image. When it comes to "acting ugly", Wang Junkai is not as big as Fan Chengcheng.

In "The Great Night", he gained 30 pounds and became a fat-bellied boy.

is as crazy as Lu Han dancing in an old man’s polo shirt. It is reasonable to doubt whether Fan Chengcheng wants to go against the fans - the more you like something, the less your brother will grow. Not only that, but he also works in the opposite direction.

Traffic idols are already a hot potato. In order not to get involved with them, this one has changed his face and the other has been disfigured.

How to say, The trend of "acting ugly" has spread from actresses to niche students.

How did actresses act ugly in the past?

Yang Mi plays a cleaner, holding up her orchid and pointing to take out the garbage;

Sammi Cheng plays a fat woman who overeats due to a lovelorn relationship and eventually becomes 260 pounds in "Slimming Man and Woman";

Zhao V in Stephen Chow's movie "Shaolin" "Football" full of faces With pustules and bumps, he finally appeared with a bald head.

Aunt Qiong Yao was angry and disappointed after watching "Shaolin Soccer". She immediately called her and said, "I worked so hard to make you so beautiful and cute, but you actually went to make a movie and made yourself You ruined what I created by making it so ugly.”

This requires us to ask why Zhao, who was already famous all over the country, did this extremely risky thing. What is the purpose of pretending to be ugly?

First, she urgently needed a special role to break the audience's stereotype of her and prove that she had more possibilities; second, she entered the film industry.

By the time of "Painted Skin", she was already able to bargain with the director. She did not agree to transform Pei Rong into a "bald head, fangs, bad face, crooked face" to prove that "she is so ugly and a monster, and her husband still loves her so much", said:

"I can be ugly, but I have to be so ugly that I think it's worth it."

Observing the path that actresses have taken, you will find that this "ugliness is worth it", firstly, the character really has the rationality and necessity of being "ugly"; secondly, it can Breaking the audience's inherent perception, quickly transformed and rose to popularity.

Of course, Qing Nai, who does not challenge and cannot survive, does not count. She is just enjoying the endless fun of fighting against the sky and the earth.

I just want to subvert

If it doesn’t subvert, I won’t do this movie

I can stop doing it

The reason why I am still filming

is to surpass

"The Secret of the Dragon"

The actress has gone too far on this road , the successful transformation cases of traffic niches include Yi Yang Qianxi and Zhu Yilong. Both of them almost reached the sky in one step after subverting their idol image.

Compared with actresses, they can change their right and wrong.

As we all know, the film industry does not welcome young boys. Those with a down-to-earth image are more popular than those with a glamorous image. (except for youth movies) idol-style handsome boys should not be involved. In order to let the film industry take him for fun, Zhou Yiwei had tanned and roughened himself up, and tried his best to lean in Jiang Wen's direction.

So compared to actresses who like to act ugly and like to play village women, young men generally have "manliness" anxiety.

Liu Haoran, the four-character character known for his youthful look, especially wants to "grow up" and "mature".

In "Man Jiang Hong", the audience can smell a strong manly smell across the screen.

It is said that Si Zi played a fortune teller in "Jiang Yuan Nong", with a bald head and a blind look, and there is no end to the road of subverting himself.

Liu Haoran’s Paris Olympics movie "Burning Winter" was intended to hit mature men, but in the end it made people feel as if they were underage and were embarrassed on stage.

In addition to the teenager’s desire to become a man, there is also a more common goal - to change from screen to screen. After Hu Ge and Zhu Yilong became famous, their first leading movies played low-level people with unshaven appearance and unshaven beards.

The transformation of niche students above is, after all, switching from one role to another. Now the younger generation of niche students directly become transfer students, from singing and dancing singers to movie stars, and they are very skilled in playing ugly.

Like his predecessors, he wants to impress people, break through stereotypes, and prove that he has more possibilities, or as Si Zi mentioned in the latest interview, after his performance is recognized, he can go from being selected to joining everyone. Co-creation gives you a certain say.

It is understandable to be ambitious, want to break through, and want to grow. The problem is that many young students pretend to be ugly, but they are just ugly and nothing else.

Watching the official clip of Wang Junkai's performance in "The Hedgehog", without reading the synopsis, I thought it was a revival of the classic campus horror film, in which the protagonist was possessed by a ghost and controlled his mind on the spot in class.

is actually just a young man with low self-esteem who repeated grades and stuttered in speech. He was afraid that the teacher would call him to speak in class, so he secretly worked on his psychological development.

Why did it say at the beginning that Wang Junkai worked very hard, and his facial features and muscles worked hard to turn the borderline boy into dementia.

Maybe it was because I was criticized for facial paralysis and dull eyes in "Rebirth" before. This time I had to use force to show that I was not facially paralyzed, so I used too much force while lifting lightly.

It’s not that he didn’t even pay attention, he just couldn’t understand it.

Wang Junkai's state reminds me of Liu Haoran's evaluation of himself. Looking back on his past life, Liu said, "It was a kind of unprepared luck that lifted me up." The smoothness of the past also means a blank life experience. He clearly knows that "I haven't experienced many really big things yet."

They are all good children cultivated in a greenhouse, and they are in contact with the harsh real environment. Isolated, never experienced the fear of being on a cliff, and without the blessing of talent, I just like to play this kind of marginalized person who wanders in the twilight zone.

The marginalized people they played always lacked some dangerous and evil tension, and could only act out the rebellion in their imagination, walking in a shuffling manner, like a sharp brother walking on the catwalk.

Liu Haoran and Chen Feiyu played a pair of poor wandering brothers in "My Motherland and Me"

In Liu Haoran's "Burning Winter", he was not ugly in appearance, but ugly in perception.

The theme of a young man who is mentally confused and troubled meets a man and a woman in a small border town to indulge themselves and find themselves in decadence. This typical European literary and artistic film routine seems to be in vain in the Chinese context.

If you really have a Chinese background, I still believe that if you leave your job and go to Dali or any small town with beautiful scenery, and meet a few literary young people by chance, your spirit will be released.

Speaking of this, I remembered the issue that Jia Ling mentioned in her recent conversation with Sakura Ando about how to adapt the Japanese original version of "Hot and Spicy". She said that Japan has a natural mourning culture, and China does not have this understanding background, so it can only treat Le Ying There are various reasons for depression.

The Japanese theme is that it is enough for me to punch once and burn once. Life may be about living for a few moments. In the Chinese version, she changed it to rebirth, which is more in line with our universal values.

Jia Ling’s filming skills may not be very good, but as a successful comedian, she must understand the audience.

Therefore, movies need to be based on the local area, otherwise they will be water without a source and a tree without roots. The script of "Burning Winter" itself has such problems, and then encounter the suspended Haofeng -

A man from Shanghai suffering from depression A financial practitioner with a syndrome came to a small border town to attend a wedding. When he first appeared on the stage, he wanted to be shouted out, "Child, come home, stop pretending to be an adult at work."

In addition to eating ice cubes, Haofeng also likes to drip ice water on his face and cry inexplicably. I miss my dad and ask, "What are you suffering from?"

is not indifferent to the mental difficulties of modern people, but is just deeply depressed by modern people. It seems inexplicably funny under the empty and artificial expression.

In fact, if you want to be a blockbuster, it is far from enough to break through the image. The fit between the character and himself - making people feel that after he has played the role, it is his, and that others can't play it, is the foundation.

When Hu Ge first started acting in movies, he also pursued the contrast between his character and himself. He played a gangster in "Southern Station" and a domestic violence man in "Hello, China". They were both said to be not bad enough and too well-behaved to be different.

Especially the latter, Hu Ge is slovenly and sloppy on the stage. When the audience takes a look, with such a high nose bridge and bright eyes, how can he look like a cowardly domestic violence man who cannot hold up the wall? For the time being, the literary veterans of are still somewhat convincing.

It’s strange that he looks a bit noble. You always feel that he is not a thing in the pond, not someone who lives in the mud.

In this year's "Stop and Go", Hu Ge plays Wu Di, a young man who is a screenwriter in a big city, frustrated at work and love, and returns to his hometown in frustration (this one does not act ugly).

Although Wu Di was frustrated, he maintained his aloofness and had the opportunity to make a film with the goddess. The way he displayed his talent while maintaining his self-esteem was very funny. In fact, Hu Ge is not exactly like this Sichuan young man, but he was relaxed and natural in his performance. As well as the handling of the character's little pride, I once thought that Hu Ge grew up here.

On the other hand, when Liu Haoran played Rong Jinzhen, the decryption genius who defends his home and country in "Decryption", he felt as if he was being carried away by the weight of the character. He also knew that the performance was difficult, and he did not look very confident.

Although Liu's image and performance in the movie have made breakthroughs, the character lacks charm and is even a bit mean. The trailer is unlikely to attract the audience to watch. Of course, this may not be Liu Haoran's problem.

This year’s juniors are also too eager, excessively pursuing a blockbuster, making a fuss about their image and roles, but rarely considering the adaptation of the role, and whether they have the ability to carry the heavy weight of the role.

characters like to stack all kinds of miserable buffs. In the recent movie "If I Were the One Who Loved You Most in the World", Tong Liya played an armless disabled person who had a difficult time raising a child, and Huang Minghao played a listener who grew up in an orphanage. A disabled boy, he is disabled and an orphan, but he always has an exquisite deception.

In fact, the truly admirable way of pretending to be ugly is one that makes people not feel ugly. How to say

?

Wang Cailing, played by Jiang Wenli in "The Beginning of Spring", looks ugly compared to the actor herself, right? ugly.

looks ugly, but as soon as she starts singing an opera, you feel that her whole body is as bright as the yellow gauze scarf on her chest, and there is a strong reference between beauty and ugliness.

She is a music teacher in a small northern town. She is born with a good voice for singing operas. Her dream is to sing at the Paris Opera House one day.

Her mediocre appearance rooted in the soil can be integrated with the gray and occlusion of the small town, but she is not willing to be mediocre. She wants to escape the turmoil of both material and spiritual poverty, and she also tries to break through the thick fog of the small town like a loud singing voice.

Wang Cailing needs to face her "ugliness" - she is an alien, she is ambitious but not talented, she is unwilling, she is out of place, she is a thorn in the mainstream society.

Some movies do not require the character to be ugly, but Wang Cailing must be ugly here. Resistance to mediocrity and compassion for oneself, to some extent we are all Wang Cailing.

It can be seen that there is a deep space for expression in acting ugly.

Ugliness is just ugly. It is a living reality and a burden that most people are somewhat anxious about.

But in good works, whether "beautiful" or "ugly", the meaning is to realize beauty. At this moment, "ugliness" becomes a door from art to reality, making you think of those beautiful faces. Own.

Hai Qing, who plays the role of a peasant woman in "Into the Dust"

In the eyes of this generation of newcomers in domestic entertainment, ugliness is not ugly, it is a good springboard, which allows it to leap to a position further away from the public.

Most of the domestic entertainment niche actors are still pursuing appearance resemblance. When pursuing appearance resemblance, they are too utilitarian, which drags down the charm of the character.

Even more, the essential purpose of their disguise is to show off their real beauty in disguise.

This kind of posture does not need to be fake, it is not beautiful in itself. The same goes for

. Nowadays, popular celebrities are quickly thrown into the movie market. There is a constant influx of new people, and if they don't advance, they will retreat. How can we not be anxious?

It’s just that the experience of the predecessors has already told us that looking at yourself in the mirror and looking back at your heart is much more effective than blindly acting ugly.

In the new film "Hedgehog", Wang Junkai worked really hard. From image to performance, tried his best to prove that I am not an idol.

I have appreciated his efforts several times and cannot bear to blame him.

thought that the played by was also a "freak". It doesn't matter if he is ugly, the drama is too big.

In recent years, it is no longer news that idols have subverted their image. When it comes to "acting ugly", Wang Junkai is not as big as Fan Chengcheng.

In "The Great Night", he gained 30 pounds and became a fat-bellied boy.

is as crazy as Lu Han dancing in an old man’s polo shirt. It is reasonable to doubt whether Fan Chengcheng wants to go against the fans - the more you like something, the less your brother will grow. Not only that, but he also works in the opposite direction.

Traffic idols are already a hot potato. In order not to get involved with them, this one has changed his face and the other has been disfigured.

How to say, The trend of "acting ugly" has spread from actresses to niche students.

How did actresses act ugly in the past?

Yang Mi plays a cleaner, holding up her orchid and pointing to take out the garbage;

Sammi Cheng plays a fat woman who overeats due to a lovelorn relationship and eventually becomes 260 pounds in "Slimming Man and Woman";

Zhao V in Stephen Chow's movie "Shaolin" "Football" full of faces With pustules and bumps, he finally appeared with a bald head.

Aunt Qiong Yao was angry and disappointed after watching "Shaolin Soccer". She immediately called her and said, "I worked so hard to make you so beautiful and cute, but you actually went to make a movie and made yourself You ruined what I created by making it so ugly.”

This requires us to ask why Zhao, who was already famous all over the country, did this extremely risky thing. What is the purpose of pretending to be ugly?

First, she urgently needed a special role to break the audience's stereotype of her and prove that she had more possibilities; second, she entered the film industry.

By the time of "Painted Skin", she was already able to bargain with the director. She did not agree to transform Pei Rong into a "bald head, fangs, bad face, crooked face" to prove that "she is so ugly and a monster, and her husband still loves her so much", said:

"I can be ugly, but I have to be so ugly that I think it's worth it."

Observing the path that actresses have taken, you will find that this "ugliness is worth it", firstly, the character really has the rationality and necessity of being "ugly"; secondly, it can Breaking the audience's inherent perception, quickly transformed and rose to popularity.

Of course, Qing Nai, who does not challenge and cannot survive, does not count. She is just enjoying the endless fun of fighting against the sky and the earth.

I just want to subvert

If it doesn’t subvert, I won’t do this movie

I can stop doing it

The reason why I am still filming

is to surpass

"The Secret of the Dragon"

The actress has gone too far on this road , the successful transformation cases of traffic niches include Yi Yang Qianxi and Zhu Yilong. Both of them almost reached the sky in one step after subverting their idol image.

Compared with actresses, they can change their right and wrong.

As we all know, the film industry does not welcome young boys. Those with a down-to-earth image are more popular than those with a glamorous image. (except for youth movies) idol-style handsome boys should not be involved. In order to let the film industry take him for fun, Zhou Yiwei had tanned and roughened himself up, and tried his best to lean in Jiang Wen's direction.

So compared to actresses who like to act ugly and like to play village women, young men generally have "manliness" anxiety.

Liu Haoran, the four-character character known for his youthful look, especially wants to "grow up" and "mature".

In "Man Jiang Hong", the audience can smell a strong manly smell across the screen.

It is said that Si Zi played a fortune teller in "Jiang Yuan Nong", with a bald head and a blind look, and there is no end to the road of subverting himself.

Liu Haoran’s Paris Olympics movie "Burning Winter" was intended to hit mature men, but in the end it made people feel as if they were underage and were embarrassed on stage.

In addition to the teenager’s desire to become a man, there is also a more common goal - to change from screen to screen. After Hu Ge and Zhu Yilong became famous, their first leading movies played low-level people with unshaven appearance and unshaven beards.

The transformation of niche students above is, after all, switching from one role to another. Now the younger generation of niche students directly become transfer students, from singing and dancing singers to movie stars, and they are very skilled in playing ugly.

Like his predecessors, he wants to impress people, break through stereotypes, and prove that he has more possibilities, or as Si Zi mentioned in the latest interview, after his performance is recognized, he can go from being selected to joining everyone. Co-creation gives you a certain say.

It is understandable to be ambitious, want to break through, and want to grow. The problem is that many young students pretend to be ugly, but they are just ugly and nothing else.

Watching the official clip of Wang Junkai's performance in "The Hedgehog", without reading the synopsis, I thought it was a revival of the classic campus horror film, in which the protagonist was possessed by a ghost and controlled his mind on the spot in class.

is actually just a young man with low self-esteem who repeated grades and stuttered in speech. He was afraid that the teacher would call him to speak in class, so he secretly worked on his psychological development.

Why did it say at the beginning that Wang Junkai worked very hard, and his facial features and muscles worked hard to turn the borderline boy into dementia.

Maybe it was because I was criticized for facial paralysis and dull eyes in "Rebirth" before. This time I had to use force to show that I was not facially paralyzed, so I used too much force while lifting lightly.

It’s not that he didn’t even pay attention, he just couldn’t understand it.

Wang Junkai's state reminds me of Liu Haoran's evaluation of himself. Looking back on his past life, Liu said, "It was a kind of unprepared luck that lifted me up." The smoothness of the past also means a blank life experience. He clearly knows that "I haven't experienced many really big things yet."

Picture source "Mr. Fashion: Liu Haoran, the undefined self"

They are all good children cultivated in a greenhouse, and they are in contact with the harsh real environment. Isolated, never experienced the fear of being on a cliff, and without the blessing of talent, I just like to play this kind of marginalized person who wanders in the twilight zone.

The marginalized people they played always lacked some dangerous and evil tension, and could only act out the rebellion in their imagination, walking in a shuffling manner, like a sharp brother walking on the catwalk.

Liu Haoran and Chen Feiyu played a pair of poor wandering brothers in "My Motherland and Me"

In Liu Haoran's "Burning Winter", he was not ugly in appearance, but ugly in perception.

The theme of a young man who is mentally confused and troubled meets a man and a woman in a small border town to indulge themselves and find themselves in decadence. This typical European literary and artistic film routine seems to be in vain in the Chinese context.

If you really have a Chinese background, I still believe that if you leave your job and go to Dali or any small town with beautiful scenery, and meet a few literary young people by chance, your spirit will be released.

Speaking of this, I remembered the issue that Jia Ling mentioned in her recent conversation with Sakura Ando about how to adapt the Japanese original version of "Hot and Spicy". She said that Japan has a natural mourning culture, and China does not have this understanding background, so it can only treat Le Ying There are various reasons for depression.

The Japanese theme is that it is enough for me to punch once and burn once. Life may be about living for a few moments. In the Chinese version, she changed it to rebirth, which is more in line with our universal values.

Jia Ling’s filming skills may not be very good, but as a successful comedian, she must understand the audience.

Therefore, movies need to be based on the local area, otherwise they will be water without a source and a tree without roots. The script of "Burning Winter" itself has such problems, and then encounter the suspended Haofeng -

A man from Shanghai suffering from depression A financial practitioner with a syndrome came to a small border town to attend a wedding. When he first appeared on the stage, he wanted to be shouted out, "Child, come home, stop pretending to be an adult at work."

In addition to eating ice cubes, Haofeng also likes to drip ice water on his face and cry inexplicably. I miss my dad and ask, "What are you suffering from?"

is not indifferent to the mental difficulties of modern people, but is just deeply depressed by modern people. It seems inexplicably funny under the empty and artificial expression.

In fact, if you want to be a blockbuster, it is far from enough to break through the image. The fit between the character and himself - making people feel that after he has played the role, it is his, and that others can't play it, is the foundation.

When Hu Ge first started acting in movies, he also pursued the contrast between his character and himself. He played a gangster in "Southern Station" and a domestic violence man in "Hello, China". They were both said to be not bad enough and too well-behaved to be different.

Especially the latter, Hu Ge is slovenly and sloppy on the stage. When the audience takes a look, with such a high nose bridge and bright eyes, how can he look like a cowardly domestic violence man who cannot hold up the wall? For the time being, the literary veterans of are still somewhat convincing.

It’s strange that he looks a bit noble. You always feel that he is not a thing in the pond, not someone who lives in the mud.

In this year's "Stop and Go", Hu Ge plays Wu Di, a young man who is a screenwriter in a big city, frustrated at work and love, and returns to his hometown in frustration (this one does not act ugly).

Although Wu Di was frustrated, he maintained his aloofness and had the opportunity to make a film with the goddess. The way he displayed his talent while maintaining his self-esteem was very funny. In fact, Hu Ge is not exactly like this Sichuan young man, but he was relaxed and natural in his performance. As well as the handling of the character's little pride, I once thought that Hu Ge grew up here.

On the other hand, when Liu Haoran played Rong Jinzhen, the decryption genius who defends his home and country in "Decryption", he felt as if he was being carried away by the weight of the character. He also knew that the performance was difficult, and he did not look very confident.

Although Liu's image and performance in the movie have made breakthroughs, the character lacks charm and is even a bit mean. The trailer is unlikely to attract the audience to watch. Of course, this may not be Liu Haoran's problem.

This year’s juniors are also too eager, excessively pursuing a blockbuster, making a fuss about their image and roles, but rarely considering the adaptation of the role, and whether they have the ability to carry the heavy weight of the role.

characters like to stack all kinds of miserable buffs. In the recent movie "If I Were the One Who Loved You Most in the World", Tong Liya played an armless disabled person who had a difficult time raising a child, and Huang Minghao played a listener who grew up in an orphanage. A disabled boy, he is disabled and an orphan, but he always has an exquisite deception.

In fact, the truly admirable way of pretending to be ugly is one that makes people not feel ugly. How to say

?

Wang Cailing, played by Jiang Wenli in "The Beginning of Spring", looks ugly compared to the actor herself, right? ugly.

looks ugly, but as soon as she starts singing an opera, you feel that her whole body is as bright as the yellow gauze scarf on her chest, and there is a strong reference between beauty and ugliness.

She is a music teacher in a small northern town. She is born with a good voice for singing operas. Her dream is to sing at the Paris Opera House one day.

Her mediocre appearance rooted in the soil can be integrated with the gray and occlusion of the small town, but she is not willing to be mediocre. She wants to escape the turmoil of both material and spiritual poverty, and she also tries to break through the thick fog of the small town like a loud singing voice.

Wang Cailing needs to face her "ugliness" - she is an alien, she is ambitious but not talented, she is unwilling, she is out of place, she is a thorn in the mainstream society.

Some movies do not require the character to be ugly, but Wang Cailing must be ugly here. Resistance to mediocrity and compassion for oneself, to some extent we are all Wang Cailing.

It can be seen that there is a deep space for expression in acting ugly.

Ugliness is just ugly. It is a living reality and a burden that most people are somewhat anxious about.

But in good works, whether "beautiful" or "ugly", the meaning is to realize beauty. At this moment, "ugliness" becomes a door from art to reality, making you think of those beautiful faces. Own.

Hai Qing, who plays the role of a peasant woman in "Into the Dust"

In the eyes of this generation of newcomers in domestic entertainment, ugliness is not ugly, it is a good springboard, which allows it to leap to a position further away from the public.

Most of the domestic entertainment niche actors are still pursuing appearance resemblance. When pursuing appearance resemblance, they are too utilitarian, which drags down the charm of the character.

Even more, the essential purpose of their disguise is to show off their real beauty in disguise.

This kind of posture does not need to be fake, it is not beautiful in itself. The same goes for

. Nowadays, popular celebrities are quickly thrown into the movie market. There is a constant influx of new people, and if they don't advance, they will retreat. How can we not be anxious?

It’s just that the experience of the predecessors has already told us that looking at yourself in the mirror and looking back at your heart is much more effective than blindly acting ugly.