The actor is in entanglement
The male and female protagonists make progress together
The heroine is in the French manor
The Chinese elders are happy to welcome their relatives
Vanessa Gide, Juliet Besson and domestic powerful actors Liu Peiqi, He Zhengjun, Du Xudong, Cao Yutong, Ding Jiali, Cao Li, etc. starred in the Sino-French co-production film "The Engagement" has landed on November 8 and registered in various courtyards across the country line. The film was produced and written by Qiao Wei, directed by An Jianjun and Yang Huilong, with Liu Yongsheng as the producer. Since the movie was released, it has gained a good reputation. Unfortunately, the low row of movies has caused the box office to be cold, and it is called the "legacy of domestic films."
The authenticity of the rural theme population monument is bursting with the audience to resonate.
The film "The Engagement" tells the story of a French journalist Snow who came to China by chance in the early 1980s of the reform and opening up and met Liu Changgen, a rural guy, and the two had a wonderful time together. Time. With the camera in his hand, Snow recorded what he saw and heard about Chang Gen, witnessed the entanglement of Chinese young people in love and marriage at that time, and left an unforgettable romantic love story with Chang Gen. The
movie has received rave reviews after its release. The audience said: "It truly reflects the current situation of rural China in that era, reflects the memory of a generation, and it is the memory of an era." More young audiences said that in the film, "the old drama is on the battlefield, the combination of Chinese and Western, and it is very beautiful. The Chinese and foreign are well connected, and the story of the French in this beautiful mountain village is described in a delicate lens, which brings people back to the time of their fathers’ lives.” Fans of director Luc Besson also watched it. Said to be fans in the movie circle: "I like the work created by Qiao Wei, the screenwriter, and directors An Jianjun and Yang Huilong. I also invited my favorite foreign director, Luc Besson, to produce it. The effect did not disappoint me. This is probably the biggest fan. "Sino-French cooperative period films are full of pure love and beauty. There is no material penetration, only the pursuit of spiritual perfection. Young handsome Chinese and Western partners with senior old opera bones are dedicated to interpretation. Each role is unique and has The imprint of that era is true and natural." "The long-awaited film of Qiao Wei, An Jianjun and Luc Besson has finally been released! It has a sense of the times, has a wonderful storyline, has a strong interpretation of old dramas, and more A film that won an international award, created by the sincere and unsung heroes, is really loved, I believe everyone will not want to miss it!"
National Construction "Chinese Story" Breaking the ice is worthy of a higher ranking film
It received rave reviews when it was released, and it can be regarded as a good word of mouth among the November Chinese films. However, the box office has not been ideal since the movie was released, which has a direct relationship with the low row of theaters. Without the blessing of big-name celebrities, coupled with the limited budget for announcements, "Dating" has encountered a low-ranking situation similar to many other domestic small and medium-sized movies. Today, when popcorn movies are popular, "The Engagement" has been dubbed the so-called "main theme" because of its unique historical heaviness and the limitations of rural themes. Once the audience believes that this is a so-called themeMovies and theaters will also locate films in this way, and the low filming rate has become an inevitable result. It is difficult to reverse the negative attitude of the audience towards this kind of films. If the theater does not arrange films, it is even more impossible to change the audience's inherent perception. These main theme drama films, rural films and other films that focus on literary drama are still stuck in the inherent impression of the past among the audience, and they are far from breaking the ice of the market. But what is gratifying is that despite the low rate of filming, praise from all quarters continues to flow, and there are waves of calls for more theaters.
China's box office market has huge potential and is expected to become the world's largest ticket warehouse. The amazing development speed once surprised the world. Compared with Hollywood blockbusters, the momentum of Chinese-language films may be slightly insufficient, but they can always surprise the audience. In the new historical stage, Chinese films have ushered in an important opportunity for "going out". To tell the Chinese story well and not be kidnapped by "flow", we must jump out of the "community of interests" of "money is foresight" and rush to build a "community of shared destiny" of "people-to-people". Co-production attempts are undoubtedly a new benchmark for Chinese and foreign film cooperation. It is an attempt to dig out more friendship chapters that transcend nation, culture, and country, and to shape China's national image. This is the fundamental interest of Chinese films.
Therefore, I have to mention that French President Macron recently launched his second state visit to China during his presidency. Macron's visit to China focused on three things, one of which is about "movies." . The film "Dating" produced by Luc Besson on this occasion can be regarded as a messenger for the establishment of diplomatic relations between China and France. This is also the responsibility and mission of our domestic filmmakers to contribute to the country. The
movie "Dating" was produced by Dadi Yicai (Beijing) Film and Television Culture Media Co., Ltd. and is currently being shown in major theaters across the country.
(Editor in charge: Du Jiayue_NK6020)
